The subaltern voice of Joaquim Bentinho

Detalhes bibliográficos
Autor(a) principal: Mazoti-Corrêa, Lays Matias
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos de Sociologia
Texto Completo: https://periodicos.fclar.unesp.br/estudos/article/view/8635
Resumo: In modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies.
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spelling The subaltern voice of Joaquim BentinhoA voz subalterna de Joaquim BentinhoSubalternityHillbillyCornélio PiresSubalternidadeCaipiraCornélio PiresIn modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies.Na modernidade, os grupos caipiras foram representados a partir de um padrão normativo articulado a referências “cultas” e “citadinas” de escritores cujas análises buscaram expurgar a alteridade e acabaram conferindo à condição de sua subalternidade: o silêncio. Pensando nesses aspectos, o presente texto busca investigar como a voz subalterna de Joaquim Bentinho se manifesta nas obras As estrambóticas aventuras de Joaquim Bentinho, de 1924, e A Continuação das estrambóticas aventuras de Joaquim Bentinho, de 1929, escritas por Cornélio Pires. Com uma prática literária e científica diletante direcionada para a valorização da cultura caipira, o autor teve que lidar com sua própria subalternidade nesses campos sociais. Ao se eleger como legítimo porta-voz caipira, sua empreitada exprime avanço frente àqueles/as que concebiam os/as caboclos/as somente a partir de uma quantidade negativa, ao passo que os limites que seu pensamento apresenta indicam a preservação do caráter uníssono de nossas epistemologias literárias e científicas.FCL-UNESP Laboratório Editorial2016-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/estudos/article/view/8635Estudos de Sociologia; v. 21 n. 41 (2016): Dossiê: Colonialidade, Subalternidade e Identidades1982-47181414-0144reponame:Estudos de Sociologiainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/estudos/article/view/8635/6063Copyright (c) 2016 Estudos de Sociologiainfo:eu-repo/semantics/openAccessMazoti-Corrêa, Lays Matias2021-05-12T13:48:10Zoai:ojs.pkp.sfu.ca:article/8635Revistahttp://seer.fclar.unesp.br/estudosPUBhttp://seer.fclar.unesp.br/estudos/oaistraud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br1982-47181414-0144opendoar:2021-05-12T13:48:10Estudos de Sociologia - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv The subaltern voice of Joaquim Bentinho
A voz subalterna de Joaquim Bentinho
title The subaltern voice of Joaquim Bentinho
spellingShingle The subaltern voice of Joaquim Bentinho
Mazoti-Corrêa, Lays Matias
Subalternity
Hillbilly
Cornélio Pires
Subalternidade
Caipira
Cornélio Pires
title_short The subaltern voice of Joaquim Bentinho
title_full The subaltern voice of Joaquim Bentinho
title_fullStr The subaltern voice of Joaquim Bentinho
title_full_unstemmed The subaltern voice of Joaquim Bentinho
title_sort The subaltern voice of Joaquim Bentinho
author Mazoti-Corrêa, Lays Matias
author_facet Mazoti-Corrêa, Lays Matias
author_role author
dc.contributor.author.fl_str_mv Mazoti-Corrêa, Lays Matias
dc.subject.por.fl_str_mv Subalternity
Hillbilly
Cornélio Pires
Subalternidade
Caipira
Cornélio Pires
topic Subalternity
Hillbilly
Cornélio Pires
Subalternidade
Caipira
Cornélio Pires
description In modernity, hillbilly groups were represented from a normative standard articulated to “educated” and “urban” references by writers whose analysis sought to expunge otherness and ended up giving them that which constitutes their subaltern condition: silence. Considering these aspects, this paper investigates how the subaltern voice of Joaquim Bentinho is manifested in the works ‘As estrambóticas aventuras de Joaquim Bentinho’ (1924), and ‘A Continuação das estrambóticas aventuras de Joaquim Bentinho’ (1929), written by Cornélio Pires. With a dilettante literary and scientific approach aimed towards the appreciation of hillbilly culture, the author had to deal with his own subalternity in these social fields. Positioning himself as a legitimate hillbilly spokesman, his work is ahead of its time in comparison to those who conceived the caboclo only as a negative entity, whereas the limits present in his thinking indicate the perpetuation of the harmonic character of our literary and scientific epistemologies.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/estudos/article/view/8635
url https://periodicos.fclar.unesp.br/estudos/article/view/8635
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/estudos/article/view/8635/6063
dc.rights.driver.fl_str_mv Copyright (c) 2016 Estudos de Sociologia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Estudos de Sociologia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv FCL-UNESP Laboratório Editorial
publisher.none.fl_str_mv FCL-UNESP Laboratório Editorial
dc.source.none.fl_str_mv Estudos de Sociologia; v. 21 n. 41 (2016): Dossiê: Colonialidade, Subalternidade e Identidades
1982-4718
1414-0144
reponame:Estudos de Sociologia
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Estudos de Sociologia
collection Estudos de Sociologia
repository.name.fl_str_mv Estudos de Sociologia - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv straud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br
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