The subversive writing of "n. d. a.": a stray and grotesque body
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rua (Campinas. Online) |
Texto Completo: | https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655547 |
Resumo: | The writing understood according to structural drift which disseminates meanings through the displacement of relations between scriptural sources and marks constitutes a problematization of logocentric conceptions of the act of writing and its readability, which are based, above all, on notions of representation, identity, authorship and canonical textual arrangement. In this sense, we will problematize, in this article, how the writing of "n. d. a "by Arnaldo Antunes, is structured by relations of meaning that dispense with imperatives of creation that trace a productive source and a stable sense through the appearance of images of grotesque realism (BAKHTIN, 1987). For this, we are based on Derrida (1972), specifically, when he treats the issue of the writing like mark in drift and the relation of that question with the one of the signature; and Bakhtin (1987), when it deals with the material and corporal principle of the popular comic culture. Finally, we intend to indicate that the deconstructive scriptural relations characteristic of the poems in the book "n. d. a” are woven by the decentering of discoursive production practice based on reduced relations of meaning to the identification of authorial intention and on the organization of referential discoursive forms and objective ones. |
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The subversive writing of "n. d. a.": a stray and grotesque bodyA escrita subversiva de “n. d. a.”: um corpo desgarrado e grotescoMarkDerridaGrotesque realismBakhtinMarcaDerridaRealismo grotescoBakhtinThe writing understood according to structural drift which disseminates meanings through the displacement of relations between scriptural sources and marks constitutes a problematization of logocentric conceptions of the act of writing and its readability, which are based, above all, on notions of representation, identity, authorship and canonical textual arrangement. In this sense, we will problematize, in this article, how the writing of "n. d. a "by Arnaldo Antunes, is structured by relations of meaning that dispense with imperatives of creation that trace a productive source and a stable sense through the appearance of images of grotesque realism (BAKHTIN, 1987). For this, we are based on Derrida (1972), specifically, when he treats the issue of the writing like mark in drift and the relation of that question with the one of the signature; and Bakhtin (1987), when it deals with the material and corporal principle of the popular comic culture. Finally, we intend to indicate that the deconstructive scriptural relations characteristic of the poems in the book "n. d. a” are woven by the decentering of discoursive production practice based on reduced relations of meaning to the identification of authorial intention and on the organization of referential discoursive forms and objective ones.A escrita compreendida conforme deriva estrutural que dissemina sentidos através do deslocamento de relações entre fontes e marcas escriturais configura uma problematização de concepções logocêntricas do ato de escrever e sua legibilidade, as quais se fundamentam, sobretudo, em noções de representação, identidade, autoria e tessitura textual canônica. Nesse sentido, problematizaremos, neste artigo, como a escrita de “n. d. a.”, de Arnaldo Antunes, estrutura-se por relações de sentido que dispensam imperativos de criação que rastreiem uma fonte produtora e um sentido estável, por meio da assunção de imagens do realismo grotesco (BAKHTIN, 1987). Para tanto, fundamentamo-nos em Derrida (1972), especificamente, quando trata da questão da escritura como marca em deriva e da relação dessa questão com a da assinatura; e Bakhtin (1987), quando trata do princípio material e corporal da cultura cômica popular. Enfim, pretendemos indicar que as relações escriturais desconstrutoras características das poesias de “n. d. a.” tecem-se pelo descentramento de práticas de produção discursiva pautadas em relações de sentido reduzidas à identificação de intenção autoral a um texto e à organização de formas discursivas referenciais e objetivas.Universidade Estadual de Campinas2019-05-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa bibliográficaBibliographic researchapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/865554710.20396/rua.v25i1.8655547RUA; Vol. 25 No. 1 (2019): jun.RUA; v. 25 n. 1 (2019): jun.2179-99111413-2109reponame:Rua (Campinas. Online)instname:Universidade Estadual de Campinas (Unicamp)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655547/20923Brazil; ContemporaryBrasil; ContemporâneoCopyright (c) 2019 RUAinfo:eu-repo/semantics/openAccessGonçalves, João Batista CostaAmaral, Marcos Roberto dos Santos2019-07-30T17:45:09Zoai:ojs.periodicos.sbu.unicamp.br:article/8655547Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/ruaPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/oaipublabe@unicamp.br2179-99111413-2109opendoar:2019-07-30T17:45:09Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)false |
