Leitura, texto poético e conhecimento
Autor(a) principal: | |
---|---|
Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signo (Santa Cruz do Sul. Online) |
Texto Completo: | https://online.unisc.br/seer/index.php/signo/article/view/440 |
Resumo: | The current paper focuses on the relations among reading, poetic text and knowledge, encompassing the triad author- literary work – reader. A poem by Micheliny Verunschk is used to trigger those elements. Positionings by Gaston Bachelard and Paul Valéry have been mainly used as the rationale for our analysis. Firstly, concerning the author, we broach the historical opposition between the “inspired poet” and the “working poet”, as well as the concept of “poetic mood”, which is detached from the everyday mind process. Afterwards, regarding the literary work, we consider those resources used by the author in order to materialize a poem. Eventually, in relation to the reader, we present aspects linked to the predominance of mental processes associated with reason which end up creating a “technical” reader, as well as the emotional aspects which render him/her an “inspired reader”, as exemplified with a poem by Affonso Romano Sant’Anna, in which the virtualities of the poetic text may occur after the reading, thus accomplishing a degree of knowledge only feasible through the lived experience. |
id |
UNISC-3_f8d1158d4628e6f363c422f3bbc1afb4 |
---|---|
oai_identifier_str |
oai:ojs.online.unisc.br:article/440 |
network_acronym_str |
UNISC-3 |
network_name_str |
Signo (Santa Cruz do Sul. Online) |
repository_id_str |
|
spelling |
Leitura, texto poético e conhecimentoThe current paper focuses on the relations among reading, poetic text and knowledge, encompassing the triad author- literary work – reader. A poem by Micheliny Verunschk is used to trigger those elements. Positionings by Gaston Bachelard and Paul Valéry have been mainly used as the rationale for our analysis. Firstly, concerning the author, we broach the historical opposition between the “inspired poet” and the “working poet”, as well as the concept of “poetic mood”, which is detached from the everyday mind process. Afterwards, regarding the literary work, we consider those resources used by the author in order to materialize a poem. Eventually, in relation to the reader, we present aspects linked to the predominance of mental processes associated with reason which end up creating a “technical” reader, as well as the emotional aspects which render him/her an “inspired reader”, as exemplified with a poem by Affonso Romano Sant’Anna, in which the virtualities of the poetic text may occur after the reading, thus accomplishing a degree of knowledge only feasible through the lived experience.O presente trabalho focaliza as relações entre leitura, texto poético e conhecimento, envolvendo a tríade criador-obra-leitor. Um poema de Micheliny Verunschk serve como potencializador desses elementos. Como apoio teórico, foram utilizados, principalmente, posicionamentos de Gaston Bachelard e Paul Valéry. Assim, no primeiro momento, para a questão do criador, aborda-se a oposição histórica entre o poeta inspirado e o poeta artífice, bem como a noção de “estado poético”, que se distancia do processo mental corriqueiro. Depois, no que tange à obra, são considerados recursos de que se utiliza o criador para concretizar o poema. Por fim, quanto ao leitor, apresentam-se aspectos vinculados à predominância de processos mentais associados à razão, que redundam num leitor “técnico”, assim como aspectos emocionais, que o tornam um “leitor inspirado”, o que se exemplifica através de um poema de Affonso Romano de Sant’Anna, em que virtualidades do texto poético podem ocorrer depois da leitura, atingindo um conhecimento que só se realiza plenamente através da experiência vivida.Edunisc2008-08-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/44010.17058/signo.v31i0.440Signo; 2006: Especial - II Colóquio Leitura e Cognição1982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/440/293Perkoski, Norbertoinfo:eu-repo/semantics/openAccess2019-07-01T20:10:51Zoai:ojs.online.unisc.br:article/440Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2019-07-01T20:10:51Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false |
dc.title.none.fl_str_mv |
Leitura, texto poético e conhecimento |
title |
Leitura, texto poético e conhecimento |
spellingShingle |
Leitura, texto poético e conhecimento Perkoski, Norberto |
title_short |
Leitura, texto poético e conhecimento |
title_full |
Leitura, texto poético e conhecimento |
title_fullStr |
Leitura, texto poético e conhecimento |
title_full_unstemmed |
Leitura, texto poético e conhecimento |
title_sort |
Leitura, texto poético e conhecimento |
author |
Perkoski, Norberto |
author_facet |
Perkoski, Norberto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Perkoski, Norberto |
description |
The current paper focuses on the relations among reading, poetic text and knowledge, encompassing the triad author- literary work – reader. A poem by Micheliny Verunschk is used to trigger those elements. Positionings by Gaston Bachelard and Paul Valéry have been mainly used as the rationale for our analysis. Firstly, concerning the author, we broach the historical opposition between the “inspired poet” and the “working poet”, as well as the concept of “poetic mood”, which is detached from the everyday mind process. Afterwards, regarding the literary work, we consider those resources used by the author in order to materialize a poem. Eventually, in relation to the reader, we present aspects linked to the predominance of mental processes associated with reason which end up creating a “technical” reader, as well as the emotional aspects which render him/her an “inspired reader”, as exemplified with a poem by Affonso Romano Sant’Anna, in which the virtualities of the poetic text may occur after the reading, thus accomplishing a degree of knowledge only feasible through the lived experience. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-08-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/440 10.17058/signo.v31i0.440 |
url |
https://online.unisc.br/seer/index.php/signo/article/view/440 |
identifier_str_mv |
10.17058/signo.v31i0.440 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/440/293 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Edunisc |
publisher.none.fl_str_mv |
Edunisc |
dc.source.none.fl_str_mv |
Signo; 2006: Especial - II Colóquio Leitura e Cognição 1982-2014 reponame:Signo (Santa Cruz do Sul. Online) instname:Universidade de Santa Cruz do Sul (UNISC) instacron:UNISC |
instname_str |
Universidade de Santa Cruz do Sul (UNISC) |
instacron_str |
UNISC |
institution |
UNISC |
reponame_str |
Signo (Santa Cruz do Sul. Online) |
collection |
Signo (Santa Cruz do Sul. Online) |
repository.name.fl_str_mv |
Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC) |
repository.mail.fl_str_mv |
rgabriel@unisc.br||revistasigno.unisc@gmail.com |
_version_ |
1800218788299276288 |