A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471 |
Resumo: | The novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view. |
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A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece]Um passado-presente em Rainha dos Cárceres da GréciaLandscapesAnachronismDutch BrazilPaisagensAnacronismoOcupação HolandesaThe novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view.O romance de Osman Lins, A Rainha dos Cárceres da Grécia, publicado em 1976, traz ao leitor uma construção espaço-temporal bastante particular ao retomar o período da Ocupação Holandesa no Nordeste brasileiro em princípios do século XVII. O presente artigo busca ler o modo como se dá esta construção no romance, a partir das paisagens produzidas naquele momento por artistas da comitiva holandesa, principalmente Frans Post. Trazendo para o presente da narrativa este passado remoto através de uma sobreposição paisagística, o romance nos permite pensar o presente à luz de elementos que hoje figuram como importante acervo iconográfico, problematizando e questionando parâmetros relativamente estáveis do ponto de vista da história tradicional.Universidade do Sul de Santa Catarina2018-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/647110.19177/rcc.v13e12018181-193Revista Crítica Cultural; v. 13 n. 1 (2018); 181-1931980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471/3847Copyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessFerreira, Marina dos Santos2018-06-29T17:41:19Zoai:portaldeperiodicos.animaeducacao.com.br:article/6471Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-06-29T17:41:19Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] Um passado-presente em Rainha dos Cárceres da Grécia |
title |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
spellingShingle |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] Ferreira, Marina dos Santos Landscapes Anachronism Dutch Brazil Paisagens Anacronismo Ocupação Holandesa |
title_short |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
title_full |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
title_fullStr |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
title_full_unstemmed |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
title_sort |
A past-present in A Rainha dos Cárceres da Grécia [The Queen of Prisons of Greece] |
author |
Ferreira, Marina dos Santos |
author_facet |
Ferreira, Marina dos Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Marina dos Santos |
dc.subject.por.fl_str_mv |
Landscapes Anachronism Dutch Brazil Paisagens Anacronismo Ocupação Holandesa |
topic |
Landscapes Anachronism Dutch Brazil Paisagens Anacronismo Ocupação Holandesa |
description |
The novel by Osman Lins, The Queen of Prisons of Greece, published in 1976, brings to the reader a relation between time and space very particular as it brings the period of Dutch Colonization in Brazilian Northeast at the beginning of the seventeenth century. The present paper aims to read the way it happens in the very structure of the novel, considering the landscapes painted during that time by dutch artists, mainly by Frans Post. Brining this remote past to the present of the narrative through the superposing of landscapes, the novel allows us to think the present through elements that nowadays figure as important items from Brazilian iconography, putting in perspective and questioning parameters that are relatively stable from the traditional history’s point of view. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-06-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471 10.19177/rcc.v13e12018181-193 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471 |
identifier_str_mv |
10.19177/rcc.v13e12018181-193 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6471/3847 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 13 n. 1 (2018); 181-193 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553227796480 |