Educational-musical experiences in the formation of a musical habitus

Detalhes bibliográficos
Autor(a) principal: Kaczan, Marcelo
Data de Publicação: 2020
Outros Autores: Rogério, Pedro, Kaczan, Maria Anita Vieira Lustosa
Tipo de documento: Artigo
Idioma: por
Título da fonte: Roteiro (Joaçaba. Online)
Texto Completo: https://periodicos.unoesc.edu.br/roteiro/article/view/23787
Resumo: This paper discusses the importance of teaching music in educational spaces, ensuring its permanence within the scope of regular schools. Its primary objective is to show the relevance of using creative educational-musical practices for the teaching of music (FONTERRADA, 2015) as an element that enhances human, cognitive, critical, emotional, political and social development. This way of teaching music, based on creative practices, brings multiple possibilities to renew the teaching of music, and to establish a musical habitus - a musical culture - expanding its reach to the largest possible number of students. The central engine of the discussions is the need to reinvent music teaching in the face of the hegemony of the Cultural Industry. The text proposes diversified practices that encourage creation and enjoyment, which can break with the traditional teaching of standardized music and with the logic of market consumption that the commercial repertoire forms in listeners. It is necessary to encourage the creation of diverse experiences considered singular due to the massive process that only reproduces ready and socially legitimized models. Thus, it is urgent to invest in creative practices different from the current ways of teaching music at school.
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spelling Educational-musical experiences in the formation of a musical habitusExperiencias educativo-musicales en la formación de un habitus musicalExperiências educativo-musicais na formação de um habitus musicalEnsino de MúsicaPráticas CriativasHabitus MusicalEnseñanza de la MúsicaPrácticas CreativasHabitus MusicalMusic teachingCreative PracticesMusical HabitusThis paper discusses the importance of teaching music in educational spaces, ensuring its permanence within the scope of regular schools. Its primary objective is to show the relevance of using creative educational-musical practices for the teaching of music (FONTERRADA, 2015) as an element that enhances human, cognitive, critical, emotional, political and social development. This way of teaching music, based on creative practices, brings multiple possibilities to renew the teaching of music, and to establish a musical habitus - a musical culture - expanding its reach to the largest possible number of students. The central engine of the discussions is the need to reinvent music teaching in the face of the hegemony of the Cultural Industry. The text proposes diversified practices that encourage creation and enjoyment, which can break with the traditional teaching of standardized music and with the logic of market consumption that the commercial repertoire forms in listeners. It is necessary to encourage the creation of diverse experiences considered singular due to the massive process that only reproduces ready and socially legitimized models. Thus, it is urgent to invest in creative practices different from the current ways of teaching music at school.Se debate, en este escrito, la importancia de reafirmar la enseñanza de la música en espacios educativos, garantizando su permanencia en el ámbito escolar. Por lo tanto, el objetivo principal aquí es presentar la relevancia del uso de prácticas creativas educativo-musicales para la enseñanza de la música (FONTERRADA, 2015) como un elemento que mejora el desarrollo humano, cognitivo, crítico, emocional, político y social. Esta forma de enseñar música, basada en prácticas creativas en el aula, ofrece múltiples posibilidades para renovar la enseñanza de la música y establecer un habitus musical, una cultura musical, ampliando su alcance al mayor número posible de estudiantes. Lo más importante de las discusiones es la necesidad de reinventar la enseñanza de la música frente a la hegemonía de la Industria Cultural, proponiendo prácticas diversificadas que fomenten la creación y el desarrollo, que puedan romper con la enseñanza tradicional de la música estandarizada y con la lógica del consumo del mercado que el repertorio comercial se forma en los oyentes. Es necesario alentar la creación de diversas experiencias consideradas singulares a causa del proceso masivo que solo reproduce modelos listos y socialmente legitimados. Por lo tanto, se hace urgente invertir en prácticas creativas diferentes de las formas actuales de enseñar música en la escuela.Debate-se, neste escrito, a importância de se reafirmar o ensino de música nos espaços educativos, garantindo sua permanência no âmbito da escola regular. Assim, tem-se aqui como objetivo primordial apresentar a relevância da utilização de práticas educativo-musicais criativas para o ensino de música (FONTERRADA, 2015) como elemento potencializador do desenvolvimento humano, cognitivo, crítico, emocional, político e social. Essa maneira de ensinar