Where the journalism shows and reflects on its doing: the case of contemporary documentary
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Verso e Reverso (Online) |
Texto Completo: | https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.10 |
Resumo: | The fictionalization is inherent to the documentary narrative, even if it puts as a genre committ ed to journalism and therefore the real. For this commitment to referentiality, the marks of fiction have always been a reason for its concealment effort. The discussion that updates the debate, however, concerns a trend present in contemporary audiovisual production to abolish this concern, explaining the processes of production and assembly. More than showing, documentaries want, in this process, discuss the impossibility of making aseptic real record, promoting new formats, positioning it somewhere between the journalistic and artistic.Key words: documentary, fiction, reality, new technologies |
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Where the journalism shows and reflects on its doing: the case of contemporary documentaryOnde o jornalismo mostra e reflete sobre seu fazer: o caso do documentário contemporâneoThe fictionalization is inherent to the documentary narrative, even if it puts as a genre committ ed to journalism and therefore the real. For this commitment to referentiality, the marks of fiction have always been a reason for its concealment effort. The discussion that updates the debate, however, concerns a trend present in contemporary audiovisual production to abolish this concern, explaining the processes of production and assembly. More than showing, documentaries want, in this process, discuss the impossibility of making aseptic real record, promoting new formats, positioning it somewhere between the journalistic and artistic.Key words: documentary, fiction, reality, new technologiesA ficcionalização é inerente à narrativa no documentário, ainda que se coloque como um gênero comprometido com o jornalismo e, portanto, com o real. Por conta desse compromisso com a referencialidade, as marcas da ficção sempre foram razão de um esforço por seu encobrimento. A discussão que atualiza o debate, no entanto, diz respeito a uma tendência presente na produção audiovisual contemporânea no sentido de abolir esta preocupação, explicitando os processos de produção e montagem. Mais do que mostrar, os documentários querem, neste processo, discutir o próprio fazer e a impossibilidade do registro asséptico do real, promovendo novos formatos, posicionando-o num lugar entre o jornalístico e artístico.Palavras-chave: documentário, ficção, realidade, novas tecnologias.Verso e Reverso2013-08-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.1010.4013/ver.2013.27.66.10Verso e Reverso; v. 27 n. 66: Ano XXVII - 2013/3; 236-2421806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.10/3797Piccinin, Fabianainfo:eu-repo/semantics/openAccess2015-01-09T16:40:54Zoai:ojs2.revistas.unisinos.br:article/4188Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2015-01-09T16:40:54Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false |
dc.title.none.fl_str_mv |
Where the journalism shows and reflects on its doing: the case of contemporary documentary Onde o jornalismo mostra e reflete sobre seu fazer: o caso do documentário contemporâneo |
title |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
spellingShingle |
Where the journalism shows and reflects on its doing: the case of contemporary documentary Piccinin, Fabiana |
title_short |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
title_full |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
title_fullStr |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
title_full_unstemmed |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
title_sort |
Where the journalism shows and reflects on its doing: the case of contemporary documentary |
author |
Piccinin, Fabiana |
author_facet |
Piccinin, Fabiana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Piccinin, Fabiana |
description |
The fictionalization is inherent to the documentary narrative, even if it puts as a genre committ ed to journalism and therefore the real. For this commitment to referentiality, the marks of fiction have always been a reason for its concealment effort. The discussion that updates the debate, however, concerns a trend present in contemporary audiovisual production to abolish this concern, explaining the processes of production and assembly. More than showing, documentaries want, in this process, discuss the impossibility of making aseptic real record, promoting new formats, positioning it somewhere between the journalistic and artistic.Key words: documentary, fiction, reality, new technologies |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-08-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.10 10.4013/ver.2013.27.66.10 |
url |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.10 |
identifier_str_mv |
10.4013/ver.2013.27.66.10 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.10/3797 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Verso e Reverso |
publisher.none.fl_str_mv |
Verso e Reverso |
dc.source.none.fl_str_mv |
Verso e Reverso; v. 27 n. 66: Ano XXVII - 2013/3; 236-242 1806-6925 reponame:Verso e Reverso (Online) instname:Universidade do Vale do Rio dos Sinos (UNISINOS) instacron:UNISINOS |
instname_str |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
instacron_str |
UNISINOS |
institution |
UNISINOS |
reponame_str |
Verso e Reverso (Online) |
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Verso e Reverso (Online) |
repository.name.fl_str_mv |
Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS) |
repository.mail.fl_str_mv |
periodicos@unisinos.br||bmarocco@unisinos.br |
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1800219585147830272 |