Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)

Detalhes bibliográficos
Autor(a) principal: Lapera, Pedro Vinicius Asterito
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2229
Resumo: In this article, we intend to analyze Brazilian Cinema of the seventies 70's, and we chose as its focus O Amuleto de Ogum, directed by Nelson Pereira dos Santos in 1973-74. We focused on the centrality of rituals relied to Afro-Brazilian religions in the film and in its reception. We start from the following this question: how the movie incorporates Afro-Brazilian rituals to its narration and, by consequence, to its representation of popular culture? We follow the hypothesis that O Amuleto de Ogum reveals some aspects of race relations and its hierarchy showed in day-by-day interactions and in mass culture.
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spelling Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)Deslocamentos do popular no cinema brasileiro: religião e relações raciais em O Amuleto de Ogum (1974)Brazilian CinemaRitualsAmuleto de OgumAfro-Brazilian cultureCinema brasileiroRituaisAmuleto de OgumCultura negraIn this article, we intend to analyze Brazilian Cinema of the seventies 70's, and we chose as its focus O Amuleto de Ogum, directed by Nelson Pereira dos Santos in 1973-74. We focused on the centrality of rituals relied to Afro-Brazilian religions in the film and in its reception. We start from the following this question: how the movie incorporates Afro-Brazilian rituals to its narration and, by consequence, to its representation of popular culture? We follow the hypothesis that O Amuleto de Ogum reveals some aspects of race relations and its hierarchy showed in day-by-day interactions and in mass culture. Neste artigo, pretendemos abordar o cinema brasileiro da década de 1970 e elegemos como foco da análise o filme O Amuleto de Ogum, dirigido por Nelson Pereira dos Santos em 1973-74. Escolhemos deter-nos na centralidade ocupada pelos rituais afro-brasileiros tanto na narrativa fílmica quanto em sua recepção. Partimos da seguinte questão: como o filme incorpora os rituais afro-brasileiros à sua narrativa e, portanto, à sua representação da cultura popular? Adotamos a hipótese de que, na conexão entre os aspectos rituais e extra-rituais, O Amuleto de Ogum revela algumas características das relações raciais e sua hierarquização evidenciada tanto nas experiências cotidianas quanto nas representações veiculadas pela cultura de massa.Universidade do Sul de Santa Catarina2013-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/222910.19177/rcc.v8e22013177-190Revista Crítica Cultural; v. 8 n. 2 (2013); 177-1901980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2229/1603Lapera, Pedro Vinicius Asteritoinfo:eu-repo/semantics/openAccess2016-09-30T20:34:51Zoai:portaldeperiodicos.animaeducacao.com.br:article/2229Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:34:51Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
Deslocamentos do popular no cinema brasileiro: religião e relações raciais em O Amuleto de Ogum (1974)
title Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
spellingShingle Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
Lapera, Pedro Vinicius Asterito
Brazilian Cinema
Rituals
Amuleto de Ogum
Afro-Brazilian culture
Cinema brasileiro
Rituais
Amuleto de Ogum
Cultura negra
title_short Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
title_full Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
title_fullStr Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
title_full_unstemmed Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
title_sort Displacements of popular in Brazilian Cinema: religion and race relations in O Amuleto de Ogum (1974)
author Lapera, Pedro Vinicius Asterito
author_facet Lapera, Pedro Vinicius Asterito
author_role author
dc.contributor.author.fl_str_mv Lapera, Pedro Vinicius Asterito
dc.subject.por.fl_str_mv Brazilian Cinema
Rituals
Amuleto de Ogum
Afro-Brazilian culture
Cinema brasileiro
Rituais
Amuleto de Ogum
Cultura negra
topic Brazilian Cinema
Rituals
Amuleto de Ogum
Afro-Brazilian culture
Cinema brasileiro
Rituais
Amuleto de Ogum
Cultura negra
description In this article, we intend to analyze Brazilian Cinema of the seventies 70's, and we chose as its focus O Amuleto de Ogum, directed by Nelson Pereira dos Santos in 1973-74. We focused on the centrality of rituals relied to Afro-Brazilian religions in the film and in its reception. We start from the following this question: how the movie incorporates Afro-Brazilian rituals to its narration and, by consequence, to its representation of popular culture? We follow the hypothesis that O Amuleto de Ogum reveals some aspects of race relations and its hierarchy showed in day-by-day interactions and in mass culture.
publishDate 2013
dc.date.none.fl_str_mv 2013-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2229
10.19177/rcc.v8e22013177-190
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2229
identifier_str_mv 10.19177/rcc.v8e22013177-190
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2229/1603
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 8 n. 2 (2013); 177-190
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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