The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.12 |
Resumo: | It displays some results from a research conducted in 2006 for means the thesis on the iconography related to the theme of Death and Beyond depicted by religious mural paintings in the central region of Rio Grande do Sul along the twentieth century. Delimited by the images cycle related to events that take place after the Crucifixion of Christ, this article develops a descriptive visual approach by reference to the Louis Réau studies to draw up a comparative overview of ways in which certain pictorial Christian's reference were interpreted or taken up to constitute the catholic iconographic repertoire in Rio Grande do Sul, Brazil. |
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The descent from the cross iconography in colonial religious painting of Rio Grande Do SulA iconografia do descenso da Cruz na pintura religiosa colonial sul-rio-grandenseDescent from the CrossReligious PaintingIconographyDescenso da CruzPintura ReligiosaIconografiaIconografia do Descenso da CruzDeposição da CruzLamentação sobre Cristo MortoSanto SepulcroIt displays some results from a research conducted in 2006 for means the thesis on the iconography related to the theme of Death and Beyond depicted by religious mural paintings in the central region of Rio Grande do Sul along the twentieth century. Delimited by the images cycle related to events that take place after the Crucifixion of Christ, this article develops a descriptive visual approach by reference to the Louis Réau studies to draw up a comparative overview of ways in which certain pictorial Christian's reference were interpreted or taken up to constitute the catholic iconographic repertoire in Rio Grande do Sul, Brazil.O presente estudo apresenta parte da pesquisa realizada em 2006 que resultou na tese sobre a iconografia relacionada ao tema da Morte e o Além na pintura mural religiosa da região central do Rio Grande do Sul ao longo do século XX. Desenvolve uma abordagem visual descritiva utilizando como base os estudos de Louis Réau, tendo como delimitação o ciclo de imagens relativo a eventos que se passam logo após a Crucificação de Cristo. Por meio de análises iconográficas elabora um panorama comparativo dos modos pelos quais certos referenciais imagéticos cristãos foram retomados ou interpretados para constituir o repertório iconográfico religioso católico sul-rio-grandense. Universidade LaSalle - Unilasalle Canoas2015-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionIconografiaapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.1210.18316/1981-7207.15.12Mouseion; No. 22 (2015); p. 97-115Revista Mouseion; n. 22 (2015); p. 97-1151981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.12/pdfMoreira, Altamirinfo:eu-repo/semantics/openAccess2022-05-25T21:32:17Zoai:ojs.revistas.unilasalle.edu.br:article/2597Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-25T21:32:17Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul A iconografia do descenso da Cruz na pintura religiosa colonial sul-rio-grandense |
title |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
spellingShingle |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul Moreira, Altamir Descent from the Cross Religious Painting Iconography Descenso da Cruz Pintura Religiosa Iconografia Iconografia do Descenso da Cruz Deposição da Cruz Lamentação sobre Cristo Morto Santo Sepulcro |
title_short |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
title_full |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
title_fullStr |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
title_full_unstemmed |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
title_sort |
The descent from the cross iconography in colonial religious painting of Rio Grande Do Sul |
author |
Moreira, Altamir |
author_facet |
Moreira, Altamir |
author_role |
author |
dc.contributor.author.fl_str_mv |
Moreira, Altamir |
dc.subject.por.fl_str_mv |
Descent from the Cross Religious Painting Iconography Descenso da Cruz Pintura Religiosa Iconografia Iconografia do Descenso da Cruz Deposição da Cruz Lamentação sobre Cristo Morto Santo Sepulcro |
topic |
Descent from the Cross Religious Painting Iconography Descenso da Cruz Pintura Religiosa Iconografia Iconografia do Descenso da Cruz Deposição da Cruz Lamentação sobre Cristo Morto Santo Sepulcro |
description |
It displays some results from a research conducted in 2006 for means the thesis on the iconography related to the theme of Death and Beyond depicted by religious mural paintings in the central region of Rio Grande do Sul along the twentieth century. Delimited by the images cycle related to events that take place after the Crucifixion of Christ, this article develops a descriptive visual approach by reference to the Louis Réau studies to draw up a comparative overview of ways in which certain pictorial Christian's reference were interpreted or taken up to constitute the catholic iconographic repertoire in Rio Grande do Sul, Brazil. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Iconografia |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.12 10.18316/1981-7207.15.12 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.12 |
identifier_str_mv |
10.18316/1981-7207.15.12 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.12/pdf |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 22 (2015); p. 97-115 Revista Mouseion; n. 22 (2015); p. 97-115 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218180753293312 |