The Brazilian Popular in Cinematographic Audiovisual Culture

Detalhes bibliográficos
Autor(a) principal: Farias, Edson
Data de Publicação: 2022
Outros Autores: Leão, Andréa Borges
Tipo de documento: Artigo
Idioma: por
Título da fonte: Sociedade e Estado
Texto Completo: https://periodicos.unb.br/index.php/sociedade/article/view/41883
Resumo: This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.
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spelling The Brazilian Popular in Cinematographic Audiovisual CultureO Popular Brasileiro na Cultura Audiovisual Cinematográfica problematizações do popular; sistema audiovisual; formatos expressivos; esfera cultural; Brasilproblematizations of the popular; audiovisual system; expressive formats; cultural sphere; Brazil.This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.Neste artigo, o objeto de conhecimento consiste nas problematizações do popular internas aos formatos expressivos (no caso, o filme de longa metragem) próprios à cultura audiovisual no Brasil. As metas relacionadas à correlação entre popular brasileiro e cultura audiovisual, vem a reboque das duas seguintes intuições cruzadas que informam o nosso ponto de partida: a) de um lado, entendemos que, ao ser definido como objeto, o popular participa da constituição de campos epistemológicos e artísticos no país, em alguma medida, mediando-os; b) o popular, igualmente, torna-se subsídios às designações do sistema sociotécnico audiovisual no país. A partir da tradição autoral cinematográfica que emerge entre as décadas de 1950 e 1960, entendemos que o exame das retomadas histórico-empíricas da problematização sobre o popular, nas interrelações do sistema audiovisual com os demais sistemas que compõem a esfera cultural no Brasil, oferece uma oportunidade para a reflexão de como este sistema se insere nos modos de percepção e cognição no arranjo do complexo societário moderno, quando oferece uma alternativa de atribuições de sentido calcadas no seu código ótico, gráfico e oral.Departamento de Sociologia - UnB/SOL2022-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://periodicos.unb.br/index.php/sociedade/article/view/4188310.1590/s0102-6992-202237010002Sociedade e Estado; Vol. 37 No. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-51Sociedade e Estado; Vol. 37 Núm. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-51Sociedade e Estado; v. 37 n. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-511980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/41883/32934Copyright (c) 2022 Sociedade e Estadohttps://creativecommons.org/licenses/by-nc/4.0/deed.eninfo:eu-repo/semantics/openAccessFarias, EdsonLeão, Andréa Borges 2022-08-15T11:42:54Zoai:ojs.pkp.sfu.ca:article/41883Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2022-08-15T11:42:54Sociedade e Estado - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv The Brazilian Popular in Cinematographic Audiovisual Culture
O Popular Brasileiro na Cultura Audiovisual Cinematográfica
title The Brazilian Popular in Cinematographic Audiovisual Culture
spellingShingle The Brazilian Popular in Cinematographic Audiovisual Culture
Farias, Edson
problematizações do popular; sistema audiovisual; formatos expressivos; esfera cultural; Brasil
problematizations of the popular; audiovisual system; expressive formats; cultural sphere; Brazil.
title_short The Brazilian Popular in Cinematographic Audiovisual Culture
title_full The Brazilian Popular in Cinematographic Audiovisual Culture
title_fullStr The Brazilian Popular in Cinematographic Audiovisual Culture
title_full_unstemmed The Brazilian Popular in Cinematographic Audiovisual Culture
title_sort The Brazilian Popular in Cinematographic Audiovisual Culture
author Farias, Edson
author_facet Farias, Edson
Leão, Andréa Borges
author_role author
author2 Leão, Andréa Borges
author2_role author
dc.contributor.author.fl_str_mv Farias, Edson
Leão, Andréa Borges
dc.subject.por.fl_str_mv problematizações do popular; sistema audiovisual; formatos expressivos; esfera cultural; Brasil
problematizations of the popular; audiovisual system; expressive formats; cultural sphere; Brazil.
topic problematizações do popular; sistema audiovisual; formatos expressivos; esfera cultural; Brasil
problematizations of the popular; audiovisual system; expressive formats; cultural sphere; Brazil.
description This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/41883
10.1590/s0102-6992-202237010002
url https://periodicos.unb.br/index.php/sociedade/article/view/41883
identifier_str_mv 10.1590/s0102-6992-202237010002
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/41883/32934
dc.rights.driver.fl_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
dc.source.none.fl_str_mv Sociedade e Estado; Vol. 37 No. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-51
Sociedade e Estado; Vol. 37 Núm. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-51
Sociedade e Estado; v. 37 n. 01 (2022): Dossiê: Caminhos de uma Socioantropologia das Escrituras do Audiovisual; 25-51
1980-5462
0102-6992
reponame:Sociedade e Estado
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str Sociedade e Estado
collection Sociedade e Estado
repository.name.fl_str_mv Sociedade e Estado - Universidade de Brasília (UnB)
repository.mail.fl_str_mv portaldeperiodicos@bce.unb.br||revistasol@unb.br
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