ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/2939 |
Resumo: | This paper discusses the pathemic process through the iconicity in poetic semiosis. According to Charaudeau (2000), this process that brings out emotions from is linked to socio-discursive representations disseminated by human interaction. However, the iconicity (PEIRCE, 2003; JAKOBSON, s/d; SANTAELLA, 2000; SANTAELLA e NÖTH, 2005; PIGNATARI 2004a, 2004b), which causes significant approximations based on similarity, also encourage exacerbated feelings and sensations, by revealing the common Quality of approximate elements. The poetic semiosis, because of its intense significant motivation, becomes a favorable environment for the pathemic process to occur, then, two namesake poems of Arnaldo Antunes, titled "Agora" (1990 and 1993), serve as the corpus to analyze. |
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CASA: Cadernos de Semiótica Aplicada |
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ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicityARNALDO ANTUNES, AGORA: semiose poética e iconicidade patêmicapathemic processiconicitypoetic semiosispatemizaçãoiconicidadesemiose poéticaThis paper discusses the pathemic process through the iconicity in poetic semiosis. According to Charaudeau (2000), this process that brings out emotions from is linked to socio-discursive representations disseminated by human interaction. However, the iconicity (PEIRCE, 2003; JAKOBSON, s/d; SANTAELLA, 2000; SANTAELLA e NÖTH, 2005; PIGNATARI 2004a, 2004b), which causes significant approximations based on similarity, also encourage exacerbated feelings and sensations, by revealing the common Quality of approximate elements. The poetic semiosis, because of its intense significant motivation, becomes a favorable environment for the pathemic process to occur, then, two namesake poems of Arnaldo Antunes, titled "Agora" (1990 and 1993), serve as the corpus to analyze.Este artigo trata do processo de patemização por meio da iconicidade na semiose poética. De acordo com Charaudeau (2000), esse processo desencadeador de emoções está ligado a representações sociodiscursivas disseminadas pela interação humana. No entanto a iconicidade (PEIRCE, 2003; JAKOBSON, s/d; SANTAELLA, 2000; SANTAELLA; NÖTH, 2005; PIGNATARI, 2004a, 2004b), ao provocar aproximações significativas baseadas na similaridade, também é propícia à exacerbação de sentimentos e sensações por colocar em evidência a Qualidade comum aos elementos aproximados. Como a semiose poética, em virtude de sua intensa motivação significativa, torna-se um meio favorável para a ocorrência do processo de patemização, dois poemas homônimos de Arnaldo Antunes intitulados “Agora” (1990 e 1993) servirão de corpus para a análise.Laboratório Editorial FCL-UNESP | Letraria2010-09-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/293910.21709/casa.v8i1.2939CASA: Cadernos de Semiótica Aplicada; v. 8 n. 1 (2010)1679-340410.21709/casa.v8i1reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/2939/270010.21709/casa.v8i1.2939.g2700Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessFeres, Beatriz dos Santos2010-09-14T21:58:00Zoai:ojs.pkp.sfu.ca:article/2939Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:42.847922CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity ARNALDO ANTUNES, AGORA: semiose poética e iconicidade patêmica |
title |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
spellingShingle |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity Feres, Beatriz dos Santos pathemic process iconicity poetic semiosis patemização iconicidade semiose poética |
title_short |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
title_full |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
title_fullStr |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
title_full_unstemmed |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
title_sort |
ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity |
author |
Feres, Beatriz dos Santos |
author_facet |
Feres, Beatriz dos Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Feres, Beatriz dos Santos |
dc.subject.por.fl_str_mv |
pathemic process iconicity poetic semiosis patemização iconicidade semiose poética |
topic |
pathemic process iconicity poetic semiosis patemização iconicidade semiose poética |
description |
This paper discusses the pathemic process through the iconicity in poetic semiosis. According to Charaudeau (2000), this process that brings out emotions from is linked to socio-discursive representations disseminated by human interaction. However, the iconicity (PEIRCE, 2003; JAKOBSON, s/d; SANTAELLA, 2000; SANTAELLA e NÖTH, 2005; PIGNATARI 2004a, 2004b), which causes significant approximations based on similarity, also encourage exacerbated feelings and sensations, by revealing the common Quality of approximate elements. The poetic semiosis, because of its intense significant motivation, becomes a favorable environment for the pathemic process to occur, then, two namesake poems of Arnaldo Antunes, titled "Agora" (1990 and 1993), serve as the corpus to analyze. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-09-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/2939 10.21709/casa.v8i1.2939 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/2939 |
identifier_str_mv |
10.21709/casa.v8i1.2939 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/2939/2700 10.21709/casa.v8i1.2939.g2700 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 8 n. 1 (2010) 1679-3404 10.21709/casa.v8i1 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051218854412288 |