The concept of gender performativity for filmic discourse analysis

Detalhes bibliográficos
Autor(a) principal: Esparza, Hortensia Manuela Moreno
Data de Publicação: 2019
Outros Autores: Cruz, César Torres
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Cadernos Pagu (Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094
Resumo: The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies.
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spelling The concept of gender performativity for filmic discourse analysisLa noción de performatividad de género para el análisis del discurso fílmicoPerformativityGenderDiscourseFilmBody.PerformatividadGéneroDiscursoCineCuerpo.The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies.La noción de performatividad de género, desarrollada principalmente por Judith Butler y adoptada por varias teóricas feministas posmodernas, se ha convertido en últimas fechas enuna especie de “muletilla”. A partir del análisis de la película Rashômon, de Akira Kurosawa (1950), este documento tiene el objetivo de debatir la performatividad como una herramientaconceptual de enorme poder analítico en cuatro planos: 1) la discursividad, 2) la identidad; 3) la contextualidad, 4) la materialidad. Ponemos el acento en el vínculo entre performatividad y performance, para dilucidar su vigencia y delinear los límites de su aplicación en los estudios feministas de género.Universidade Estadual de Campinas2019-10-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094Cadernos Pagu; n. 56 (2019); 1-36Cadernos Pagu; No. 56 (2019); 1-36Cadernos Pagu; Núm. 56 (2019); 1-361809-4449reponame:Cadernos Pagu (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPspahttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094/21441Brazil; ContemporaryBrasil; ContemporáneoCopyright (c) 2019 Cadernos Paguinfo:eu-repo/semantics/openAccessEsparza, Hortensia Manuela MorenoCruz, César Torres2020-01-21T16:51:58Zoai:ojs.periodicos.sbu.unicamp.br:article/8657094Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/oaicadpagu@unicamp.br||cadpagu@unicamp.br0104-83331809-4449opendoar:2022-11-08T14:25:01.470056Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv The concept of gender performativity for filmic discourse analysis
La noción de performatividad de género para el análisis del discurso fílmico
title The concept of gender performativity for filmic discourse analysis
spellingShingle The concept of gender performativity for filmic discourse analysis
Esparza, Hortensia Manuela Moreno
Performativity
Gender
Discourse
Film
Body.
Performatividad
Género
Discurso
Cine
Cuerpo.
title_short The concept of gender performativity for filmic discourse analysis
title_full The concept of gender performativity for filmic discourse analysis
title_fullStr The concept of gender performativity for filmic discourse analysis
title_full_unstemmed The concept of gender performativity for filmic discourse analysis
title_sort The concept of gender performativity for filmic discourse analysis
author Esparza, Hortensia Manuela Moreno
author_facet Esparza, Hortensia Manuela Moreno
Cruz, César Torres
author_role author
author2 Cruz, César Torres
author2_role author
dc.contributor.author.fl_str_mv Esparza, Hortensia Manuela Moreno
Cruz, César Torres
dc.subject.por.fl_str_mv Performativity
Gender
Discourse
Film
Body.
Performatividad
Género
Discurso
Cine
Cuerpo.
topic Performativity
Gender
Discourse
Film
Body.
Performatividad
Género
Discurso
Cine
Cuerpo.
description The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies.
publishDate 2019
dc.date.none.fl_str_mv 2019-10-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094
url https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094/21441
dc.rights.driver.fl_str_mv Copyright (c) 2019 Cadernos Pagu
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Cadernos Pagu
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporáneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv Cadernos Pagu; n. 56 (2019); 1-36
Cadernos Pagu; No. 56 (2019); 1-36
Cadernos Pagu; Núm. 56 (2019); 1-36
1809-4449
reponame:Cadernos Pagu (Online)
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Cadernos Pagu (Online)
collection Cadernos Pagu (Online)
repository.name.fl_str_mv Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv cadpagu@unicamp.br||cadpagu@unicamp.br
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