The concept of gender performativity for filmic discourse analysis
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Cadernos Pagu (Online) |
Texto Completo: | https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094 |
Resumo: | The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies. |
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The concept of gender performativity for filmic discourse analysisLa noción de performatividad de género para el análisis del discurso fílmicoPerformativityGenderDiscourseFilmBody.PerformatividadGéneroDiscursoCineCuerpo.The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies.La noción de performatividad de género, desarrollada principalmente por Judith Butler y adoptada por varias teóricas feministas posmodernas, se ha convertido en últimas fechas enuna especie de “muletilla”. A partir del análisis de la película Rashômon, de Akira Kurosawa (1950), este documento tiene el objetivo de debatir la performatividad como una herramientaconceptual de enorme poder analítico en cuatro planos: 1) la discursividad, 2) la identidad; 3) la contextualidad, 4) la materialidad. Ponemos el acento en el vínculo entre performatividad y performance, para dilucidar su vigencia y delinear los límites de su aplicación en los estudios feministas de género.Universidade Estadual de Campinas2019-10-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094Cadernos Pagu; n. 56 (2019); 1-36Cadernos Pagu; No. 56 (2019); 1-36Cadernos Pagu; Núm. 56 (2019); 1-361809-4449reponame:Cadernos Pagu (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPspahttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094/21441Brazil; ContemporaryBrasil; ContemporáneoCopyright (c) 2019 Cadernos Paguinfo:eu-repo/semantics/openAccessEsparza, Hortensia Manuela MorenoCruz, César Torres2020-01-21T16:51:58Zoai:ojs.periodicos.sbu.unicamp.br:article/8657094Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/oaicadpagu@unicamp.br||cadpagu@unicamp.br0104-83331809-4449opendoar:2022-11-08T14:25:01.470056Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP)false |
dc.title.none.fl_str_mv |
The concept of gender performativity for filmic discourse analysis La noción de performatividad de género para el análisis del discurso fílmico |
title |
The concept of gender performativity for filmic discourse analysis |
spellingShingle |
The concept of gender performativity for filmic discourse analysis Esparza, Hortensia Manuela Moreno Performativity Gender Discourse Film Body. Performatividad Género Discurso Cine Cuerpo. |
title_short |
The concept of gender performativity for filmic discourse analysis |
title_full |
The concept of gender performativity for filmic discourse analysis |
title_fullStr |
The concept of gender performativity for filmic discourse analysis |
title_full_unstemmed |
The concept of gender performativity for filmic discourse analysis |
title_sort |
The concept of gender performativity for filmic discourse analysis |
author |
Esparza, Hortensia Manuela Moreno |
author_facet |
Esparza, Hortensia Manuela Moreno Cruz, César Torres |
author_role |
author |
author2 |
Cruz, César Torres |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Esparza, Hortensia Manuela Moreno Cruz, César Torres |
dc.subject.por.fl_str_mv |
Performativity Gender Discourse Film Body. Performatividad Género Discurso Cine Cuerpo. |
topic |
Performativity Gender Discourse Film Body. Performatividad Género Discurso Cine Cuerpo. |
description |
The concept of gender performativity developed and created by Judith Butler has been adopted by a lot of postmodern feminist scholars, making it a common “filler” that is present in texts about identity and agency. Taking as a starting point the film Rashômon, by Akira Kurosawa (1950), this paper debates the gender performativity as a conceptual tool with huge analytical power in four dimensions: (1) the discursivity, (2) the identity, (3) the social context, (4) the materiality. We stress specially the link between performativity and performance, to elucidate its validity and to shape the boundaries in the performativity’s application in gender studies. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8657094/21441 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Cadernos Pagu info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Cadernos Pagu |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.none.fl_str_mv |
Brazil; Contemporary Brasil; Contemporáneo |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
dc.source.none.fl_str_mv |
Cadernos Pagu; n. 56 (2019); 1-36 Cadernos Pagu; No. 56 (2019); 1-36 Cadernos Pagu; Núm. 56 (2019); 1-36 1809-4449 reponame:Cadernos Pagu (Online) instname:Universidade Estadual de Campinas (UNICAMP) instacron:UNICAMP |
instname_str |
Universidade Estadual de Campinas (UNICAMP) |
instacron_str |
UNICAMP |
institution |
UNICAMP |
reponame_str |
Cadernos Pagu (Online) |
collection |
Cadernos Pagu (Online) |
repository.name.fl_str_mv |
Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP) |
repository.mail.fl_str_mv |
cadpagu@unicamp.br||cadpagu@unicamp.br |
_version_ |
1800216611338059776 |