How does contemporary photography think memory?

Detalhes bibliográficos
Autor(a) principal: Jung, Ana Emília
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/143
Resumo: If image thinks and thinks in its own terms, as Didi-Huberman states, how can we understand the statute of contemporary photography on memory? If Freud claims that the object is forever lost, what would be the photographic referent in contemporary society? In this paper, from the analysis of recent artistic practices that use and think photography, I will point how the notion of memory is re-formed since its static character to configure new sets of possibility of times and spaces.
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spelling How does contemporary photography think memory?Como a fotografia contemporânea pensa a memória?Contemporary photographyLost objectReferentMemoryImageFotografia contemporâneaObjeto perdidoReferenteMemóriaImagemIf image thinks and thinks in its own terms, as Didi-Huberman states, how can we understand the statute of contemporary photography on memory? If Freud claims that the object is forever lost, what would be the photographic referent in contemporary society? In this paper, from the analysis of recent artistic practices that use and think photography, I will point how the notion of memory is re-formed since its static character to configure new sets of possibility of times and spaces.Se a imagem pensa e pensa em seus próprios termos, como afirma Didi-Huberman, como podemos compreender o estatuto da fotografia contemporânea sobre a memória? Se Freud afirma que o objeto está para sempre perdido, qual seria de fato o referente fotográfico na sociedade contemporânea? A partir da análise de práticas artísticas recentes que utilizam e pensam a fotografia, iremos apontar neste artigo como a noção de memória é re-formada desde sua estaticidade para configurar novos conjuntos de possibilidades de tempos e espaços.Universidade do Sul de Santa Catarina2009-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/14310.19177/rcc.v0e02009205-214Revista Crítica Cultural; Edição especial; 205-2141980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/143/157Jung, Ana Emíliainfo:eu-repo/semantics/openAccess2016-09-30T19:50:29Zoai:portaldeperiodicos.animaeducacao.com.br:article/143Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:50:29Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv How does contemporary photography think memory?
Como a fotografia contemporânea pensa a memória?
title How does contemporary photography think memory?
spellingShingle How does contemporary photography think memory?
Jung, Ana Emília
Contemporary photography
Lost object
Referent
Memory
Image
Fotografia contemporânea
Objeto perdido
Referente
Memória
Imagem
title_short How does contemporary photography think memory?
title_full How does contemporary photography think memory?
title_fullStr How does contemporary photography think memory?
title_full_unstemmed How does contemporary photography think memory?
title_sort How does contemporary photography think memory?
author Jung, Ana Emília
author_facet Jung, Ana Emília
author_role author
dc.contributor.author.fl_str_mv Jung, Ana Emília
dc.subject.por.fl_str_mv Contemporary photography
Lost object
Referent
Memory
Image
Fotografia contemporânea
Objeto perdido
Referente
Memória
Imagem
topic Contemporary photography
Lost object
Referent
Memory
Image
Fotografia contemporânea
Objeto perdido
Referente
Memória
Imagem
description If image thinks and thinks in its own terms, as Didi-Huberman states, how can we understand the statute of contemporary photography on memory? If Freud claims that the object is forever lost, what would be the photographic referent in contemporary society? In this paper, from the analysis of recent artistic practices that use and think photography, I will point how the notion of memory is re-formed since its static character to configure new sets of possibility of times and spaces.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/143
10.19177/rcc.v0e02009205-214
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/143
identifier_str_mv 10.19177/rcc.v0e02009205-214
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/143/157
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; Edição especial; 205-214
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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