Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba

Detalhes bibliográficos
Autor(a) principal: Caldas, Jurema Castro Couto
Data de Publicação: 2021
Outros Autores: Vasconcelos, Liliane
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rua (Campinas. Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667742
Resumo: The purpose of this article is to bring considerations about art in the city, taking as a study point the affective territory by the sea of ​​Rio Vermelho, neighborhood of Salvador, where several cultural meetings take place. Considering the sacred and profane relationship present on February 2, Iemanjá Day, and its imaginary and symbolic representation in the collective unconscious for the Bahian people, it is sought, through a qualitative research and field study carried out through performance, analyze how art manifests itself as a "middle way", as well as perceive the relationships between the city, art and the subject. Art by the sea of ​​the Red River reveals the relationships of the individual who is challenged by art, influenced by the territorial identity of the space and its narratives that configure a representation for the neighborhood in festive times. It is in this perspective, that performance is understood here as a work of art capable of capturing the look of what it is to see and be seen. It is noted, therefore, that through performance we can affirm that art is the middle way between territory and territorialities, and also an oxygenating element of reality through different perspectives of views that are constituted in different ways.
id UNICAMP-31_e7b16e5e926b90442e3e6e9e23f36580
oai_identifier_str oai:ojs.periodicos.sbu.unicamp.br:article/8667742
network_acronym_str UNICAMP-31
network_name_str Rua (Campinas. Online)
repository_id_str
spelling Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-BaCompletude e oscilações do olhar: performance de Iemanjá à beira mar do Rio Vermelho, Salvador-Ba ArtCityIemanjáPerformanceRio Vermelho-SSAArteCidadeIemanjáPerformanceRio Vermelho-SSAThe purpose of this article is to bring considerations about art in the city, taking as a study point the affective territory by the sea of ​​Rio Vermelho, neighborhood of Salvador, where several cultural meetings take place. Considering the sacred and profane relationship present on February 2, Iemanjá Day, and its imaginary and symbolic representation in the collective unconscious for the Bahian people, it is sought, through a qualitative research and field study carried out through performance, analyze how art manifests itself as a "middle way", as well as perceive the relationships between the city, art and the subject. Art by the sea of ​​the Red River reveals the relationships of the individual who is challenged by art, influenced by the territorial identity of the space and its narratives that configure a representation for the neighborhood in festive times. It is in this perspective, that performance is understood here as a work of art capable of capturing the look of what it is to see and be seen. It is noted, therefore, that through performance we can affirm that art is the middle way between territory and territorialities, and also an oxygenating element of reality through different perspectives of views that are constituted in different ways.O presente artigo tem como objetivo trazer considerações sobre a arte na cidade, tendo como recorte de estudo o território afetivo à beira mar do Rio Vermelho, bairro de Salvador, onde ocorrem diversos encontros culturais, considerando a relação sagrada e profana presentes no dia 2 de fevereiro, dia de Iemanjá, e a sua representação imaginária e simbólica no inconsciente coletivo para o povo baiano. Busca-se, através de uma pesquisa qualitativa e estudo de campo realizado através da performance, analisar como a arte se manifesta sendo um “caminho do meio”, assim como perceber as relações entre a cidade, a arte e o sujeito. A arte à beira mar do Rio Vermelho revela as relações do indivíduo que se interpela pela arte, e se influencia pela identidade territorial do espaço e suas narrativas que configuram uma representação para o bairro em épocas festivas. É diante dessa perspectiva que a performance é entendida aqui como uma obra de arte capaz de apreender o olhar do que é ver e ser visto. Nota-se, assim, que através da performance podemos afirmar que a arte é o caminho do meio entre o território e as territorialidades, e ainda elemento oxigenador da realidade através de diferentes perspectivas de olhares que se constituem de maneiras diferentes.Universidade Estadual de Campinas2021-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/866774210.20396/rua.v27i2.8667742RUA; Vol. 27 No. 2 (2021): nov; 387-410RUA; v. 27 n. 2 (2021): nov; 387-4102179-99111413-2109reponame:Rua (Campinas. Online)instname:Universidade Estadual de Campinas (Unicamp)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667742/27624Brazil; ContemporaryBrasil; ContemporâneoCopyright (c) 2021 RUAhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCaldas, Jurema Castro CoutoVasconcelos, Liliane2022-02-21T18:47:57Zoai:ojs.periodicos.sbu.unicamp.br:article/8667742Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/ruaPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/oaipublabe@unicamp.br2179-99111413-2109opendoar:2022-02-21T18:47:57Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)false
dc.title.none.fl_str_mv Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
Completude e oscilações do olhar: performance de Iemanjá à beira mar do Rio Vermelho, Salvador-Ba
title Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
spellingShingle Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
Caldas, Jurema Castro Couto
Art
City
Iemanjá
Performance
Rio Vermelho-SSA
Arte
Cidade
Iemanjá
Performance
Rio Vermelho-SSA
title_short Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
title_full Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
title_fullStr Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
title_full_unstemmed Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
title_sort Completeness and oscillations of the look: Iemanjá’s performance by the sea of the Rio Vermelho, Salvador-Ba
author Caldas, Jurema Castro Couto
author_facet Caldas, Jurema Castro Couto
Vasconcelos, Liliane
author_role author
author2 Vasconcelos, Liliane
author2_role author
dc.contributor.author.fl_str_mv Caldas, Jurema Castro Couto
Vasconcelos, Liliane
dc.subject.por.fl_str_mv Art
City
Iemanjá
Performance
Rio Vermelho-SSA
Arte
Cidade
Iemanjá
Performance
Rio Vermelho-SSA
topic Art
City
Iemanjá
Performance
Rio Vermelho-SSA
Arte
Cidade
Iemanjá
Performance
Rio Vermelho-SSA
description The purpose of this article is to bring considerations about art in the city, taking as a study point the affective territory by the sea of ​​Rio Vermelho, neighborhood of Salvador, where several cultural meetings take place. Considering the sacred and profane relationship present on February 2, Iemanjá Day, and its imaginary and symbolic representation in the collective unconscious for the Bahian people, it is sought, through a qualitative research and field study carried out through performance, analyze how art manifests itself as a "middle way", as well as perceive the relationships between the city, art and the subject. Art by the sea of ​​the Red River reveals the relationships of the individual who is challenged by art, influenced by the territorial identity of the space and its narratives that configure a representation for the neighborhood in festive times. It is in this perspective, that performance is understood here as a work of art capable of capturing the look of what it is to see and be seen. It is noted, therefore, that through performance we can affirm that art is the middle way between territory and territorialities, and also an oxygenating element of reality through different perspectives of views that are constituted in different ways.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667742
10.20396/rua.v27i2.8667742
url https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667742
identifier_str_mv 10.20396/rua.v27i2.8667742
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667742/27624
dc.rights.driver.fl_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv RUA; Vol. 27 No. 2 (2021): nov; 387-410
RUA; v. 27 n. 2 (2021): nov; 387-410
2179-9911
1413-2109
reponame:Rua (Campinas. Online)
instname:Universidade Estadual de Campinas (Unicamp)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (Unicamp)
instacron_str UNICAMP
institution UNICAMP
reponame_str Rua (Campinas. Online)
collection Rua (Campinas. Online)
repository.name.fl_str_mv Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)
repository.mail.fl_str_mv publabe@unicamp.br
_version_ 1799308038996230144

Registros relacionados