Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Sociedade e Estado |
Texto Completo: | https://periodicos.unb.br/index.php/sociedade/article/view/24137 |
Resumo: | The art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists. |
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Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950sA crítica de arte e suas mediações: Mário Pedrosa e a construção de uma plataforma estética concretista no Rio de Janeiro entre as décadas de 1940 e 1950Mário Pedrosacrítica de arteIvan Serpaarte concretamediaçãoMario Pedrosaart criticismIvan Serpaconcrete artmediationThe art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists.O crítico de arte Mário Pedrosa destacou-se, entre o final de década de 1940 e o início da década de 1950, ao contribuir para a formação de um núcleo de arte concreta no Rio de Janeiro, juntamente com o artista e professor Ivan Serpa. Enquanto Serpa reuniu esses artistas em suas aulas de pintura, debatendo os trabalhos que eram ali apresentados, Pedrosa fez de sua casa um espaço para apresentar as ideias que estava desenvolvendo em sua tese sobre a percepção da forma na obra de arte. O objetivo deste trabalho é analisar o papel ocupado por Pedrosa na construção de um projeto artístico, em relação à quele desempenhado por Serpa, atuando como mediador em diversos níveis: apresentando os novos artistas ao público na condição de crítico, e atuando como um “teórico” no interior de um grupo de artistas.Departamento de Sociologia - UnB/SOL2020-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/sociedade/article/view/2413710.1590/s0102-6992-202035010012Sociedade e Estado; Vol. 35 No. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306Sociedade e Estado; Vol. 35 Núm. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306Sociedade e Estado; v. 35 n. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-3061980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/24137/26212Copyright (c) 2020 Sociedade e Estadoinfo:eu-repo/semantics/openAccessFormiga, Tarcila Soares2021-01-04T21:54:29Zoai:ojs.pkp.sfu.ca:article/24137Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2021-01-04T21:54:29Sociedade e Estado - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s A crítica de arte e suas mediações: Mário Pedrosa e a construção de uma plataforma estética concretista no Rio de Janeiro entre as décadas de 1940 e 1950 |
title |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
spellingShingle |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s Formiga, Tarcila Soares Mário Pedrosa crítica de arte Ivan Serpa arte concreta mediação Mario Pedrosa art criticism Ivan Serpa concrete art mediation |
title_short |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
title_full |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
title_fullStr |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
title_full_unstemmed |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
title_sort |
Art criticism and its mediations: Mario Pedrosa and the building of a concrete aesthetic platform in Rio de Janeiro between the 1940s and the 1950s |
author |
Formiga, Tarcila Soares |
author_facet |
Formiga, Tarcila Soares |
author_role |
author |
dc.contributor.author.fl_str_mv |
Formiga, Tarcila Soares |
dc.subject.por.fl_str_mv |
Mário Pedrosa crítica de arte Ivan Serpa arte concreta mediação Mario Pedrosa art criticism Ivan Serpa concrete art mediation |
topic |
Mário Pedrosa crítica de arte Ivan Serpa arte concreta mediação Mario Pedrosa art criticism Ivan Serpa concrete art mediation |
description |
The art critic Mário Pedrosa stood out between the late 1940s and the early 1950s by contributing to the formation of a concrete art core in Rio de Janeiro, together with the artist and professor Ivan Serpa. While Ivan Serpa brought these artists together in his painting classes, debating artworks presented there, Pedrosa made his home a place to present the ideas he was developing in his thesis on the perception of form in artwork. The aim of this work is to analyze the role of Pedrosa in the construction of an artistic project, in relation to that played by Serpa, acting as a mediator on several levels: presenting the new artists to the public as a critic, and acting as a "theoretical" within a group of artists. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/24137 10.1590/s0102-6992-202035010012 |
url |
https://periodicos.unb.br/index.php/sociedade/article/view/24137 |
identifier_str_mv |
10.1590/s0102-6992-202035010012 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/24137/26212 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Sociedade e Estado info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Sociedade e Estado |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
dc.source.none.fl_str_mv |
Sociedade e Estado; Vol. 35 No. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306 Sociedade e Estado; Vol. 35 Núm. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306 Sociedade e Estado; v. 35 n. 01 (2020): Dossiê: Saúde mental pela perspectiva das Ciências Sociais; 287-306 1980-5462 0102-6992 reponame:Sociedade e Estado instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Sociedade e Estado |
collection |
Sociedade e Estado |
repository.name.fl_str_mv |
Sociedade e Estado - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
portaldeperiodicos@bce.unb.br||revistasol@unb.br |
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1800211064723341312 |