Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice

Detalhes bibliográficos
Autor(a) principal: Czmola, Halyne
Data de Publicação: 2020
Outros Autores: Cezar, Kelly Priscilla Lóddo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Resgate (Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8656750
Resumo: This paper aims to analyze three cinematographic works of the Ukrainian filmmaker Myroslav Slaboshpytskiy, Diagnosis (2009), Deafness (2010) e The Tribe (2014), correlating them to Deaf cinema. Thus, we have adopted a bibliographic approach to this research, covering filmmaker’s theory (AUMONT, 2004), Deaf cinema theory (BUBNIAK, 2016), cultural studies and linguistic studies of sign languages. The results demonstrate that Slaboshpytskiy develops his cinematographic creation process towards a new perspective of deafness on contemporary cinema that meets the socio-anthropological language theory as proposed by Deaf cultural studies. From this analysis, we conclude that these movies can base analyses on Deaf culture and its cultural and linguistic artifacts, providing for theorization and creative practice.
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spelling Myroslav Slaboshpytskiy: deaf cinema as theory and creative practiceMyroslav Slaboshpytskiy: el cine sordo como teoría y práctica creativa Myroslav Slaboshpytskiy: o cinema surdo como teoria e prática criadoraDeaf cinemaDeaf cultureFilmmaker’s theoryLanguageCinema surdoCultura surdaTeoria dos cineastasLinguagensCine sordoCultura sordaTeoría del cineastaIdiomaThis paper aims to analyze three cinematographic works of the Ukrainian filmmaker Myroslav Slaboshpytskiy, Diagnosis (2009), Deafness (2010) e The Tribe (2014), correlating them to Deaf cinema. Thus, we have adopted a bibliographic approach to this research, covering filmmaker’s theory (AUMONT, 2004), Deaf cinema theory (BUBNIAK, 2016), cultural studies and linguistic studies of sign languages. The results demonstrate that Slaboshpytskiy develops his cinematographic creation process towards a new perspective of deafness on contemporary cinema that meets the socio-anthropological language theory as proposed by Deaf cultural studies. From this analysis, we conclude that these movies can base analyses on Deaf culture and its cultural and linguistic artifacts, providing for theorization and creative practice.Este artículo analiza tres obras cinematográficas del cineasta ucraniano Myroslav Slaboshpytskiy, Diagnosis (2009), Deafness (2010) e The Tribe (2014), correlacionándolas con el cine sordo. Adoptamos un enfoque bibliográfico en esta investigación, que abarca la teoría del cineasta (AUMONT, 2004), la teoría del cine sordo (BUBNIAK, 2016), los estudios culturales y los estudios lingüísticos de las lenguas de signos. Los resultados demuestran que Slaboshpytskiy desarrolla su proceso de creación cinematográfica hacia una nueva perspectiva de sordera en el cine contemporáneo que cumple con la teoría del lenguaje socioantropológico propuesta por los estudios culturales sordos. Concluimos que estas películas pueden basar los análisis en la cultura sorda y sus artefactos culturales y lingüísticos, proporcionando teorización y práctica creativa.Este artigo objetiva analisar três obras cinematográficas do ucraniano Myroslav Slaboshpytskiy, Diagnosis (2009), Deafness (2010) e The Tribe (2014), correlacionando-as ao cinema surdo. A pesquisa é de natureza bibliográfica com base na teoria dos cineastas (AUMONT, 2004), do cinema surdo (BUBNIAK, 2016), dos estudos culturais e nos estudos linguísticos das línguas de sinais. Os resultados demonstram que Slaboshpytskiy desenvolve um processo de criação cinematográfica em direção à construção de uma nova forma de retratar a surdez no cinema contemporâneo, indo ao encontro da teoria socioantropológica da linguagem, defendida pela cultura surda. Conclui-se que essas obras podem ser utilizadas para reflexão sobre a cultura surda, seus artefatos culturais e linguísticos e podem ser fonte de teoria e prática criadora.Universidade Estadual de Campinas2020-10-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/865675010.20396/resgate.v28i0.8656750Resgate: Revista Interdisciplinar