FALLEN PRINCESSES: A SEMIOTIC ANALYSIS

Detalhes bibliográficos
Autor(a) principal: da Silva Dias, Maria do Livramento
Data de Publicação: 2014
Outros Autores: Borges Gomes, Francisco Wellington
Tipo de documento: Artigo
Idioma: por
Título da fonte: CASA: Cadernos de Semiótica Aplicada
Texto Completo: https://periodicos.fclar.unesp.br/casa/article/view/6552
Resumo: The semiotics proposed by Charles Sanders Peirce, an analysis model used by different fields of knowledge, states that language organizes itself by means of signs.  According to this theoretical background, the apprehension of meaning occurs through the Semiosis, a process in which interpretant, object and representamen are in chain in a cycle of adjacent and distinct categories called firstness, secondness and thirdness.  Peircean semiotics is, therefore, the science of language that seeks to reveal the meaning carried by various types of linguistic manifestations, either imagetic, sonorous or verbal, amongst others.  In this paper, we apply the categories proposed by Peirce (2010) in an analysis of a picture from the Fallen Princesses photographic essay, produced by Dina Goldstein (2013).  We seek, after some theoretical discussion on the key concepts of Peircean Semiotics, to identify the elements in the picture that are responsible for the construction of meaning.
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spelling FALLEN PRINCESSES: A SEMIOTIC ANALYSISFALLEN PRINCESSES: UMA ANÁLISE SEMIÓTICASemioticsSignSemiosisPhotography.SemióticaSignoSemioseFotografia.The semiotics proposed by Charles Sanders Peirce, an analysis model used by different fields of knowledge, states that language organizes itself by means of signs.  According to this theoretical background, the apprehension of meaning occurs through the Semiosis, a process in which interpretant, object and representamen are in chain in a cycle of adjacent and distinct categories called firstness, secondness and thirdness.  Peircean semiotics is, therefore, the science of language that seeks to reveal the meaning carried by various types of linguistic manifestations, either imagetic, sonorous or verbal, amongst others.  In this paper, we apply the categories proposed by Peirce (2010) in an analysis of a picture from the Fallen Princesses photographic essay, produced by Dina Goldstein (2013).  We seek, after some theoretical discussion on the key concepts of Peircean Semiotics, to identify the elements in the picture that are responsible for the construction of meaning.A semiótica proposta por Charles Sanders Peirce, um modelo de análise utilizado por diferentes campos do conhecimento, defende que a linguagem organiza-se por meio de signos. De acordo com esse arcabouço teórico, a apreensão de significados se dá pela semiose, processo no qual interpretante, objeto e representamen estão encadeados em um ciclo cujas realizações repousam em categorias justapostas e distintas chamadas de primeiridade, secundidade e terceiridade. A semiótica peirciana é, portanto, a ciência da linguagem que busca desvendar os significados contidos em variados tipos de manifestações linguísticas, sejam elas imagéticas, sonoras, verbais, dentre outras. Neste trabalho, aplicamos as categorias propostas por Peirce (2010) na análise de uma fotografia do ensaio Fallen Princesses, produzido por Dina Goldstein (2013). Buscamos, após discussão teórica sobre os conceitos-chaves da semiótica peirciana, identificar os elementos da fotografia de acordo com as categorias propostas por Peirce, responsáveis pela construção dos significados da imagem.Laboratório Editorial FCL-UNESP | Letraria2014-01-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/655210.21709/casa.v11i2.6552CASA: Cadernos de Semiótica Aplicada; v. 11 n. 2 (2013)1679-340410.21709/casa.v11i2reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/6552/482710.21709/casa.v11i2.6552.g4827Copyright (c) 2014 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessda Silva Dias, Maria do LivramentoBorges Gomes, Francisco Wellington2014-01-23T01:10:15Zoai:ojs.pkp.sfu.ca:article/6552Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:48.091506CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
FALLEN PRINCESSES: UMA ANÁLISE SEMIÓTICA
title FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
spellingShingle FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
da Silva Dias, Maria do Livramento
Semiotics
Sign
Semiosis
Photography.
Semiótica
Signo
Semiose
Fotografia.
title_short FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
title_full FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
title_fullStr FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
title_full_unstemmed FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
title_sort FALLEN PRINCESSES: A SEMIOTIC ANALYSIS
author da Silva Dias, Maria do Livramento
author_facet da Silva Dias, Maria do Livramento
Borges Gomes, Francisco Wellington
author_role author
author2 Borges Gomes, Francisco Wellington
author2_role author
dc.contributor.author.fl_str_mv da Silva Dias, Maria do Livramento
Borges Gomes, Francisco Wellington
dc.subject.por.fl_str_mv Semiotics
Sign
Semiosis
Photography.
Semiótica
Signo
Semiose
Fotografia.
topic Semiotics
Sign
Semiosis
Photography.
Semiótica
Signo
Semiose
Fotografia.
description The semiotics proposed by Charles Sanders Peirce, an analysis model used by different fields of knowledge, states that language organizes itself by means of signs.  According to this theoretical background, the apprehension of meaning occurs through the Semiosis, a process in which interpretant, object and representamen are in chain in a cycle of adjacent and distinct categories called firstness, secondness and thirdness.  Peircean semiotics is, therefore, the science of language that seeks to reveal the meaning carried by various types of linguistic manifestations, either imagetic, sonorous or verbal, amongst others.  In this paper, we apply the categories proposed by Peirce (2010) in an analysis of a picture from the Fallen Princesses photographic essay, produced by Dina Goldstein (2013).  We seek, after some theoretical discussion on the key concepts of Peircean Semiotics, to identify the elements in the picture that are responsible for the construction of meaning.
publishDate 2014
dc.date.none.fl_str_mv 2014-01-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/6552
10.21709/casa.v11i2.6552
url https://periodicos.fclar.unesp.br/casa/article/view/6552
identifier_str_mv 10.21709/casa.v11i2.6552
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/6552/4827
10.21709/casa.v11i2.6552.g4827
dc.rights.driver.fl_str_mv Copyright (c) 2014 CASA: Cadernos de Semiótica Aplicada
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 CASA: Cadernos de Semiótica Aplicada
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
dc.source.none.fl_str_mv CASA: Cadernos de Semiótica Aplicada; v. 11 n. 2 (2013)
1679-3404
10.21709/casa.v11i2
reponame:CASA: Cadernos de Semiótica Aplicada
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str CASA: Cadernos de Semiótica Aplicada
collection CASA: Cadernos de Semiótica Aplicada
repository.name.fl_str_mv CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv casa@fclar.unesp.br
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