The Arches House in the history of Brasilia cinema

Detalhes bibliográficos
Autor(a) principal: da Silva Almeida, Sarah
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: P@ranoá
Texto Completo: https://periodicos.unb.br/index.php/paranoa/article/view/29237
Resumo: Brasilia was projected on the dry soil of the cerrado and built by the hands of those who saw beyond today. It was perpetuated by the lenses that captured the light of the capital and the sweat that dropped on the floor. This article proposes a reflection on this relationship: architecture and cinema, in the beginning of Brasilia. To achieve this, it will focus on a specific work: the Nivaldo Borges Residence, whose construction began in 1972. The Arches House, as it is popularly known, has a remarkable history, designed by the architect Lelé, it is also famous for its link with the cinematic history of the Federal Capital. By addressing issues related to the importance of preserving the memory of Brasilia cinema and the places that still exist and help to perpetuate it, symbolizing the link between cinema, architecture and memory, it is hoped that this work will bring out part of the value that this iconic city building has. To this end, its history, values ”‹”‹and connection with the diffusion of cinematographic art are recorded. To perform the work were carried out: literature review, construction visits and interviews with the current owners, direct descendants of the original builder.
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spelling The Arches House in the history of Brasilia cinema A Casa dos Arcos na história do cinema de Brasília Casa dos Arcos, arquitetura, cinema, Lelé, Brasília, Nivaldo BorgesArches House, architecture, cinema, Lelé, Brasilia, Nivaldo BorgesBrasilia was projected on the dry soil of the cerrado and built by the hands of those who saw beyond today. It was perpetuated by the lenses that captured the light of the capital and the sweat that dropped on the floor. This article proposes a reflection on this relationship: architecture and cinema, in the beginning of Brasilia. To achieve this, it will focus on a specific work: the Nivaldo Borges Residence, whose construction began in 1972. The Arches House, as it is popularly known, has a remarkable history, designed by the architect Lelé, it is also famous for its link with the cinematic history of the Federal Capital. By addressing issues related to the importance of preserving the memory of Brasilia cinema and the places that still exist and help to perpetuate it, symbolizing the link between cinema, architecture and memory, it is hoped that this work will bring out part of the value that this iconic city building has. To this end, its history, values ”‹”‹and connection with the diffusion of cinematographic art are recorded. To perform the work were carried out: literature review, construction visits and interviews with the current owners, direct descendants of the original builder. Brasília foi projetada sobre o solo seco do cerrado e construída pelas mãos daqueles que viam além do hoje. Ela foi perpetuada pelas lentes que capturavam a luz da capital e o suor que molhava o chão. Este artigo propõe uma reflexão sobre essa relação: da arquitetura com o cinema, nos primórdios de Brasília. Para isso, vai estreitar o olhar sobre uma obra específica: a Residência Nivaldo Borges, cuja construção foi iniciada em 1972. A Casa dos Arcos, como ficou popularmente conhecida, possui uma história marcante, desde seu projeto do arquiteto Lelé, sua construção, mas também por seu vínculo com a história cinematográfica da Capital Federal. Pela abordagem das questões ligadas à importância da preservação da memória do cinema de Brasília e dos locais que ainda existem e ajudam a perpetuá-la, simbolizando o enlace entre cinema, arquitetura e memória, espera-se com este trabalho trazer à tona parte do valor que esta construção icônica da cidade possui. Para tanto, é feito o registro de sua história, valores e conexão com a difusão da arte cinematográfica. Para execução do trabalho foram realizadas: revisão bibliográfica, visitas à construção e entrevistas com os atuais proprietários, descendentes diretos do construtor original.Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo2020-03-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/paranoa/article/view/2923710.18830/issn.1679-0944.n24.2019.06Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 50-67Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 50-671679-09441677-7395reponame:P@ranoáinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/paranoa/article/view/29237/25326Copyright (c) 2020 Paranoá: cadernos de arquitetura e urbanismoinfo:eu-repo/semantics/openAccessda Silva Almeida, Sarah2024-02-08T12:36:02Zoai:ojs.pkp.sfu.ca:article/29237Revistahttps://periodicos.unb.br/index.php/paranoaPUBhttps://periodicos.unb.br/index.php/paranoa/oaiparanoa@unb.br1679-09441677-7395opendoar:2024-02-08T12:36:02P@ranoá - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv The Arches House in the history of Brasilia cinema
A Casa dos Arcos na história do cinema de Brasília
title The Arches House in the history of Brasilia cinema
spellingShingle The Arches House in the history of Brasilia cinema
da Silva Almeida, Sarah
Casa dos Arcos, arquitetura, cinema, Lelé, Brasília, Nivaldo Borges
Arches House, architecture, cinema, Lelé, Brasilia, Nivaldo Borges
title_short The Arches House in the history of Brasilia cinema
title_full The Arches House in the history of Brasilia cinema
title_fullStr The Arches House in the history of Brasilia cinema
title_full_unstemmed The Arches House in the history of Brasilia cinema
title_sort The Arches House in the history of Brasilia cinema
author da Silva Almeida, Sarah
author_facet da Silva Almeida, Sarah
author_role author
dc.contributor.author.fl_str_mv da Silva Almeida, Sarah
dc.subject.por.fl_str_mv Casa dos Arcos, arquitetura, cinema, Lelé, Brasília, Nivaldo Borges
Arches House, architecture, cinema, Lelé, Brasilia, Nivaldo Borges
topic Casa dos Arcos, arquitetura, cinema, Lelé, Brasília, Nivaldo Borges
Arches House, architecture, cinema, Lelé, Brasilia, Nivaldo Borges
description Brasilia was projected on the dry soil of the cerrado and built by the hands of those who saw beyond today. It was perpetuated by the lenses that captured the light of the capital and the sweat that dropped on the floor. This article proposes a reflection on this relationship: architecture and cinema, in the beginning of Brasilia. To achieve this, it will focus on a specific work: the Nivaldo Borges Residence, whose construction began in 1972. The Arches House, as it is popularly known, has a remarkable history, designed by the architect Lelé, it is also famous for its link with the cinematic history of the Federal Capital. By addressing issues related to the importance of preserving the memory of Brasilia cinema and the places that still exist and help to perpetuate it, symbolizing the link between cinema, architecture and memory, it is hoped that this work will bring out part of the value that this iconic city building has. To this end, its history, values ”‹”‹and connection with the diffusion of cinematographic art are recorded. To perform the work were carried out: literature review, construction visits and interviews with the current owners, direct descendants of the original builder.
publishDate 2020
dc.date.none.fl_str_mv 2020-03-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/29237
10.18830/issn.1679-0944.n24.2019.06
url https://periodicos.unb.br/index.php/paranoa/article/view/29237
identifier_str_mv 10.18830/issn.1679-0944.n24.2019.06
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/29237/25326
dc.rights.driver.fl_str_mv Copyright (c) 2020 Paranoá: cadernos de arquitetura e urbanismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Paranoá: cadernos de arquitetura e urbanismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
dc.source.none.fl_str_mv Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 50-67
Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 50-67
1679-0944
1677-7395
reponame:P@ranoá
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str P@ranoá
collection P@ranoá
repository.name.fl_str_mv P@ranoá - Universidade de Brasília (UnB)
repository.mail.fl_str_mv paranoa@unb.br
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