de Cultura; Vol. 28 (2020): Publicação Contínua; e020013Resgate: Revista Interdisciplinar de Cultura; Vol. 28 (2020): Publicação Contínua; e020013Resgate: Revista Interdisciplinar de Cultura; v. 28 (2020): Publicação Contínua; e0200132178-3284reponame:Resgate (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8656750/23196Brazil; ContemporaryBrasil; ContemporáneoBrasil; ContemporâneoCopyright (c) 2020 Resgate: Revista Interdisciplinar de Culturahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCzmola, HalyneCezar, Kelly Priscilla Lóddo 2021-09-21T16:53:22Zoai:ojs.periodicos.sbu.unicamp.br:article/8656750Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/oai||resgate@unicamp.br2178-32842178-3284opendoar:2021-09-21T16:53:22Resgate (Online) - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
Myroslav Slaboshpytskiy: el cine sordo como teoría y práctica creativa
Myroslav Slaboshpytskiy: o cinema surdo como teoria e prática criadora
title Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
spellingShingle Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
Czmola, Halyne
Deaf cinema
Deaf culture
Filmmaker’s theory
Language
Cinema surdo
Cultura surda
Teoria dos cineastas
Linguagens
Cine sordo
Cultura sorda
Teoría del cineasta
Idioma
title_short Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
title_full Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
title_fullStr Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
title_full_unstemmed Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
title_sort Myroslav Slaboshpytskiy: deaf cinema as theory and creative practice
author Czmola, Halyne
author_facet Czmola, Halyne
Cezar, Kelly Priscilla Lóddo
author_role author
author2 Cezar, Kelly Priscilla Lóddo
author2_role author
dc.contributor.author.fl_str_mv Czmola, Halyne
Cezar, Kelly Priscilla Lóddo
dc.subject.por.fl_str_mv Deaf cinema
Deaf culture
Filmmaker’s theory
Language
Cinema surdo
Cultura surda
Teoria dos cineastas
Linguagens
Cine sordo
Cultura sorda
Teoría del cineasta
Idioma
topic Deaf cinema
Deaf culture
Filmmaker’s theory
Language
Cinema surdo
Cultura surda
Teoria dos cineastas
Linguagens
Cine sordo
Cultura sorda
Teoría del cineasta
Idioma
description This paper aims to analyze three cinematographic works of the Ukrainian filmmaker Myroslav Slaboshpytskiy, Diagnosis (2009), Deafness (2010) e The Tribe (2014), correlating them to Deaf cinema. Thus, we have adopted a bibliographic approach to this research, covering filmmaker’s theory (AUMONT, 2004), Deaf cinema theory (BUBNIAK, 2016), cultural studies and linguistic studies of sign languages. The results demonstrate that Slaboshpytskiy develops his cinematographic creation process towards a new perspective of deafness on contemporary cinema that meets the socio-anthropological language theory as proposed by Deaf cultural studies. From this analysis, we conclude that these movies can base analyses on Deaf culture and its cultural and linguistic artifacts, providing for theorization and creative practice.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8656750
10.20396/resgate.v28i0.8656750
url https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8656750
identifier_str_mv 10.20396/resgate.v28i0.8656750
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8656750/23196
dc.rights.driver.fl_str_mv Copyright (c) 2020 Resgate: Revista Interdisciplinar de Cultura
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Resgate: Revista Interdisciplinar de Cultura
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporáneo
Brasil; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv Resgate: Revista Interdisciplinar de Cultura; Vol. 28 (2020): Publicação Contínua; e020013
Resgate: Revista Interdisciplinar de Cultura; Vol. 28 (2020): Publicação Contínua; e020013
Resgate: Revista Interdisciplinar de Cultura; v. 28 (2020): Publicação Contínua; e020013
2178-3284
reponame:Resgate (Online)
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Resgate (Online)
collection Resgate (Online)
repository.name.fl_str_mv Resgate (Online) - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv ||resgate@unicamp.br
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