A experiência do bailarino clássico em um pas de deux com a dor
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Research, Society and Development |
Texto Completo: | https://rsdjournal.org/index.php/rsd/article/view/41511 |
Resumo: | The present study aims to answer the following argument: what is the dancer's relationship with pain, and until when can pain be an ally or a major boost for the recurrence of injuries and traumas in classical dancers? The research is of a descriptive nature, describing the experience and characteristics of the reality of dancers in relation to pain, with a quali-quantitative approach, primary because at the end of this study a sample of data and conclusions on the subject was carried out, and it is also transverse. The research was carried out via Google forms, carried out with male and female dancers aged between 18-40 years who have been practicing ballet for a period of time ≥ 5 years. Mostly 53.6% consider Ballet their profession, 39.3% of participants practice the modality for about 10 hours a week. They report that the life of a Ballet practitioner is intense, with too many charges but immensely satisfying. Ballet's impact on their lives was perceived both positively and negatively. Given the above, it was possible to understand how dancers deal with pain, through neural modulations of opioid and dopaminergic systems. In addition, it was possible to observe that emotional stress is associated with injuries acquired within the practice of classical ballet. There was a significant role for physiotherapy in the prevention and treatment of injury and trauma in classical dancers. |
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A experiência do bailarino clássico em um pas de deux com a dorThe classical dancer’s experience in a pas de deux with painLa experiencia de la bailarina clásica en un pas de deux con dolorBaléDorDançaLesão.BalletDolorBailarLesión.BalletPainDanceLesion.The present study aims to answer the following argument: what is the dancer's relationship with pain, and until when can pain be an ally or a major boost for the recurrence of injuries and traumas in classical dancers? The research is of a descriptive nature, describing the experience and characteristics of the reality of dancers in relation to pain, with a quali-quantitative approach, primary because at the end of this study a sample of data and conclusions on the subject was carried out, and it is also transverse. The research was carried out via Google forms, carried out with male and female dancers aged between 18-40 years who have been practicing ballet for a period of time ≥ 5 years. Mostly 53.6% consider Ballet their profession, 39.3% of participants practice the modality for about 10 hours a week. They report that the life of a Ballet practitioner is intense, with too many charges but immensely satisfying. Ballet's impact on their lives was perceived both positively and negatively. Given the above, it was possible to understand how dancers deal with pain, through neural modulations of opioid and dopaminergic systems. In addition, it was possible to observe that emotional stress is associated with injuries acquired within the practice of classical ballet. There was a significant role for physiotherapy in the prevention and treatment of injury and trauma in classical dancers. El presente estudio pretende responder al siguiente argumento: ¿cuál es la relación del bailarín con el dolor, y hasta cuándo el dolor puede ser un aliado o un gran impulsor para la recurrencia de lesiones y traumas en bailarines clásicos? La investigación es de carácter descriptivo, describiendo la vivencia y características de la realidad de los bailarines en relación al dolor, con un enfoque cuali-cuantitativo, primario porque al final de este estudio se realizó una muestra de datos y conclusiones sobre el tema. , y también es transversal. La investigación se realizó a través de formularios de Google, realizada con bailarines y bailarinas con edades comprendidas entre los 18-40 años que llevan practicando ballet un periodo de tiempo ≥ 5 años. El 53,6% en su mayoría considera al Ballet su profesión, el 39,3% de los participantes practica la modalidad unas 10 horas a la semana. Informan que la vida de un practicante de Ballet es intensa, con demasiadas cargas pero inmensamente satisfactoria. El impacto del ballet en sus vidas fue percibido tanto positiva como negativamente. Dado lo anterior, fue posible comprender cómo los bailarines lidian con el dolor, a través de modulaciones neuronales de los sistemas opioide y dopaminérgico. Además, fue posible observar que el estrés emocional está asociado a las lesiones adquiridas dentro de la práctica del ballet clásico. Hubo un papel importante para la fisioterapia en la prevención y el tratamiento de lesiones y traumatismos en bailarines clásicos.O presente estudo tem como objetivo responder a seguinte argumentação: qual a relação do bailarino com a dor, e até quando a dor pode ser uma aliada ou um grande impulsionamento para a recorrência de lesões e traumas em bailarinos clássicos? A pesquisa é de cunho descritivo, descrevendo a experiência e as características da realidade de bailarinos em relação à dor, com uma abordagem quali-quantitativa, primária pois ao final deste estudo foi realizado uma amostra de dados e conclusões sobre o assunto, e é também transversal. A pesquisa foi realizada via Google forms, realizada com bailarinas e bailarinos com idade entre 18-40 anos que praticam o ballet em um período de tempo ≥ 5 anos. Majoritariamente 53,6% consideram o Ballet sua profissão, 39,3% dos participantes praticam a modalidade por cerca de 10 horas semanais. Os mesmos relatam que a vida de um