The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions

Detalhes bibliográficos
Autor(a) principal: Proença, Caio de Carvalho
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.3
Resumo: This paper seeks to present how Veja diagrammed and presented to the reader the photographs of Pedro Martinelli, while covering the conflict of the Civil War in Nicaragua, in 1979. From a work that uses oral and visual source, I try to understand how the editorship of photograph worked with the photographic production about the conflicts in the Central American country. Photographs of Martinelli, together with the photo editor working from Sergio Sade, composes a sort of Veja`s photojournalism in this report. I try to realize from Vilches (1997) and Meneses (2004), how were these photos presented to the reader? Which photos dialogue with Martinelli's work in other journals, as in Newsweek, in the same period? These and other issues related to photojournalism context in the 1970s will be discussed in this article.
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spelling The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial DecisionsO conflito da Nicarágua em 1979 em Veja: O trabalho do fotógrafo e as decisões editoriaisPhotojournalismPress HistoryVisual StudiesFotojornalismoHistória da ImprensaCultura VisualHistória do fotojornalismo brasileiro na década de 1970This paper seeks to present how Veja diagrammed and presented to the reader the photographs of Pedro Martinelli, while covering the conflict of the Civil War in Nicaragua, in 1979. From a work that uses oral and visual source, I try to understand how the editorship of photograph worked with the photographic production about the conflicts in the Central American country. Photographs of Martinelli, together with the photo editor working from Sergio Sade, composes a sort of Veja`s photojournalism in this report. I try to realize from Vilches (1997) and Meneses (2004), how were these photos presented to the reader? Which photos dialogue with Martinelli's work in other journals, as in Newsweek, in the same period? These and other issues related to photojournalism context in the 1970s will be discussed in this article.O presente texto busca apresentar como Veja diagramou e apresentou ao leitor as fotografias de Pedro Martinelli, enquanto cobria os conflitos da guerra civil na Nicarágua em 1979. A partir de uma pesquisa que utiliza a fonte oral e visual, procuro perceber como a editoria de fotografia trabalhou com a produção fotográfica sobre os conflitos no país da América Central. As fotografias de Martinelli, em conjunto com o trabalho de editor de fotografia de Sergio Sade, compõem um quadro sobre o fotojornalismo de Veja nesta reportagem. Compreender, a partir de Vilches (1997) e Meneses (2004), como as fotografias foram apresentadas ao leitor é um dos objetivos deste texto. Quais fotografias dialogam com o trabalho de Martinelli em outros periódicos, como Newsweek neste mesmo período? Estas e outras questões referentes ao contexto do fotojornalismo nos anos 1970, serão dissertadas neste artigo. Universidade LaSalle - Unilasalle Canoas2015-08-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Histórica em Cultura Visualapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.310.18316/1981-7207.15.3Mouseion; No. 21 (2015); p. 51-70Revista Mouseion; n. 21 (2015); p. 51-701981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.3/pdfProença, Caio de Carvalhoinfo:eu-repo/semantics/openAccess2022-05-25T21:48:52Zoai:ojs.revistas.unilasalle.edu.br:article/2320Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-25T21:48:52Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
O conflito da Nicarágua em 1979 em Veja: O trabalho do fotógrafo e as decisões editoriais
title The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
spellingShingle The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
Proença, Caio de Carvalho
Photojournalism
Press History
Visual Studies
Fotojornalismo
História da Imprensa
Cultura Visual
História do fotojornalismo brasileiro na década de 1970
title_short The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
title_full The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
title_fullStr The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
title_full_unstemmed The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
title_sort The Nicaraguan Conflict in 1979 in Veja Magazine: The Work of the Photographer and the Editorial Decisions
author Proença, Caio de Carvalho
author_facet Proença, Caio de Carvalho
author_role author
dc.contributor.author.fl_str_mv Proença, Caio de Carvalho
dc.subject.por.fl_str_mv Photojournalism
Press History
Visual Studies
Fotojornalismo
História da Imprensa
Cultura Visual
História do fotojornalismo brasileiro na década de 1970
topic Photojournalism
Press History
Visual Studies
Fotojornalismo
História da Imprensa
Cultura Visual
História do fotojornalismo brasileiro na década de 1970
description This paper seeks to present how Veja diagrammed and presented to the reader the photographs of Pedro Martinelli, while covering the conflict of the Civil War in Nicaragua, in 1979. From a work that uses oral and visual source, I try to understand how the editorship of photograph worked with the photographic production about the conflicts in the Central American country. Photographs of Martinelli, together with the photo editor working from Sergio Sade, composes a sort of Veja`s photojournalism in this report. I try to realize from Vilches (1997) and Meneses (2004), how were these photos presented to the reader? Which photos dialogue with Martinelli's work in other journals, as in Newsweek, in the same period? These and other issues related to photojournalism context in the 1970s will be discussed in this article.
publishDate 2015
dc.date.none.fl_str_mv 2015-08-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa Histórica em Cultura Visual
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.3
10.18316/1981-7207.15.3
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.3
identifier_str_mv 10.18316/1981-7207.15.3
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.15.3/pdf
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 21 (2015); p. 51-70
Revista Mouseion; n. 21 (2015); p. 51-70
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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