Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s

Detalhes bibliográficos
Autor(a) principal: Formiga, Tarcila Soares
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Sociedade e Estado
Texto Completo: https://periodicos.unb.br/index.php/sociedade/article/view/24137
Resumo: The art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists.
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spelling Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950sA crítica de arte e suas mediações: Mário Pedrosa e a construção de uma plataforma estética concretista no Rio de Janeiro entre as décadas de 1940 e 1950Mário Pedrosacrítica de arteIvan Serpaarte concretamediaçãoMario Pedrosaart criticismIvan Serpaconcrete artmediationThe art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists.O crítico de arte Mário Pedrosa destacou-se, entre o final de década de 1940 e o início da década de 1950, ao contribuir para a formação de um núcleo de arte concreta no Rio de Janeiro, juntamente com o artista e professor Ivan Serpa. Enquanto Serpa reuniu esses artistas em suas aulas de pintura, debatendo os trabalhos que eram ali apresentados, Pedrosa fez de sua casa um espaço para apresentar as ideias que estava desenvolvendo em sua tese sobre a percepção da forma na obra de arte. O objetivo deste trabalho é analisar o papel ocupado por Pedrosa na construção de um projeto artístico, em relação àquele desempenhado por Serpa, atuando como mediador em diversos níveis: apresentando os novos artistas ao público na condição de crítico, e atuando como um “teórico” no interior de um grupo de artistas.Departamento de Sociologia - UnB/SOL2020-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/sociedade/article/view/2413710.1590/s0102-6992-202035010012Sociedade e Estado; Vol. 35 No. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306Sociedade e Estado; Vol. 35 Núm. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306Sociedade e Estado; v. 35 n. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-3061980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/24137/26212Copyright (c) 2020 Sociedade e Estadoinfo:eu-repo/semantics/openAccessFormiga, Tarcila Soares2021-01-04T21:54:29Zoai:ojs.pkp.sfu.ca:article/24137Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2021-01-04T21:54:29Sociedade e Estado - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
A crítica de arte e suas mediações: Mário Pedrosa e a construção de uma plataforma estética concretista no Rio de Janeiro entre as décadas de 1940 e 1950
title Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
spellingShingle Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
Formiga, Tarcila Soares
Mário Pedrosa
crítica de arte
Ivan Serpa
arte concreta
mediação
Mario Pedrosa
art criticism
Ivan Serpa
concrete art
mediation
title_short Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
title_full Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
title_fullStr Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
title_full_unstemmed Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
title_sort Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
author Formiga, Tarcila Soares
author_facet Formiga, Tarcila Soares
author_role author
dc.contributor.author.fl_str_mv Formiga, Tarcila Soares
dc.subject.por.fl_str_mv Mário Pedrosa
crítica de arte
Ivan Serpa
arte concreta
mediação
Mario Pedrosa
art criticism
Ivan Serpa
concrete art
mediation
topic Mário Pedrosa
crítica de arte
Ivan Serpa
arte concreta
mediação
Mario Pedrosa
art criticism
Ivan Serpa
concrete art
mediation
description The art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/24137
10.1590/s0102-6992-202035010012
url https://periodicos.unb.br/index.php/sociedade/article/view/24137
identifier_str_mv 10.1590/s0102-6992-202035010012
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/24137/26212
dc.rights.driver.fl_str_mv Copyright (c) 2020 Sociedade e Estado
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Sociedade e Estado
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
dc.source.none.fl_str_mv Sociedade e Estado; Vol. 35 No. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306
Sociedade e Estado; Vol. 35 Núm. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306
Sociedade e Estado; v. 35 n. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306
1980-5462
0102-6992
reponame:Sociedade e Estado
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str Sociedade e Estado
collection Sociedade e Estado
repository.name.fl_str_mv Sociedade e Estado - Universidade de Brasília (UnB)
repository.mail.fl_str_mv portaldeperiodicos@bce.unb.br||revistasol@unb.br
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