praticante de Ballet é intensa, com demasiadas cobranças mas imensamente satisfatória. O impacto do Ballet em suas vidas, foi percebido tanto de forma positiva quanto de forma negativa. Diante do exposto, foi possível compreender como os bailarinos lidam com a dor, através de modulações neurais dos sistemas opióides e dopaminérgicos. Além disso, foi possível observar que o estresse emocional está associado a lesões adquiridas dentro da prática do Ballet clássico. Verificou-se um papel significativo da fisioterapia na prevenção e tratamento de lesão e traumas em bailarinos clássicos.Research, Society and Development2023-05-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/4151110.33448/rsd-v12i5.41511Research, Society and Development; Vol. 12 No. 5; e10412541511Research, Society and Development; Vol. 12 Núm. 5; e10412541511Research, Society and Development; v. 12 n. 5; e104125415112525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIporhttps://rsdjournal.org/index.php/rsd/article/view/41511/33741Copyright (c) 2023 Ingrid Ranyele da Silva Cardoso; Bruna Ferreira de Macedo; Priscilla França Fernandes; Camila Etelvina de Sousa Silvahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCardoso, Ingrid Ranyele da Silva Macedo, Bruna Ferreira de Fernandes, Priscilla França Silva, Camila Etelvina de Sousa 2023-05-30T13:24:21Zoai:ojs.pkp.sfu.ca:article/41511Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2023-05-30T13:24:21Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false |
dc.title.none.fl_str_mv |
A experiência do bailarino clássico em um pas de deux com a dor The classical dancer’s experience in a pas de deux with pain La experiencia de la bailarina clásica en un pas de deux con dolor |
title |
A experiência do bailarino clássico em um pas de deux com a dor |
spellingShingle |
A experiência do bailarino clássico em um pas de deux com a dor Cardoso, Ingrid Ranyele da Silva Balé Dor Dança Lesão. Ballet Dolor Bailar Lesión. Ballet Pain Dance Lesion. |
title_short |
A experiência do bailarino clássico em um pas de deux com a dor |
title_full |
A experiência do bailarino clássico em um pas de deux com a dor |
title_fullStr |
A experiência do bailarino clássico em um pas de deux com a dor |
title_full_unstemmed |
A experiência do bailarino clássico em um pas de deux com a dor |
title_sort |
A experiência do bailarino clássico em um pas de deux com a dor |
author |
Cardoso, Ingrid Ranyele da Silva |
author_facet |
Cardoso, Ingrid Ranyele da Silva Macedo, Bruna Ferreira de Fernandes, Priscilla França Silva, Camila Etelvina de Sousa |
author_role |
author |
author2 |
Macedo, Bruna Ferreira de Fernandes, Priscilla França Silva, Camila Etelvina de Sousa |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Cardoso, Ingrid Ranyele da Silva Macedo, Bruna Ferreira de Fernandes, Priscilla França Silva, Camila Etelvina de Sousa |
dc.subject.por.fl_str_mv |
Balé Dor Dança Lesão. Ballet Dolor Bailar Lesión. Ballet Pain Dance Lesion. |
topic |
Balé Dor Dança Lesão. Ballet Dolor Bailar Lesión. Ballet Pain Dance Lesion. |
description |
The present study aims to answer the following argument: what is the dancer's relationship with pain, and until when can pain be an ally or a major boost for the recurrence of injuries and traumas in classical dancers? The research is of a descriptive nature, describing the experience and characteristics of the reality of dancers in relation to pain, with a quali-quantitative approach, primary because at the end of this study a sample of data and conclusions on the subject was carried out, and it is also transverse. The research was carried out via Google forms, carried out with male and female dancers aged between 18-40 years who have been practicing ballet for a period of time ≥ 5 years. Mostly 53.6% consider Ballet their profession, 39.3% of participants practice the modality for about 10 hours a week. They report that the life of a Ballet practitioner is intense, with too many charges but immensely satisfying. Ballet's impact on their lives was perceived both positively and negatively. Given the above, it was possible to understand how dancers deal with pain, through neural modulations of opioid and dopaminergic systems. In addition, it was possible to observe that emotional stress is associated with injuries acquired within the practice of classical ballet. There was a significant role for physiotherapy in the prevention and treatment of injury and trauma in classical dancers. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-05-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/41511 10.33448/rsd-v12i5.41511 |
url |
https://rsdjournal.org/index.php/rsd/article/view/41511 |
identifier_str_mv |
10.33448/rsd-v12i5.41511 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/41511/33741 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Research, Society and Development |
publisher.none.fl_str_mv |
Research, Society and Development |
dc.source.none.fl_str_mv |
Research, Society and Development; Vol. 12 No. 5; e10412541511 Research, Society and Development; Vol. 12 Núm. 5; e10412541511 Research, Society and Development; v. 12 n. 5; e10412541511 2525-3409 reponame:Research, Society and Development instname:Universidade Federal de Itajubá (UNIFEI) instacron:UNIFEI |
instname_str |
Universidade Federal de Itajubá (UNIFEI) |
instacron_str |
UNIFEI |
institution |
UNIFEI |
reponame_str |
Research, Society and Development |
collection |
Research, Society and Development |
repository.name.fl_str_mv |
Research, Society and Development - Universidade Federal de Itajubá (UNIFEI) |
repository.mail.fl_str_mv |
rsd.articles@gmail.com |
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1797052623591833600 |