The subaltern voice of Joaquim Bentinho
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos de Sociologia |
Texto Completo: | https://periodicos.fclar.unesp.br/estudos/article/view/8635 |
Resumo: | In modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies. |
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The subaltern voice of Joaquim BentinhoA voz subalterna de Joaquim BentinhoSubalternityHillbillyCornélio PiresSubalternidadeCaipiraCornélio PiresIn modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies.Na modernidade, os grupos caipiras foram representados a partir de um padrão normativo articulado a referências “cultas” e “citadinas” de escritores cujas análises buscaram expurgar a alteridade e acabaram conferindo à condição de sua subalternidade: o silêncio. Pensando nesses aspectos, o presente texto busca investigar como a voz subalterna de Joaquim Bentinho se manifesta nas obras As estrambóticas aventuras de Joaquim Bentinho, de 1924, e A Continuação das estrambóticas aventuras de Joaquim Bentinho, de 1929, escritas por Cornélio Pires. Com uma prática literária e científica diletante direcionada para a valorização da cultura caipira, o autor teve que lidar com sua própria subalternidade nesses campos sociais. Ao se eleger como legítimo porta-voz caipira, sua empreitada exprime avanço frente àqueles/as que concebiam os/as caboclos/as somente a partir de uma quantidade negativa, ao passo que os limites que seu pensamento apresenta indicam a preservação do caráter uníssono de nossas epistemologias literárias e científicas.FCL-UNESP Laboratório Editorial2016-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/estudos/article/view/8635Estudos de Sociologia; v. 21 n. 41 (2016): Dossiê: Colonialidade, Subalternidade e Identidades1982-47181414-0144reponame:Estudos de Sociologiainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/estudos/article/view/8635/6063Copyright (c) 2016 Estudos de Sociologiainfo:eu-repo/semantics/openAccessMazoti-Corrêa, Lays Matias2021-05-12T13:48:10Zoai:ojs.pkp.sfu.ca:article/8635Revistahttp://seer.fclar.unesp.br/estudosPUBhttp://seer.fclar.unesp.br/estudos/oaistraud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br1982-47181414-0144opendoar:2021-05-12T13:48:10Estudos de Sociologia - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The subaltern voice of Joaquim Bentinho A voz subalterna de Joaquim Bentinho |
title |
The subaltern voice of Joaquim Bentinho |
spellingShingle |
The subaltern voice of Joaquim Bentinho Mazoti-Corrêa, Lays Matias Subalternity Hillbilly Cornélio Pires Subalternidade Caipira Cornélio Pires |
title_short |
The subaltern voice of Joaquim Bentinho |
title_full |
The subaltern voice of Joaquim Bentinho |
title_fullStr |
The subaltern voice of Joaquim Bentinho |
title_full_unstemmed |
The subaltern voice of Joaquim Bentinho |
title_sort |
The subaltern voice of Joaquim Bentinho |
author |
Mazoti-Corrêa, Lays Matias |
author_facet |
Mazoti-Corrêa, Lays Matias |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mazoti-Corrêa, Lays Matias |
dc.subject.por.fl_str_mv |
Subalternity Hillbilly Cornélio Pires Subalternidade Caipira Cornélio Pires |
topic |
Subalternity Hillbilly Cornélio Pires Subalternidade Caipira Cornélio Pires |
description |
In modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/estudos/article/view/8635 |
url |
https://periodicos.fclar.unesp.br/estudos/article/view/8635 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/estudos/article/view/8635/6063 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Estudos de Sociologia info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Estudos de Sociologia |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
FCL-UNESP Laboratório Editorial |
publisher.none.fl_str_mv |
FCL-UNESP Laboratório Editorial |
dc.source.none.fl_str_mv |
Estudos de Sociologia; v. 21 n. 41 (2016): Dossiê: Colonialidade, Subalternidade e Identidades 1982-4718 1414-0144 reponame:Estudos de Sociologia instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Estudos de Sociologia |
collection |
Estudos de Sociologia |
repository.name.fl_str_mv |
Estudos de Sociologia - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
straud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br |
_version_ |
1788171029700411392 |