Plato’s Apology as Forensic Oratory

Detalhes bibliográficos
Autor(a) principal: Tennant, John Roger
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Archai (Online)
Texto Completo: https://periodicos.unb.br/index.php/archai/article/view/8504
Resumo: This article recasts Plato’s Apology of Socrates as a piece of forensic oratory. By examining the rhetorical topoi utilized by Plato, I intend to demonstrate how Plato pushes the boundaries of the genre of forensic oratory toward the creation of a new discursive practice: philosophy. The article first examines the concept of “genre” in connection with forensic oratory. Drawing upon the work of Mikhail Bakhtin, Tzvetan Todorov, and Andrea Nightingale, the article establishes a consonance between these scholars’ conceptions of genre and what other scholars have defined as the “genre” of forensic oratory. The article then takes up the question of why Plato’s Apology traditionally has been excluded from this genre. I argue that certain views concerning the presumed historicity of speeches awarded the label of “forensic oratory” need to be reexamined, as there is no clear evidence that the Athenians required historical accuracy of the speeches we now classify as forensic oratory. By removing the requirement of historicity, we gain a more accurate picture of what constitutes forensic oratory and why Plato’s Apology deserves membership in this genre. The article then examines in detail various rhetorical topoi in the Apology. I argue that by manipulating and reworking such topoi, Plato expands and redefines the genre of forensic oratory to include the new discursive practice of philosophy. The article reveals how Plato’s redefinition of the boundaries of forensic oratory transformed a criminal defendant’s speech in a court of law into the sine qua non of the philosopher and the philosophic life.  
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spelling Plato’s Apology as Forensic Oratoryforensic oratoryPlatoApology of SocratesgenreThis article recasts Plato’s Apology of Socrates as a piece of forensic oratory. By examining the rhetorical topoi utilized by Plato, I intend to demonstrate how Plato pushes the boundaries of the genre of forensic oratory toward the creation of a new discursive practice: philosophy. The article first examines the concept of “genre” in connection with forensic oratory. Drawing upon the work of Mikhail Bakhtin, Tzvetan Todorov, and Andrea Nightingale, the article establishes a consonance between these scholars’ conceptions of genre and what other scholars have defined as the “genre” of forensic oratory. The article then takes up the question of why Plato’s Apology traditionally has been excluded from this genre. I argue that certain views concerning the presumed historicity of speeches awarded the label of “forensic oratory” need to be reexamined, as there is no clear evidence that the Athenians required historical accuracy of the speeches we now classify as forensic oratory. By removing the requirement of historicity, we gain a more accurate picture of what constitutes forensic oratory and why Plato’s Apology deserves membership in this genre. The article then examines in detail various rhetorical topoi in the Apology. I argue that by manipulating and reworking such topoi, Plato expands and redefines the genre of forensic oratory to include the new discursive practice of philosophy. The article reveals how Plato’s redefinition of the boundaries of forensic oratory transformed a criminal defendant’s speech in a court of law into the sine qua non of the philosopher and the philosophic life.  Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil2015-04-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticlesArtigosapplication/pdfhttps://periodicos.unb.br/index.php/archai/article/view/850410.14195/1984-249X_14_4Revista Archai; Vol. 14 No. 14 (2015): Revista Archai nº14 (janeiro, 2015); 39Archai Journal; v. 14 n. 14 (2015): Revista Archai nº14 (janeiro, 2015); 391984-249X2179-496010.14195/1984-249X_14reponame:Revista Archai (Online)instname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/archai/article/view/8504/7091Tennant, John Rogerinfo:eu-repo/semantics/openAccess2018-06-07T15:30:52Zoai:ojs.pkp.sfu.ca:article/8504Revistahttps://periodicos.unb.br/index.php/archaiPUBhttps://periodicos.unb.br/index.php/archai/oai||archaijournal@unb.br|| cornelli@unb.br1984-249X1984-249Xopendoar:2018-06-07T15:30:52Revista Archai (Online) - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv Plato’s Apology as Forensic Oratory
title Plato’s Apology as Forensic Oratory
spellingShingle Plato’s Apology as Forensic Oratory
Tennant, John Roger
forensic oratory
Plato
Apology of Socrates
genre
title_short Plato’s Apology as Forensic Oratory
title_full Plato’s Apology as Forensic Oratory
title_fullStr Plato’s Apology as Forensic Oratory
title_full_unstemmed Plato’s Apology as Forensic Oratory
title_sort Plato’s Apology as Forensic Oratory
author Tennant, John Roger
author_facet Tennant, John Roger
author_role author
dc.contributor.author.fl_str_mv Tennant, John Roger
dc.subject.por.fl_str_mv forensic oratory
Plato
Apology of Socrates
genre
topic forensic oratory
Plato
Apology of Socrates
genre
description This article recasts Plato’s Apology of Socrates as a piece of forensic oratory. By examining the rhetorical topoi utilized by Plato, I intend to demonstrate how Plato pushes the boundaries of the genre of forensic oratory toward the creation of a new discursive practice: philosophy. The article first examines the concept of “genre” in connection with forensic oratory. Drawing upon the work of Mikhail Bakhtin, Tzvetan Todorov, and Andrea Nightingale, the article establishes a consonance between these scholars’ conceptions of genre and what other scholars have defined as the “genre” of forensic oratory. The article then takes up the question of why Plato’s Apology traditionally has been excluded from this genre. I argue that certain views concerning the presumed historicity of speeches awarded the label of “forensic oratory” need to be reexamined, as there is no clear evidence that the Athenians required historical accuracy of the speeches we now classify as forensic oratory. By removing the requirement of historicity, we gain a more accurate picture of what constitutes forensic oratory and why Plato’s Apology deserves membership in this genre. The article then examines in detail various rhetorical topoi in the Apology. I argue that by manipulating and reworking such topoi, Plato expands and redefines the genre of forensic oratory to include the new discursive practice of philosophy. The article reveals how Plato’s redefinition of the boundaries of forensic oratory transformed a criminal defendant’s speech in a court of law into the sine qua non of the philosopher and the philosophic life.  
publishDate 2015
dc.date.none.fl_str_mv 2015-04-08
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dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/archai/article/view/8504
10.14195/1984-249X_14_4
url https://periodicos.unb.br/index.php/archai/article/view/8504
identifier_str_mv 10.14195/1984-249X_14_4
dc.language.iso.fl_str_mv por
language por
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil
publisher.none.fl_str_mv Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil
dc.source.none.fl_str_mv Revista Archai; Vol. 14 No. 14 (2015): Revista Archai nº14 (janeiro, 2015); 39
Archai Journal; v. 14 n. 14 (2015): Revista Archai nº14 (janeiro, 2015); 39
1984-249X
2179-4960
10.14195/1984-249X_14
reponame:Revista Archai (Online)
instname:Universidade de Brasília (UnB)
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instname_str Universidade de Brasília (UnB)
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reponame_str Revista Archai (Online)
collection Revista Archai (Online)
repository.name.fl_str_mv Revista Archai (Online) - Universidade de Brasília (UnB)
repository.mail.fl_str_mv ||archaijournal@unb.br|| cornelli@unb.br
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