Alhambra Heritage: The light, architecture and composition
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705 |
Resumo: | In the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures that draw towers harmonically articulated with canvases of the wall embracing the landscape. Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage. |
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Alhambra Heritage: The light, architecture and compositionPatrimonio Alhambra: La luz, arquitectura y composición.Patrimônio Alhambra: A luz, arquitetura e composiçãoAlhambraLightArchitectureCompositionAlhambraLuzArquitecturaComposiciónAlhambraLuzArquiteturaComposiçãoIn the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures that draw towers harmonically articulated with canvases of the wall embracing the landscape. Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage.La cultura en el sultanato nazarí bajo los gobiernos de Muhammad III, Ismail, Yusuf I y Muhammad V, alcanzó niveles altísimos de sofisticación a través de la arquitectura, que evidencian la profunda espiritualización de la sociedad. Estructuras cúbicas que dibujan torres armónicamente articuladas con lienzos de muralla abrazando el paisaje. Volúmenes rotundos salpicados de patios, “fruto de procesos de extracción de tierra sustituida por luz y láminas de agua”. El resultado es un universo sensorial que tiene la luz como protagonista. La luz, hecha materia, se reivindica como principal agente cualificador del espacio arquitectónico y auténtico argumento del proyecto. Sombra y luz para el deleite sensorial y el consumo estético de la belleza. La mirada contemporánea “re-construye” el monumento y actualiza su valor patrimonial a través de relecturas desprejuiciadas que conectan pasado y presente, otorgando idéntica cualidad a cada uno de los estratos que han precipitado esa sucesión de capas que ahora dibujan el lugar y que conforman el Patrimonio Alhambra.A cultura no sultanato nazarí sob os governos de Muhammad III, Ismail, Yusuf I e Muhammad V, obteve elevados índices de sofisticação por meio de sua arquitetura, onde se evidencia uma profunda espiritualização da sociedade. Estruturas cúbicas que desenham torres articuladas harmoniosamente com telas de muralha envolvendo a paisagem. Volumes salientes pontilhados com detalhes, “frutos de processos de extração de terra substituída por luz e lâminas de água”. Como resultado, obtém-se um universo sensorial em que a luz é a protagonista. A luz, feita matéria, configura-se como o principal agente qualificador do espaço arquitetônico, bem como argumento autêntico do projeto. Sombra e luz para deleite sensorial e prazer estético da beleza. O olhar contemporâneo “re-constrói” o monumento e atualiza seu valor patrimonial através de releituras sem preconceitos que conectam o passado com o presente, atribuindo qualidades idênticas a cada uma das camadas que representam o lugar e perfazem o patrimônio da Alhambra.Universidade LaSalle - Unilasalle Canoas2018-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/470510.18316/mouseion.v0i29.4705Mouseion; No. 29 (2018); p. 15-38Revista Mouseion; n. 29 (2018); p. 15-381981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEspahttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessVilchez, Bernardino Líndez2022-05-23T14:41:44Zoai:ojs.revistas.unilasalle.edu.br:article/4705Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T14:41:44Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
Alhambra Heritage: The light, architecture and composition Patrimonio Alhambra: La luz, arquitectura y composición. Patrimônio Alhambra: A luz, arquitetura e composição |
title |
Alhambra Heritage: The light, architecture and composition |
spellingShingle |
Alhambra Heritage: The light, architecture and composition Vilchez, Bernardino Líndez Alhambra Light Architecture Composition Alhambra Luz Arquitectura Composición Alhambra Luz Arquitetura Composição |
title_short |
Alhambra Heritage: The light, architecture and composition |
title_full |
Alhambra Heritage: The light, architecture and composition |
title_fullStr |
Alhambra Heritage: The light, architecture and composition |
title_full_unstemmed |
Alhambra Heritage: The light, architecture and composition |
title_sort |
Alhambra Heritage: The light, architecture and composition |
author |
Vilchez, Bernardino Líndez |
author_facet |
Vilchez, Bernardino Líndez |
author_role |
author |
dc.contributor.author.fl_str_mv |
Vilchez, Bernardino Líndez |
dc.subject.por.fl_str_mv |
Alhambra Light Architecture Composition Alhambra Luz Arquitectura Composición Alhambra Luz Arquitetura Composição |
topic |
Alhambra Light Architecture Composition Alhambra Luz Arquitectura Composición Alhambra Luz Arquitetura Composição |
description |
In the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures that draw towers harmonically articulated with canvases of the wall embracing the landscape. Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-07-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705 10.18316/mouseion.v0i29.4705 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705 |
identifier_str_mv |
10.18316/mouseion.v0i29.4705 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Mouseion info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Mouseion |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 29 (2018); p. 15-38 Revista Mouseion; n. 29 (2018); p. 15-38 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218181232492544 |