Incarnated affects in O cântico dos cânticos, by Angela Lago

Detalhes bibliográficos
Autor(a) principal: Girão, Luis Carlos
Data de Publicação: 2018
Outros Autores: Cardoso, Elizabeth da Penha
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4075
Resumo: In the present essay, we propose a brief critical analysis for Brazilian Angela Lago's picture-book O cântico dos cânticos (1992), searching for signs of incarnated affect in its double pages. Aiming the execution of such exercise, we start from the methodology proposed by the Frenchs Gilles Deleuze and Felix Guattari (1992), when they discuss about percepts and affects on the constitution of a philosophical thought; also mobilizing the writings of Georges Didi-Huberman (2012;2013), regarding to the effects present on the incarnated images of Art History. As a reinforcement to our reading for this pictorial narrative, we seek the thoughts from the Brazilian Lucia Santaella (1993), in her Peircean theory of perception, about the use of visual percepts in producing sensations.
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spelling Incarnated affects in O cântico dos cânticos, by Angela LagoAfectos encarnados em O cântico dos cânticos, de Angela LagoAffects. Angela Lago. Children’s Literature. Percepts.AfectosAngela LagoLiteratura InfantilPerceptosIn the present essay, we propose a brief critical analysis for Brazilian Angela Lago's picture-book O cântico dos cânticos (1992), searching for signs of incarnated affect in its double pages. Aiming the execution of such exercise, we start from the methodology proposed by the Frenchs Gilles Deleuze and Felix Guattari (1992), when they discuss about percepts and affects on the constitution of a philosophical thought; also mobilizing the writings of Georges Didi-Huberman (2012;2013), regarding to the effects present on the incarnated images of Art History. As a reinforcement to our reading for this pictorial narrative, we seek the thoughts from the Brazilian Lucia Santaella (1993), in her Peircean theory of perception, about the use of visual percepts in producing sensations.No presente artigo, propomos uma breve análise crítica do livro-imagem O cântico dos cânticos (1992), da brasileira Angela Lago, em busca de afectos encarnados em suas páginas duplas. Objetivando a realização de tal exercício, partiremos da metodologia proposta pelos franceses Gilles Deleuze e Félix Guattari (1992), quando discutem sobre perceptos e afectos na constituição de um pensamento filosófico; bem como mobilizaremos os escritos do também francês Georges Didi-Huberman (2012;2013), no referente aos efeitos presentes nas imagens encarnadas da história da arte. Como auxílio à leitura da narrativa pictórica nessa obra, buscamos a reflexão da brasileira Lucia Santaella (1993), em sua teoria peirceana da percepção, quanto à utilização de perceptos visuais na produção de sensações.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/407510.19177/rcc.v13e22018297-306Revista Crítica Cultural; v. 13 n. 2 (2018); 297-3061980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4075/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessGirão, Luis CarlosCardoso, Elizabeth da Penha2018-12-17T17:28:22Zoai:portaldeperiodicos.animaeducacao.com.br:article/4075Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-17T17:28:22Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Incarnated affects in O cântico dos cânticos, by Angela Lago
Afectos encarnados em O cântico dos cânticos, de Angela Lago
title Incarnated affects in O cântico dos cânticos, by Angela Lago
spellingShingle Incarnated affects in O cântico dos cânticos, by Angela Lago
Girão, Luis Carlos
Affects. Angela Lago. Children’s Literature. Percepts.
Afectos
Angela Lago
Literatura Infantil
Perceptos
title_short Incarnated affects in O cântico dos cânticos, by Angela Lago
title_full Incarnated affects in O cântico dos cânticos, by Angela Lago
title_fullStr Incarnated affects in O cântico dos cânticos, by Angela Lago
title_full_unstemmed Incarnated affects in O cântico dos cânticos, by Angela Lago
title_sort Incarnated affects in O cântico dos cânticos, by Angela Lago
author Girão, Luis Carlos
author_facet Girão, Luis Carlos
Cardoso, Elizabeth da Penha
author_role author
author2 Cardoso, Elizabeth da Penha
author2_role author
dc.contributor.author.fl_str_mv Girão, Luis Carlos
Cardoso, Elizabeth da Penha
dc.subject.por.fl_str_mv Affects. Angela Lago. Children’s Literature. Percepts.
Afectos
Angela Lago
Literatura Infantil
Perceptos
topic Affects. Angela Lago. Children’s Literature. Percepts.
Afectos
Angela Lago
Literatura Infantil
Perceptos
description In the present essay, we propose a brief critical analysis for Brazilian Angela Lago's picture-book O cântico dos cânticos (1992), searching for signs of incarnated affect in its double pages. Aiming the execution of such exercise, we start from the methodology proposed by the Frenchs Gilles Deleuze and Felix Guattari (1992), when they discuss about percepts and affects on the constitution of a philosophical thought; also mobilizing the writings of Georges Didi-Huberman (2012;2013), regarding to the effects present on the incarnated images of Art History. As a reinforcement to our reading for this pictorial narrative, we seek the thoughts from the Brazilian Lucia Santaella (1993), in her Peircean theory of perception, about the use of visual percepts in producing sensations.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4075
10.19177/rcc.v13e22018297-306
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4075
identifier_str_mv 10.19177/rcc.v13e22018297-306
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4075/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 13 n. 2 (2018); 297-306
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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