Performance and audience appeal in Caesar Must Die

Detalhes bibliográficos
Autor(a) principal: Pirajá, Tess Chamusca
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Verso e Reverso (Online)
Texto Completo: https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.06
Resumo: This paper analyses the acclaimed Italian film Caesar Must Die (2012), directed by Paolo and Vittorio Taviani, which is starred by inmates from Rome’s high-security prison Rebibbia. The present work aims at investigating how the movie’s performances appeal to audience, once reality and fiction intentionally mingle within the picture. Thus, it also approaches how directors use strategies considered as belonging to documentary aesthetics, pushing the boundaries of fiction and documentary genres. Authors such as Richard Schechner (2006), Bruno Leal (2005), André Brasil (2011), Jean Comolli (2008), Ruben Caixeta, and César Guimarães (2008) are included in the theoretical framework. From the definition used by both David Bordwell (2008) and Fernão Pessoa Ramos (2012), the conception of mise-en-scène is taken as an analytical operator.Keywords: performance, mise-en-scène, Caesar Must Die, fiction, documentary.
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spelling Performance and audience appeal in Caesar Must DiePerformance e convocação do espectador na obra César Deve MorrerThis paper analyses the acclaimed Italian film Caesar Must Die (2012), directed by Paolo and Vittorio Taviani, which is starred by inmates from Rome’s high-security prison Rebibbia. The present work aims at investigating how the movie’s performances appeal to audience, once reality and fiction intentionally mingle within the picture. Thus, it also approaches how directors use strategies considered as belonging to documentary aesthetics, pushing the boundaries of fiction and documentary genres. Authors such as Richard Schechner (2006), Bruno Leal (2005), André Brasil (2011), Jean Comolli (2008), Ruben Caixeta, and César Guimarães (2008) are included in the theoretical framework. From the definition used by both David Bordwell (2008) and Fernão Pessoa Ramos (2012), the conception of mise-en-scène is taken as an analytical operator.Keywords: performance, mise-en-scène, Caesar Must Die, fiction, documentary.Este artigo analisa o aclamado filme italiano César Deve Morrer (2012), dirigido por Paolo e Vittorio Taviani e protagonizado por detentos do pavilhão de segurança máxima da prisão de Rebibbia, em Roma. O trabalho tem o objetivo de investigar como as performances presentes na obra convocam o espectador, uma vez que, propositadamente, realidade e ficção se misturam na obra. Assim, também é abordado como os diretores se utilizam de estratégias consideradas próprias do documentário, tensionando as fronteiras entre os gêneros ficcional e documental. Fazem parte do referencial teórico da análise autores como Richard Schechner (2006), Bruno Leal (2005), André Brasil (2011), Jean Comolli (2008), Ruben Caixeta e César Guimarães (2008). O conceito de mise-en-scène é utilizado como operador analítico, a partir da definição utilizada por David Bordwell (2008) e Fernão Pessoa Ramos (2012).Palavras-chave: performance, mise-en-scène, César Deve Morrer, ficção, documentário.Verso e Reverso2016-06-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.0610.4013/ver.2016.31.76.06Verso e Reverso; v. 31 n. 76: janeiro/abril - 2017/1; 56-641806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.06/5840Pirajá, Tess Chamuscainfo:eu-repo/semantics/openAccess2017-08-30T18:35:36Zoai:ojs2.revistas.unisinos.br:article/11450Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2017-08-30T18:35:36Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false
dc.title.none.fl_str_mv Performance and audience appeal in Caesar Must Die
Performance e convocação do espectador na obra César Deve Morrer
title Performance and audience appeal in Caesar Must Die
spellingShingle Performance and audience appeal in Caesar Must Die
Pirajá, Tess Chamusca
title_short Performance and audience appeal in Caesar Must Die
title_full Performance and audience appeal in Caesar Must Die
title_fullStr Performance and audience appeal in Caesar Must Die
title_full_unstemmed Performance and audience appeal in Caesar Must Die
title_sort Performance and audience appeal in Caesar Must Die
author Pirajá, Tess Chamusca
author_facet Pirajá, Tess Chamusca
author_role author
dc.contributor.author.fl_str_mv Pirajá, Tess Chamusca
description This paper analyses the acclaimed Italian film Caesar Must Die (2012), directed by Paolo and Vittorio Taviani, which is starred by inmates from Rome’s high-security prison Rebibbia. The present work aims at investigating how the movie’s performances appeal to audience, once reality and fiction intentionally mingle within the picture. Thus, it also approaches how directors use strategies considered as belonging to documentary aesthetics, pushing the boundaries of fiction and documentary genres. Authors such as Richard Schechner (2006), Bruno Leal (2005), André Brasil (2011), Jean Comolli (2008), Ruben Caixeta, and César Guimarães (2008) are included in the theoretical framework. From the definition used by both David Bordwell (2008) and Fernão Pessoa Ramos (2012), the conception of mise-en-scène is taken as an analytical operator.Keywords: performance, mise-en-scène, Caesar Must Die, fiction, documentary.
publishDate 2016
dc.date.none.fl_str_mv 2016-06-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.06
10.4013/ver.2016.31.76.06
url https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.06
identifier_str_mv 10.4013/ver.2016.31.76.06
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2016.31.76.06/5840
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Verso e Reverso
publisher.none.fl_str_mv Verso e Reverso
dc.source.none.fl_str_mv Verso e Reverso; v. 31 n. 76: janeiro/abril - 2017/1; 56-64
1806-6925
reponame:Verso e Reverso (Online)
instname:Universidade do Vale do Rio dos Sinos (UNISINOS)
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reponame_str Verso e Reverso (Online)
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