Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato

Detalhes bibliográficos
Autor(a) principal: Nogueira do Amaral, Andréa
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Desenvolvimento Social (Online)
Texto Completo: https://www.periodicos.unimontes.br/index.php/rds/article/view/7138
Resumo: The rupture with traditions and the disappearance of the feeling of history meant that the new social fabric began to gradually lose the need to keep the past and began to live in a continuous present. These signs can be easily observed in art, literature, and social dynamics as a whole, as well as revealing the moment of exhaustion of the modern project of society and the advance of a new social order arising from postmodern conditions. In this sense, this article proposes to analyze utopia and dystopia in the novel They Were Many Horses, by Luiz Ruffato as a legitimizing aspect of postmodernity, as well as the purposeful pastiche used by the author as a way to reveal contemporary social reality. To this end, it verifies the characteristics of modernity in the work of Oswald de Andrade, Memórias Sentimentmentales de João Miramar, and the trajectory to reach postmodernity revealed in the narrative of Luiz Ruffato, in addition to presenting consumption as a triumph of of postmodernity and an important cause of utopia and dystopia in the work.
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spelling Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz RuffatoUtopia e distopia nas letras pós-modernas: Uma análise de "Eles eram muitos cavalos", de Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz RuffatoPós-modernidadeConsumoLiteraturaUtopia e distopiaModernity. Consumption. Literature. Utopia and dystopia.The rupture with traditions and the disappearance of the feeling of history meant that the new social fabric began to gradually lose the need to keep the past and began to live in a continuous present. These signs can be easily observed in art, literature, and social dynamics as a whole, as well as revealing the moment of exhaustion of the modern project of society and the advance of a new social order arising from postmodern conditions. In this sense, this article proposes to analyze utopia and dystopia in the novel They Were Many Horses, by Luiz Ruffato as a legitimizing aspect of postmodernity, as well as the purposeful pastiche used by the author as a way to reveal contemporary social reality. To this end, it verifies the characteristics of modernity in the work of Oswald de Andrade, Memórias Sentimentmentales de João Miramar, and the trajectory to reach postmodernity revealed in the narrative of Luiz Ruffato, in addition to presenting consumption as a triumph of of postmodernity and an important cause of utopia and dystopia in the work.La ruptura con las tradiciones y la desaparición del sentimiento de la historia hizo que el nuevo tejido social comenzara a perder paulatinamente la necesidad de conservar el pasado y comenzara a vivir en un presente continuo. Estos signos pueden observarse fácilmente en el arte, la literatura y las dinámicas sociales en su conjunto, además de revelar el momento de agotamiento del proyecto moderno de sociedad y el avance de un nuevo orden social surgido de las condiciones posmodernas. En este sentido, este artículo se propone analizar la utopía y la distopía en la novela de Luiz Ruffato Eran muchos caballos como aspecto legitimador de la posmodernidad, así como el pastiche intencionado utilizado por el autor como forma de revelar la realidad social contemporánea. Para ello, verifica las características de la modernidad en la obra de Oswald de Andrade, Memorias sentimentales de João Miramar, y la trayectoria para llegar a la posmodernidad revelada en la narrativa de Luiz Ruffato, además de presentar el consumo como un triunfo de la posmodernidad y una causa importante de utopía y distopía en la obra.  O rompimento com as tradições e o desaparecimento do sentimento de história fizeram com que o novo tecido social começasse a perder, aos poucos, a necessidade de guardar o passado e passasse a viver um presente contínuo. Esses sinais podem ser observados na arte, na literatura e na dinâmica social como um todo, assim como revelam o momento de esgotamento do projeto moderno de sociedade e o avanço de uma nova ordem social proveniente das condições pós-modernas. Neste sentido, este artigo propõe analisar utopia e distopia no romance “Eles eram muitos cavalos”, de Luiz Ruffato, como aspecto legitimador da pós-modernidade, assim como o pastiche proposital utilizado pelo autor como forma de revelar a realidade social contemporânea. Para isso, verifica as características da modernidade na obra de Oswald de Andrade, Memórias Sentimentais de João Miramar e a trajetória para chegar a pós-modernidade revelada na narrativa de Luiz Ruffato, além de apresentar o consumo como triunfo da pós-modernidade e causador importante de utopia e distopia na obra.Editora