dc.title.none.fl_str_mv |
The subversive writing of "n. d. a.": a stray and grotesque body A escrita subversiva de “n. d. a.”: um corpo desgarrado e grotesco |
title |
The subversive writing of "n. d. a.": a stray and grotesque body |
spellingShingle |
The subversive writing of "n. d. a.": a stray and grotesque body Gonçalves, João Batista Costa Mark Derrida Grotesque realism Bakhtin Marca Derrida Realismo grotesco Bakhtin |
title_short |
The subversive writing of "n. d. a.": a stray and grotesque body |
title_full |
The subversive writing of "n. d. a.": a stray and grotesque body |
title_fullStr |
The subversive writing of "n. d. a.": a stray and grotesque body |
title_full_unstemmed |
The subversive writing of "n. d. a.": a stray and grotesque body |
title_sort |
The subversive writing of "n. d. a.": a stray and grotesque body |
author |
Gonçalves, João Batista Costa |
author_facet |
Gonçalves, João Batista Costa Amaral, Marcos Roberto dos Santos |
author_role |
author |
author2 |
Amaral, Marcos Roberto dos Santos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Gonçalves, João Batista Costa Amaral, Marcos Roberto dos Santos |
dc.subject.por.fl_str_mv |
Mark Derrida Grotesque realism Bakhtin Marca Derrida Realismo grotesco Bakhtin |
topic |
Mark Derrida Grotesque realism Bakhtin Marca Derrida Realismo grotesco Bakhtin |
description |
The writing understood according to structural drift which disseminates meanings through the displacement of relations between scriptural sources and marks constitutes a problematization of logocentric conceptions of the act of writing and its readability, which are based, above all, on notions of representation, identity, authorship and canonical textual arrangement. In this sense, we will problematize, in this article, how the writing of "n. d. a "by Arnaldo Antunes, is structured by relations of meaning that dispense with imperatives of creation that trace a productive source and a stable sense through the appearance of images of grotesque realism (BAKHTIN, 1987). For this, we are based on Derrida (1972), specifically, when he treats the issue of the writing like mark in drift and the relation of that question with the one of the signature; and Bakhtin (1987), when it deals with the material and corporal principle of the popular comic culture. Finally, we intend to indicate that the deconstructive scriptural relations characteristic of the poems in the book "n. d. a” are woven by the decentering of discoursive production practice based on reduced relations of meaning to the identification of authorial intention and on the organization of referential discoursive forms and objective ones. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-05-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa bibliográfica Bibliographic research |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655547 10.20396/rua.v25i1.8655547 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655547 |
identifier_str_mv |
10.20396/rua.v25i1.8655547 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655547/20923 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 RUA info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 RUA |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.none.fl_str_mv |
Brazil; Contemporary Brasil; Contemporâneo |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
dc.source.none.fl_str_mv |
RUA; Vol. 25 No. 1 (2019): jun. RUA; v. 25 n. 1 (2019): jun. 2179-9911 1413-2109 reponame:Rua (Campinas. Online) instname:Universidade Estadual de Campinas (Unicamp) instacron:UNICAMP |
instname_str |
Universidade Estadual de Campinas (Unicamp) |
instacron_str |
UNICAMP |
institution |
UNICAMP |
reponame_str |
Rua (Campinas. Online) |
collection |
Rua (Campinas. Online) |
repository.name.fl_str_mv |
Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp) |
repository.mail.fl_str_mv |
publabe@unicamp.br |
_version_ |
1799308038502350848 |