A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]

Detalhes bibliográficos
Autor(a) principal: Ferreira, Marina dos Santos
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471
Resumo: The novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view.
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spelling A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]Um passado-presente em Rainha dos Cárceres da GréciaLandscapesAnachronismDutch BrazilPaisagensAnacronismoOcupação HolandesaThe novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view.O romance de Osman Lins, A Rainha dos Cárceres da Grécia, publicado em 1976, traz ao leitor uma construção espaço-temporal bastante particular ao retomar o período da Ocupação Holandesa no Nordeste brasileiro em princípios do século XVII. O presente artigo busca ler o modo como se dá esta construção no romance, a partir das paisagens produzidas naquele momento por artistas da comitiva holandesa, principalmente Frans Post. Trazendo para o presente da narrativa este passado remoto através de uma sobreposição paisagística, o romance nos permite pensar o presente à luz de elementos que hoje figuram como importante acervo iconográfico, problematizando e questionando parâmetros relativamente estáveis do ponto de vista da história tradicional.Universidade do Sul de Santa Catarina2018-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/647110.19177/rcc.v13e12018181-193Revista Crítica Cultural; v. 13 n. 1 (2018); 181-1931980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471/3847Copyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessFerreira, Marina dos Santos2018-06-29T17:41:19Zoai:portaldeperiodicos.animaeducacao.com.br:article/6471Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-06-29T17:41:19Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
Um passado-presente em Rainha dos Cárceres da Grécia
title A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
spellingShingle A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
Ferreira, Marina dos Santos
Landscapes
Anachronism
Dutch Brazil
Paisagens
Anacronismo
Ocupação Holandesa
title_short A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
title_full A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
title_fullStr A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
title_full_unstemmed A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
title_sort A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
author Ferreira, Marina dos Santos
author_facet Ferreira, Marina dos Santos
author_role author
dc.contributor.author.fl_str_mv Ferreira, Marina dos Santos
dc.subject.por.fl_str_mv Landscapes
Anachronism
Dutch Brazil
Paisagens
Anacronismo
Ocupação Holandesa
topic Landscapes
Anachronism
Dutch Brazil
Paisagens
Anacronismo
Ocupação Holandesa
description The novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471
10.19177/rcc.v13e12018181-193
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471
identifier_str_mv 10.19177/rcc.v13e12018181-193
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471/3847
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 13 n. 1 (2018); 181-193
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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