THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18283 |
Resumo: | Since his musical production of the 1960s and 70s, when Brazil was under a military dictatorship, Chico Buarque's work is known for its interpretive and critical character of the historical reality of the country, being considered a chronicler of our social ills. In 2011, Chico released, in partnership with the composer João Bosco, the song “Sinhá”, in which it is narrated, from two points of view, given by the narrative unfolding, the violence suffered by an enslaved black man, accused, by the lord, of having sexual relations with the sinhá that calls the song. In this text, we present a reading of the song's lyrics, reflecting on the process of constitution of Brazil through the marked presence of violence, relying on the studies, among others, of Chaui (1980), Pinheiro (1991) and Ginzburg (2017). |
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THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCOA HISTÓRIA DO BRASIL FUNDADA PELA VIOLÊNCIA EM “SINHÁ”, DE CHICO BUARQUE E JOÃO BOSCOChico Buarque"Sinhá"ViolenceBrazilChico Buarque“Sinhá”ViolênciaBrasilSince his musical production of the 1960s and 70s, when Brazil was under a military dictatorship, Chico Buarque's work is known for its interpretive and critical character of the historical reality of the country, being considered a chronicler of our social ills. In 2011, Chico released, in partnership with the composer João Bosco, the song “Sinhá”, in which it is narrated, from two points of view, given by the narrative unfolding, the violence suffered by an enslaved black man, accused, by the lord, of having sexual relations with the sinhá that calls the song. In this text, we present a reading of the song's lyrics, reflecting on the process of constitution of Brazil through the marked presence of violence, relying on the studies, among others, of Chaui (1980), Pinheiro (1991) and Ginzburg (2017). Desde su producción musical de las décadas de 1960 y 70, cuando Brasil estaba bajo una dictadura militar, la obra de Chico Buarque es conocida por su carácter interpretativo y crítico de la realidad histórica del país, siendo considerado un cronista de nuestros males sociales. En 2011, Chico lanzó, en colaboración con el compositor João Bosco, la canción "Sinhá", en la que se narra, desde dos puntos de vista, dados por el despliegue narrativo, la violencia sufrida por un hombre negro esclavizado, acusado, por el señor, de tener relaciones sexuales con el sinhá que llama a la canción. En este texto, presentamos una lectura de la letra de la canción, reflexionando sobre el proceso de constitución de Brasil a través de la marcada presencia de la violencia, apoyándonos en los estudios, entre otros, de Chaui (1980), Pinheiro (1991) y Ginzburg (2017).Desde sua produção musical das décadas de 1960 e 70, época em que o Brasil estava sob uma ditadura militar, a obra de Chico Buarque é conhecida por seu caráter interpretativo e crítico da realidade histórica do país, sendo considerado um cronista arguto de nossas mazelas sociais. No ano de 2011, Chico lançou, em parceria com o compositor João Bosco, a canção “Sinhá”, na qual se narra, a partir de dois pontos de vistas, dados pelo desdobramento narrativo, a violência sofrida por um negro escravizado, acusado, pelo senhor, de manter relações sexuais com a sinhá que intitula a canção. Nesse texto, apresentamos uma leitura da letra da canção, refletindo sobre o processo de constituição do Brasil por meio da presença marcante da violência, apoiando-nos nos estudos, entre outros, de Chaui (1980), de Pinheiro (1991) e Ginzburg (2017). Universidade do Sul de Santa Catarina2022-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1828310.59306/rcc.v17e22022149-156Revista Crítica Cultural; v. 17 n. 2 (2022); 149-1561980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18283/12220Copyright (c) 2022 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessDias Cavalcanti, Luciano MarcosMargarete Pereira, Cilene2023-04-21T13:51:18Zoai:portaldeperiodicos.animaeducacao.com.br:article/18283Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2023-04-21T13:51:18Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO A HISTÓRIA DO BRASIL FUNDADA PELA VIOLÊNCIA EM “SINHÁ”, DE CHICO BUARQUE E JOÃO BOSCO |
title |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
spellingShingle |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO Dias Cavalcanti, Luciano Marcos Chico Buarque "Sinhá" Violence Brazil Chico Buarque “Sinhá” Violência Brasil |
title_short |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
title_full |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
title_fullStr |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
title_full_unstemmed |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
title_sort |
THE HISTORY OF BRAZIL FOUNDED BY VIOLENCE IN “SINHÁ”, BY CHICO BUARQUE AND JOÃO BOSCO |
author |
Dias Cavalcanti, Luciano Marcos |
author_facet |
Dias Cavalcanti, Luciano Marcos Margarete Pereira, Cilene |
author_role |
author |
author2 |
Margarete Pereira, Cilene |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Dias Cavalcanti, Luciano Marcos Margarete Pereira, Cilene |
dc.subject.por.fl_str_mv |
Chico Buarque "Sinhá" Violence Brazil Chico Buarque “Sinhá” Violência Brasil |
topic |
Chico Buarque "Sinhá" Violence Brazil Chico Buarque “Sinhá” Violência Brasil |
description |
Since his musical production of the 1960s and 70s, when Brazil was under a military dictatorship, Chico Buarque's work is known for its interpretive and critical character of the historical reality of the country, being considered a chronicler of our social ills. In 2011, Chico released, in partnership with the composer João Bosco, the song “Sinhá”, in which it is narrated, from two points of view, given by the narrative unfolding, the violence suffered by an enslaved black man, accused, by the lord, of having sexual relations with the sinhá that calls the song. In this text, we present a reading of the song's lyrics, reflecting on the process of constitution of Brazil through the marked presence of violence, relying on the studies, among others, of Chaui (1980), Pinheiro (1991) and Ginzburg (2017). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18283 10.59306/rcc.v17e22022149-156 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18283 |
identifier_str_mv |
10.59306/rcc.v17e22022149-156 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18283/12220 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 17 n. 2 (2022); 149-156 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553475260416 |