From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects

Detalhes bibliográficos
Autor(a) principal: Carvalho, Carolina
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: P@ranoá
Texto Completo: https://periodicos.unb.br/index.php/paranoa/article/view/37693
Resumo: Over the years, Peter Eisenman's approach to his criticisms of current architecture has changed. In the scope of this article, however, the search for it has never ceased to be the architecture’s autonomy, starting, initially, from the support in conceptual art and linguistics, and, later, migrating to post-structuralist interpretations. The criticism that was previously configured in an architecture devoid of external references, then comes to have in the urban context the great agent of the design of his projects. Thus, this article aims to present Eisenman's critical architecture and discuss how it ceases to be so exclusive of its contextual elements and starts to relate to the memory of the places in which it is inserted. Therefore, we sought to read authors who influenced Eisenman's work, as well as texts by the architect himself and his critics, with the intention of better understanding the environment and the reflections that provided such architectural productions, in addition to the transition from the first one to the second one. In this study, the main differences between both actions were identified, but it was also concluded the existence of a conversion regarding the distancing of the observer/user from the two different series of projects.
id UNB-28_782c85c0785eec0eb2ae0a67a5044484
oai_identifier_str oai:ojs.pkp.sfu.ca:article/37693
network_acronym_str UNB-28
network_name_str P@ranoá
repository_id_str
spelling From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projectsDe la "forma" a la "memoria". De las casas sin sitio a la ciudad como determinante en los proyectos de Peter EisenmanDa “forma” à “memória”. Das casas sem sítio para a cidade como determinante nos projetos de Peter EisenmanArquitetura pós-modernaarquitetura conceitualPeter Eisenmancidades de escavação artificialformamemóriaArquitectura pos-modernaarquitectura conceptualPeter Eisenman, ciudades de excavación ficticiaformamemoriaPost-modern architectureconceptual architecturePeter Eisenmancities of artificial excavationformmemoryOver the years, Peter Eisenman's approach to his criticisms of current architecture has changed. In the scope of this article, however, the search for it has never ceased to be the architecture’s autonomy, starting, initially, from the support in conceptual art and linguistics, and, later, migrating to post-structuralist interpretations. The criticism that was previously configured in an architecture devoid of external references, then comes to have in the urban context the great agent of the design of his projects. Thus, this article aims to present Eisenman's critical architecture and discuss how it ceases to be so exclusive of its contextual elements and starts to relate to the memory of the places in which it is inserted. Therefore, we sought to read authors who influenced Eisenman's work, as well as texts by the architect himself and his critics, with the intention of better understanding the environment and the reflections that provided such architectural productions, in addition to the transition from the first one to the second one. In this study, the main differences between both actions were identified, but it was also concluded the existence of a conversion regarding the distancing of the observer/user from the two different series of projects.A lo largo de los años, el enfoque de Peter Eisenman a sus críticas a la arquitectura actual ha cambiado. En el ámbito de este artículo, sin embargo, su búsqueda nunca ha dejado de ser la autonomía de la arquitectura, partiendo, inicialmente, del soporte en el arte conceptual y lingüístico, y, posteriormente, migrando hacia interpretaciones posestructuralistas. La crítica que solía configurarse en una arquitectura desprovista de referenciales externos, pasa entonces a tener en el contexto urbano al gran agente de la concepción de sus proyectos. Así, este artículo pretende presentar la arquitectura crítica de Eisenman y discutir cómo deja de ser tan excluyente de sus elementos contextuales y pasa a relacionarse con la memoria de los lugares en los que se inserta. Para ello, se buscó la lectura de autores que influyeron en la obra de Eisenman, así como textos del propio arquitecto y de sus críticos, con la intención de comprender mejor el entorno y las reflexiones que brindaban tales producciones arquitectónicas, además de la transición de uno al otro. En este estudio, fueron identificadas las principales diferencias entre ambas acciones, pero también se concluyó la existencia de una conversión referente al distanciamiento del observador/usuario de las dos series de proyectos diferentes abordados.Ao longo dos anos, a abordagem de Peter Eisenman frente a suas críticas à arquitetura vigente foi se modificando. No recorte englobado por este artigo, no entanto, sua busca nunca deixou de ser a autonomia da arquitetura, partindo, inicialmente, do suporte na arte conceitual e na linguística, e, posteriormente, migrando para as interpretações pós-estruturalistas. A crítica que antes se configurava em uma arquitetura desprovida de referenciais externos depois passa a ter no contexto urbano o grande agente da concepção de seus projetos. Assim, o presente artigo visa apresentar a arquitetura crítica de Eisenman e discutir como esta deixa de ser tão excludente de seus elementos contextuais para passar a se relacionar à memória dos locais em que está inserida. Para tanto, buscou-se a leitura de autores que influenciaram o trabalho de Eisenman, bem como de textos do próprio arquiteto e de seus críticos, na intenção de melhor compreender o ambiente e as reflexões que propiciaram tais produções arquitetônicas, além da transição de uma para a outra. Neste estudo, foram identificadas as principais diferenças entre ambas atuações, mas também concluiu-se a existência de uma conversão no que se refere ao afastamento do observador/usuário das duas diferentes séries de projeto abordadas.Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo2021-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.unb.br/index.php/paranoa/article/view/3769310.18830/issn.1679-0944.n31.2021.07Paranoá; Vol. 14 No. 31 (2021): July/December EditionParanoá; v. 14 n. 31 (2021): Fluxo Contínuo - Julho/Dezembro1679-09441677-7395reponame:P@ranoáinstname:Universidade de Brasília (UnB)instacron:UNBporenghttps://periodicos.unb.br/index.php/paranoa/article/view/37693/31780https://periodicos.unb.br/index.php/paranoa/article/view/37693/34904Copyright (c) 2021 Paranoáhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCarvalho, Carolina2024-02-08T14:47:09Zoai:ojs.pkp.sfu.ca:article/37693Revistahttps://periodicos.unb.br/index.php/paranoaPUBhttps://periodicos.unb.br/index.php/paranoa/oaiparanoa@unb.br1679-09441677-7395opendoar:2024-02-08T14:47:09P@ranoá - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
De la "forma" a la "memoria". De las casas sin sitio a la ciudad como determinante en los proyectos de Peter Eisenman
Da “forma” à “memória”. Das casas sem sítio para a cidade como determinante nos projetos de Peter Eisenman
title From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
spellingShingle From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
Carvalho, Carolina
Arquitetura pós-moderna
arquitetura conceitual
Peter Eisenman
cidades de escavação artificial
forma
memória
Arquitectura pos-moderna
arquitectura conceptual
Peter Eisenman
, ciudades de excavación ficticia
forma
memoria
Post-modern architecture
conceptual architecture
Peter Eisenman
cities of artificial excavation
form
memory
title_short From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
title_full From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
title_fullStr From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
title_full_unstemmed From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
title_sort From "form" to "memory." From houses of no site to the city as a determinant in Peter Eisenman's projects
author Carvalho, Carolina
author_facet Carvalho, Carolina
author_role author
dc.contributor.author.fl_str_mv Carvalho, Carolina
dc.subject.por.fl_str_mv Arquitetura pós-moderna
arquitetura conceitual
Peter Eisenman
cidades de escavação artificial
forma
memória
Arquitectura pos-moderna
arquitectura conceptual
Peter Eisenman
, ciudades de excavación ficticia
forma
memoria
Post-modern architecture
conceptual architecture
Peter Eisenman
cities of artificial excavation
form
memory
topic Arquitetura pós-moderna
arquitetura conceitual
Peter Eisenman
cidades de escavação artificial
forma
memória
Arquitectura pos-moderna
arquitectura conceptual
Peter Eisenman
, ciudades de excavación ficticia
forma
memoria
Post-modern architecture
conceptual architecture
Peter Eisenman
cities of artificial excavation
form
memory
description Over the years, Peter Eisenman's approach to his criticisms of current architecture has changed. In the scope of this article, however, the search for it has never ceased to be the architecture’s autonomy, starting, initially, from the support in conceptual art and linguistics, and, later, migrating to post-structuralist interpretations. The criticism that was previously configured in an architecture devoid of external references, then comes to have in the urban context the great agent of the design of his projects. Thus, this article aims to present Eisenman's critical architecture and discuss how it ceases to be so exclusive of its contextual elements and starts to relate to the memory of the places in which it is inserted. Therefore, we sought to read authors who influenced Eisenman's work, as well as texts by the architect himself and his critics, with the intention of better understanding the environment and the reflections that provided such architectural productions, in addition to the transition from the first one to the second one. In this study, the main differences between both actions were identified, but it was also concluded the existence of a conversion regarding the distancing of the observer/user from the two different series of projects.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/37693
10.18830/issn.1679-0944.n31.2021.07
url https://periodicos.unb.br/index.php/paranoa/article/view/37693
identifier_str_mv 10.18830/issn.1679-0944.n31.2021.07
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/37693/31780
https://periodicos.unb.br/index.php/paranoa/article/view/37693/34904
dc.rights.driver.fl_str_mv Copyright (c) 2021 Paranoá
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Paranoá
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
dc.source.none.fl_str_mv Paranoá; Vol. 14 No. 31 (2021): July/December Edition
Paranoá; v. 14 n. 31 (2021): Fluxo Contínuo - Julho/Dezembro
1679-0944
1677-7395
reponame:P@ranoá
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str P@ranoá
collection P@ranoá
repository.name.fl_str_mv P@ranoá - Universidade de Brasília (UnB)
repository.mail.fl_str_mv paranoa@unb.br
_version_ 1797066980186914816

Registros relacionados