The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3769 |
Resumo: | The objective of this study is to analyze two books of the writer Luiz Antonio de Assis Brazil whose main objective is to discuss the representation of reality in different languages. "O Pintor de Retratos" (2001) deals with the debate between photography and painting as funding instruments "objective" reality, from a plot that takes place in the late nineteenth century. In "A Margem Imóvel do Rio" (2004) the reality of the representation of the problem back to the Literature and History. Also set in the late nineteenth century, tells the story of the official chronicler of the court of Dom Pedro II, who travels to Rio Grande do Sul in search of Francisco da Silva, whom the emperor had promised a title of nobility. In addition to the themes of each book, the idea of this study is also discuss their own literary works of the author as producers of meaning(s) for the construction of a certain view on the representation of realities addressed. |
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The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis BrazilA representação da realidade em “O Pintor de Retratos” e “A Margem Imóvel do Rio”, de Luiz Antonio de Assis BrasilLiteratureRepresentationRealityLiteraturaRepresentaçãoRealidadeThe objective of this study is to analyze two books of the writer Luiz Antonio de Assis Brazil whose main objective is to discuss the representation of reality in different languages. "O Pintor de Retratos" (2001) deals with the debate between photography and painting as funding instruments "objective" reality, from a plot that takes place in the late nineteenth century. In "A Margem Imóvel do Rio" (2004) the reality of the representation of the problem back to the Literature and History. Also set in the late nineteenth century, tells the story of the official chronicler of the court of Dom Pedro II, who travels to Rio Grande do Sul in search of Francisco da Silva, whom the emperor had promised a title of nobility. In addition to the themes of each book, the idea of this study is also discuss their own literary works of the author as producers of meaning(s) for the construction of a certain view on the representation of realities addressed.O objetivo deste trabalho é analisar dois livros do escritor gaúcho Luiz Antonio de Assis Brasil cujo objetivo principal é discutir a representação da realidade em diferentes linguagens. “O Pintor de Retratos” (2001) trata do debate entre fotografia e pintura como instrumentos de captação “objetiva” da realidade, a partir de um enredo que se passa no final do século XIX. Em “A Margem Imóvel do Rio” (2004) o problema da representação da realidade volta-se para a Literatura e a História. Também ambientado no final do século XIX, narra a história do cronista oficial da corte de D. Pedro II, que viaja ao Rio Grande do Sul em busca de Francisco da Silva, a quem o imperador teria prometido um título nobiliárquico. Além das temáticas de cada livro, a idéia deste estudo é discutir também as próprias obras literárias do autor como produtoras de sentido(s) para a construção de uma determinada visão sobre a representação das realidades abordadas.Universidade do Sul de Santa Catarina2016-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/376910.19177/rcc.v11e12016135-144Revista Crítica Cultural; v. 11 n. 1 (2016); 135-1441980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3769/2663Copyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessSteyer, Fabio Augusto2017-04-19T20:16:10Zoai:portaldeperiodicos.animaeducacao.com.br:article/3769Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-04-19T20:16:10Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil A representação da realidade em “O Pintor de Retratos” e “A Margem Imóvel do Rio”, de Luiz Antonio de Assis Brasil |
title |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
spellingShingle |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil Steyer, Fabio Augusto Literature Representation Reality Literatura Representação Realidade |
title_short |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
title_full |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
title_fullStr |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
title_full_unstemmed |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
title_sort |
The representation of reality in “O Pintor de Retratos” and “A Margem Imóvel do Rio” , Luiz Antonio de Assis Brazil |
author |
Steyer, Fabio Augusto |
author_facet |
Steyer, Fabio Augusto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Steyer, Fabio Augusto |
dc.subject.por.fl_str_mv |
Literature Representation Reality Literatura Representação Realidade |
topic |
Literature Representation Reality Literatura Representação Realidade |
description |
The objective of this study is to analyze two books of the writer Luiz Antonio de Assis Brazil whose main objective is to discuss the representation of reality in different languages. "O Pintor de Retratos" (2001) deals with the debate between photography and painting as funding instruments "objective" reality, from a plot that takes place in the late nineteenth century. In "A Margem Imóvel do Rio" (2004) the reality of the representation of the problem back to the Literature and History. Also set in the late nineteenth century, tells the story of the official chronicler of the court of Dom Pedro II, who travels to Rio Grande do Sul in search of Francisco da Silva, whom the emperor had promised a title of nobility. In addition to the themes of each book, the idea of this study is also discuss their own literary works of the author as producers of meaning(s) for the construction of a certain view on the representation of realities addressed. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-07-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3769 10.19177/rcc.v11e12016135-144 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3769 |
identifier_str_mv |
10.19177/rcc.v11e12016135-144 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3769/2663 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 11 n. 1 (2016); 135-144 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
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1800220552828289024 |