From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)

Detalhes bibliográficos
Autor(a) principal: Narciso, Rafaela Fernandes
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Aurora (Online)
Texto Completo: https://revistas.marilia.unesp.br/index.php/aurora/article/view/6477
Resumo: This article will describe the formation of the way of making movies that will be developed by Federico Fellini building on the premises of Italian neorealism cinema, which was integral. Through analysis of the social, political and cultural director, as well as relevant cinematographic movements for analysis, we seek to understand the formation of a critical and humorous style that will be known throughout the world as Fellini. Style this will be developed through the influence of the circus and clown universe and will ultimately present not only in the works of Fellini and characters, but also in their worldview.
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spelling From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)Do neorealismo ao cinema autoral: a trajetória de Federico Fellini na primeira década como diretor (1951-1960)Federico FelliniPensamento Social no CinemaUniverso CircensePalhaçosFederico FelliniSocial thought in CinemaCircus universeClownsThis article will describe the formation of the way of making movies that will be developed by Federico Fellini building on the premises of Italian neorealism cinema, which was integral. Through analysis of the social, political and cultural director, as well as relevant cinematographic movements for analysis, we seek to understand the formation of a critical and humorous style that will be known throughout the world as Fellini. Style this will be developed through the influence of the circus and clown universe and will ultimately present not only in the works of Fellini and characters, but also in their worldview.Neste artigo iremos abordar a formação do modo de fazer cinema que será desenvolvido por Federico Fellini tomando por base os pressupostos do neorealismo cinematográfico italiano, do qual foi integrante. Através de análise do contexto social, político e cultural do cineasta, bem como de movimentos cinematográficos relevantes para a análise, buscaremos compreender a formação de um estilo crítico e humorístico que ficará conhecido em todo o mundo como felliniano. Estilo este que será desenvolvido através da influência do universo do circo e do palhaço e acabará presente não só nas obras e personagens de Fellini, mas também em sua visão de mundo.Faculdade de Filosofia e Ciências2016-11-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.marilia.unesp.br/index.php/aurora/article/view/647710.36311/1982-8004.2016.v9n1.08.p96Revista Aurora; v. 9 n. 01 (2016); 106-127Revista Aurora; Vol. 9 No. 01 (2016); 106-127Revista Aurora; Vol. 9 Núm. 01 (2016); 106-1271982-80042177-0484reponame:Revista Aurora (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://revistas.marilia.unesp.br/index.php/aurora/article/view/6477/4256Copyright (c) 2016 Revista Aurorahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNarciso, Rafaela Fernandes2024-04-08T14:07:30Zoai:ojs.revistas.marilia.unesp.br:article/6477Revistahttps://revistas.marilia.unesp.br/index.php/aurora/indexPUBhttps://revistas.marilia.unesp.br/index.php/aurora/oaiaurora.revista@gmail.com||1982-80041982-8004opendoar:2024-04-08T14:07:30Revista Aurora (Online) - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
Do neorealismo ao cinema autoral: a trajetória de Federico Fellini na primeira década como diretor (1951-1960)
title From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
spellingShingle From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
Narciso, Rafaela Fernandes
Federico Fellini
Pensamento Social no Cinema
Universo Circense
Palhaços
Federico Fellini
Social thought in Cinema
Circus universe
Clowns
title_short From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
title_full From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
title_fullStr From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
title_full_unstemmed From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
title_sort From neorealism of the authorial cinema: the trajectory of Federico Fellini in the first decade as director (1951-1960)
author Narciso, Rafaela Fernandes
author_facet Narciso, Rafaela Fernandes
author_role author
dc.contributor.author.fl_str_mv Narciso, Rafaela Fernandes
dc.subject.por.fl_str_mv Federico Fellini
Pensamento Social no Cinema
Universo Circense
Palhaços
Federico Fellini
Social thought in Cinema
Circus universe
Clowns
topic Federico Fellini
Pensamento Social no Cinema
Universo Circense
Palhaços
Federico Fellini
Social thought in Cinema
Circus universe
Clowns
description This article will describe the formation of the way of making movies that will be developed by Federico Fellini building on the premises of Italian neorealism cinema, which was integral. Through analysis of the social, political and cultural director, as well as relevant cinematographic movements for analysis, we seek to understand the formation of a critical and humorous style that will be known throughout the world as Fellini. Style this will be developed through the influence of the circus and clown universe and will ultimately present not only in the works of Fellini and characters, but also in their worldview.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.marilia.unesp.br/index.php/aurora/article/view/6477
10.36311/1982-8004.2016.v9n1.08.p96
url https://revistas.marilia.unesp.br/index.php/aurora/article/view/6477
identifier_str_mv 10.36311/1982-8004.2016.v9n1.08.p96
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.marilia.unesp.br/index.php/aurora/article/view/6477/4256
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Aurora
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Aurora
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
dc.source.none.fl_str_mv Revista Aurora; v. 9 n. 01 (2016); 106-127
Revista Aurora; Vol. 9 No. 01 (2016); 106-127
Revista Aurora; Vol. 9 Núm. 01 (2016); 106-127
1982-8004
2177-0484
reponame:Revista Aurora (Online)
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Revista Aurora (Online)
collection Revista Aurora (Online)
repository.name.fl_str_mv Revista Aurora (Online) - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv aurora.revista@gmail.com||
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