Unimontes2023-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://www.periodicos.unimontes.br/index.php/rds/article/view/713810.46551/issn2179-6807v29n2p114-127Revista Desenvolvimento Social; v. 29 n. 2 (2023): Desenvolvimento Social: Interseccionalidades, decolonialidades e espaços insurgentes; 114-1272179-68071982-8608reponame:Revista Desenvolvimento Social (Online)instname:Universidade Estadual de Montes Claros (UNIMONTES)instacron:UNIMONTESporhttps://www.periodicos.unimontes.br/index.php/rds/article/view/7138/7089https://www.periodicos.unimontes.br/index.php/rds/article/view/7138/7090Copyright (c) 2023 Andréa Nogueira do Amaralhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessNogueira do Amaral, Andréa2023-12-21T21:49:44Zoai:ojs2.periodicos.unimontes.br:article/7138Revistahttps://www.periodicos.unimontes.br/index.php/rds/indexPUBhttps://www.periodicos.unimontes.br/index.php/rds/oairevista.desenvolvimento@unimontes.br2179-68071982-8608opendoar:2023-12-21T21:49:44Revista Desenvolvimento Social (Online) - Universidade Estadual de Montes Claros (UNIMONTES)false
dc.title.none.fl_str_mv Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
Utopia e distopia nas letras pós-modernas: Uma análise de "Eles eram muitos cavalos", de Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
title Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
spellingShingle Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
Nogueira do Amaral, Andréa
Pós-modernidade
Consumo
Literatura
Utopia e distopia
Modernity. Consumption. Literature. Utopia and dystopia.
title_short Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
title_full Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
title_fullStr Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
title_full_unstemmed Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
title_sort Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato: Utopia and dystopia in postmodern letters: An analysis of "They were many horses", by Luiz Ruffato
author Nogueira do Amaral, Andréa
author_facet Nogueira do Amaral, Andréa
author_role author
dc.contributor.author.fl_str_mv Nogueira do Amaral, Andréa
dc.subject.por.fl_str_mv Pós-modernidade
Consumo
Literatura
Utopia e distopia
Modernity. Consumption. Literature. Utopia and dystopia.
topic Pós-modernidade
Consumo
Literatura
Utopia e distopia
Modernity. Consumption. Literature. Utopia and dystopia.
description The rupture with traditions and the disappearance of the feeling of history meant that the new social fabric began to gradually lose the need to keep the past and began to live in a continuous present. These signs can be easily observed in art, literature, and social dynamics as a whole, as well as revealing the moment of exhaustion of the modern project of society and the advance of a new social order arising from postmodern conditions. In this sense, this article proposes to analyze utopia and dystopia in the novel They Were Many Horses, by Luiz Ruffato as a legitimizing aspect of postmodernity, as well as the purposeful pastiche used by the author as a way to reveal contemporary social reality. To this end, it verifies the characteristics of modernity in the work of Oswald de Andrade, Memórias Sentimentmentales de João Miramar, and the trajectory to reach postmodernity revealed in the narrative of Luiz Ruffato, in addition to presenting consumption as a triumph of of postmodernity and an important cause of utopia and dystopia in the work.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.periodicos.unimontes.br/index.php/rds/article/view/7138
10.46551/issn2179-6807v29n2p114-127
url https://www.periodicos.unimontes.br/index.php/rds/article/view/7138
identifier_str_mv 10.46551/issn2179-6807v29n2p114-127
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.periodicos.unimontes.br/index.php/rds/article/view/7138/7089
https://www.periodicos.unimontes.br/index.php/rds/article/view/7138/7090
dc.rights.driver.fl_str_mv Copyright (c) 2023 Andréa Nogueira do Amaral
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Andréa Nogueira do Amaral
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Editora Unimontes
publisher.none.fl_str_mv Editora Unimontes
dc.source.none.fl_str_mv Revista Desenvolvimento Social; v. 29 n. 2 (2023): Desenvolvimento Social: Interseccionalidades, decolonialidades e espaços insurgentes; 114-127
2179-6807
1982-8608
reponame:Revista Desenvolvimento Social (Online)
instname:Universidade Estadual de Montes Claros (UNIMONTES)
instacron:UNIMONTES
instname_str Universidade Estadual de Montes Claros (UNIMONTES)
instacron_str UNIMONTES
institution UNIMONTES
reponame_str Revista Desenvolvimento Social (Online)
collection Revista Desenvolvimento Social (Online)
repository.name.fl_str_mv Revista Desenvolvimento Social (Online) - Universidade Estadual de Montes Claros (UNIMONTES)
repository.mail.fl_str_mv revista.desenvolvimento@unimontes.br
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