For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos de Literatura Brasileira Contemporânea |
Texto Completo: | https://periodicos.unb.br/index.php/estudos/article/view/25945 |
Resumo: | “Is it so dangerous to speak of what unleashes?”, asks Laura Erber in the text (poem?) “A retornada”, which closes the eponymous book released by Reliquary Editions in 2017. Erber’s writing, which seems to combine biographical details and elements that tend towards autofictional speculation, is organized around a binomial: the questioning of an author's presence that refers to the construction of self and to the form and the critical exercise undertaken by the whole work. In the first place, the comfort of the presence of a lyrical self, which would indicate a certain appropriateness to the form, comes before the author's confessed feeling about the classificatory imprecision of the whole book. Extracting gender labels from Laura Erber’s text, and to some extent relativizing the notion of literary autonomy, we are interested in exploring the construction of a self-design (Groys, 2016) and the author's critical exercise (Laddaga, 2013) both linked to form, in which several textual indexes seek to guide its reception, despite imploding its readers’ horizon of expectations (Jauss, 1994). |
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For an anatomy of the literary gesture: self-design and critical exercise in Laura ErberPor una anatomía del gesto literario: diseño de sí y ejercicio crítico en Laura ErberPor uma anatomia do gesto literário: design de si e exercício crítico em Laura Erberdesign de siformaleitordiseño de siformalectorself-designformreader“Is it so dangerous to speak of what unleashes?”, asks Laura Erber in the text (poem?) “A retornada”, which closes the eponymous book released by Reliquary Editions in 2017. Erber’s writing, which seems to combine biographical details and elements that tend towards autofictional speculation, is organized around a binomial: the questioning of an author's presence that refers to the construction of self and to the form and the critical exercise undertaken by the whole work. In the first place, the comfort of the presence of a lyrical self, which would indicate a certain appropriateness to the form, comes before the author's confessed feeling about the classificatory imprecision of the whole book. Extracting gender labels from Laura Erber’s text, and to some extent relativizing the notion of literary autonomy, we are interested in exploring the construction of a self-design (Groys, 2016) and the author's critical exercise (Laddaga, 2013) both linked to form, in which several textual indexes seek to guide its reception, despite imploding its readers’ horizon of expectations (Jauss, 1994).“¿Es tan peligroso hablar de lo que desenlaza?”, es lo que cuestiona Laura Erber en el texto (¿poema?) “La retornada”, que encierra el libro homónimo lanzado por Relicário Edições en 2017. La escritura que parece mezclar aspectos biográficos de la autora y elementos que huyen a la especulación autoficcional se organiza alrededor de un binomio: el cuestionamiento de una presencia de autor que remitiría al diseño de sí y a la forma y el ejercicio crítico emprendido por toda la obra. En primer lugar, la comodidad generada por la presencia de un yo lírico, lo que señalaría cierta adecuación a la forma, se disipa ante el sentimiento evidente de la autora respecto a la imprecisión clasificatoria de todo el libro. En el caso de Laura Erber y, en cierta medida relativizando la noción de autonomía de lo literario, nos interesa explorar la construcción de un diseño de sí (Groys, 2016) y el ejercicio crítico (Laddaga, 2013) de la autora, ambos vinculados a la forma, en que varios índices textuales buscan orientar la recepción, aunque haciendo colapsar el horizonte de expectativas de sus lectores (Jauss, 1994).“É tão perigoso falar do que desata?”, questiona Laura Erber no texto (poema?) “A retornada”, que encerra o livro homônimo lançado pela Relicário Edições em 2017. A escrita que parece conjugar aspectos biográficos da autora e elementos que fogem à especulação autoficcional organiza-se em torno de um binômio: o questionamento de uma presença de autor que remeteria ao design de si e à forma e o exercício crítico empreendido por toda a obra. Em primeiro lugar, o conforto da presença de um eu-lírico, que indicaria certa adequação à forma, esvai-se diante do sentimento confesso da autora a respeito da imprecisão classificatória de todo o livro. Abstraindo as etiquetas de gênero do texto de Laura Erber e em certa medida relativizando a noção de autonomia do literário, interessa-nos explorar a construção de um design de si (Groys, 2016) e o exercício crítico (Laddaga, 2013) da autora, ambos ligados à forma em que vários índices textuais procuram orientar a recepção, ainda que fazendo implodir o horizonte de expectativas de seus leitores (Jauss, 1994).Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasília2019-07-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer ReviewedEvaluado por los paresAvaliado pelos paresapplication/pdftext/xmlhttps://periodicos.unb.br/index.php/estudos/article/view/2594510.1590/2316-40185711Estudos de Literatura Brasileira Contemporânea; No. 57 (2019): Reading and experience - Ligia Gonçalves Diniz e Patrícia Trindade Nakagome (Org.); 1-7Estudos de Literatura Brasileira Contemporânea; n. 57 (2019): Leitura e experiência - Ligia Gonçalves Diniz e Patrícia Trindade Nakagome (Org.); 1-72316-40181518-0158reponame:Estudos de Literatura Brasileira Contemporâneainstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/estudos/article/view/25945/22784https://periodicos.unb.br/index.php/estudos/article/view/25945/24145Copyright (c) 2019 Edma de Góisinfo:eu-repo/semantics/openAccessde Góis, Edma2019-10-30T19:40:17Zoai:ojs.pkp.sfu.ca:article/25945Revistahttps://periodicos.unb.br/index.php/estudosPUBhttps://periodicos.unb.br/index.php/estudos/oaiportaldeperiodicos@bce.unb.br||revistaestudos@gmail.com2316-40181518-0158opendoar:2019-10-30T19:40:17Estudos de Literatura Brasileira Contemporânea - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber Por una anatomía del gesto literario: diseño de sí y ejercicio crítico en Laura Erber Por uma anatomia do gesto literário: design de si e exercício crítico em Laura Erber |
title |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
spellingShingle |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber de Góis, Edma design de si forma leitor diseño de si forma lector self-design form reader |
title_short |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
title_full |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
title_fullStr |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
title_full_unstemmed |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
title_sort |
For an anatomy of the literary gesture: self-design and critical exercise in Laura Erber |
author |
de Góis, Edma |
author_facet |
de Góis, Edma |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Góis, Edma |
dc.subject.por.fl_str_mv |
design de si forma leitor diseño de si forma lector self-design form reader |
topic |
design de si forma leitor diseño de si forma lector self-design form reader |
description |
“Is it so dangerous to speak of what unleashes?”, asks Laura Erber in the text (poem?) “A retornada”, which closes the eponymous book released by Reliquary Editions in 2017. Erber’s writing, which seems to combine biographical details and elements that tend towards autofictional speculation, is organized around a binomial: the questioning of an author's presence that refers to the construction of self and to the form and the critical exercise undertaken by the whole work. In the first place, the comfort of the presence of a lyrical self, which would indicate a certain appropriateness to the form, comes before the author's confessed feeling about the classificatory imprecision of the whole book. Extracting gender labels from Laura Erber’s text, and to some extent relativizing the notion of literary autonomy, we are interested in exploring the construction of a self-design (Groys, 2016) and the author's critical exercise (Laddaga, 2013) both linked to form, in which several textual indexes seek to guide its reception, despite imploding its readers’ horizon of expectations (Jauss, 1994). |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer Reviewed Evaluado por los pares Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/estudos/article/view/25945 10.1590/2316-40185711 |
url |
https://periodicos.unb.br/index.php/estudos/article/view/25945 |
identifier_str_mv |
10.1590/2316-40185711 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/estudos/article/view/25945/22784 https://periodicos.unb.br/index.php/estudos/article/view/25945/24145 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Edma de Góis info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Edma de Góis |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasília |
publisher.none.fl_str_mv |
Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasília |
dc.source.none.fl_str_mv |
Estudos de Literatura Brasileira Contemporânea; No. 57 (2019): Reading and experience - Ligia Gonçalves Diniz e Patrícia Trindade Nakagome (Org.); 1-7 Estudos de Literatura Brasileira Contemporânea; n. 57 (2019): Leitura e experiência - Ligia Gonçalves Diniz e Patrícia Trindade Nakagome (Org.); 1-7 2316-4018 1518-0158 reponame:Estudos de Literatura Brasileira Contemporânea instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Estudos de Literatura Brasileira Contemporânea |
collection |
Estudos de Literatura Brasileira Contemporânea |
repository.name.fl_str_mv |
Estudos de Literatura Brasileira Contemporânea - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
portaldeperiodicos@bce.unb.br||revistaestudos@gmail.com |
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1800211021422395392 |