música, com esteio em práticas criativas nas salas de aulas, traz múltiplas possibilidades de renovar o ensino de música e de se instaurar um habitus musical – uma cultura musical – ampliando o seu alcance ao maior número possível de estudantes. O motor central das discussões é a necessidade de se reinventar o ensino de música ante a hegemonia da Indústria Cultural, propondo práticas diversificadas que incentivem a criação e a fruição, que possam romper com o ensino tradicional de música padronizado e com a lógica do consumo mercadológico que o repertório comercial forma nos ouvintes. É necessário incentivar a criação de experiências diversas consideradas singulares em razão do processo massivo que apenas reproduz modelos prontos e legitimados socialmente. Assim, é urgente investir em práticas criativas diferentes das atuais formas de ensinar música na escola.Universidade do Oeste de Santa Catarina2020-08-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://periodicos.unoesc.edu.br/roteiro/article/view/2378710.18593/r.v45i.23787Roteiro; Vol. 45 (2020): Roteiro; 1-16Roteiro; Vol. 45 (2020): Roteiro; 1-16Roteiro; Vol. 45 (2020): Roteiro; 1-16Roteiro; v. 45 (2020): Roteiro; 1-16Roteiro; Vol. 45 (2020): Roteiro; 1-162177-60590104-431110.18593/r.v45i0reponame:Roteiro (Joaçaba. Online)instname:Universidade do Oeste de Santa Catarina (UNOESC)instacron:UNOESCporhttps://periodicos.unoesc.edu.br/roteiro/article/view/23787/15062https://periodicos.unoesc.edu.br/roteiro/article/view/23787/15725Copyright (c) 2020 Marcelo Kaczan, Pedro Rogério, Maria Anita Vieira Lustosa Kaczaninfo:eu-repo/semantics/openAccessKaczan, MarceloRogério, PedroKaczan, Maria Anita Vieira Lustosa2022-08-16T12:30:08Zoai:ojs.periodicos.unoesc.edu.br:article/23787Revistahttps://portalperiodicos.unoesc.edu.br/roteirohttps://portalperiodicos.unoesc.edu.br/roteiro/oairoteiro@unoesc.edu.br||editora@unoesc.edu.br||roteiro@unoesc.edu.br|| debora.pereira@unoesc.edu.br2177-60590104-4311opendoar:2022-08-16T12:30:08Roteiro (Joaçaba. Online) - Universidade do Oeste de Santa Catarina (UNOESC)false
dc.title.none.fl_str_mv Educational-musical experiences in the formation of a musical habitus
Experiencias educativo-musicales en la formación de un habitus musical
Experiências educativo-musicais na formação de um habitus musical
title Educational-musical experiences in the formation of a musical habitus
spellingShingle Educational-musical experiences in the formation of a musical habitus
Kaczan, Marcelo
Ensino de Música
Práticas Criativas
Habitus Musical
Enseñanza de la Música
Prácticas Creativas
Habitus Musical
Music teaching
Creative Practices
Musical Habitus
title_short Educational-musical experiences in the formation of a musical habitus
title_full Educational-musical experiences in the formation of a musical habitus
title_fullStr Educational-musical experiences in the formation of a musical habitus
title_full_unstemmed Educational-musical experiences in the formation of a musical habitus
title_sort Educational-musical experiences in the formation of a musical habitus
author Kaczan, Marcelo
author_facet Kaczan, Marcelo
Rogério, Pedro
Kaczan, Maria Anita Vieira Lustosa
author_role author
author2 Rogério, Pedro
Kaczan, Maria Anita Vieira Lustosa
author2_role author
author
dc.contributor.author.fl_str_mv Kaczan, Marcelo
Rogério, Pedro
Kaczan, Maria Anita Vieira Lustosa
dc.subject.por.fl_str_mv Ensino de Música
Práticas Criativas
Habitus Musical
Enseñanza de la Música
Prácticas Creativas
Habitus Musical
Music teaching
Creative Practices
Musical Habitus
topic Ensino de Música
Práticas Criativas
Habitus Musical
Enseñanza de la Música
Prácticas Creativas
Habitus Musical
Music teaching
Creative Practices
Musical Habitus
description This paper discusses the importance of teaching music in educational spaces, ensuring its permanence within the scope of regular schools. Its primary objective is to show the relevance of using creative educational-musical practices for the teaching of music (FONTERRADA, 2015) as an element that enhances human, cognitive, critical, emotional, political and social development. This way of teaching music, based on creative practices, brings multiple possibilities to renew the teaching of music, and to establish a musical habitus - a musical culture - expanding its reach to the largest possible number of students. The central engine of the discussions is the need to reinvent music teaching in the face of the hegemony of the Cultural Industry. The text proposes diversified practices that encourage creation and enjoyment, which can break with the traditional teaching of standardized music and with the logic of market consumption that the commercial repertoire forms in listeners. It is necessary to encourage the creation of diverse experiences considered singular due to the massive process that only reproduces ready and socially legitimized models. Thus, it is urgent to invest in creative practices different from the current ways of teaching music at school.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-28
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dc.identifier.uri.fl_str_mv https://periodicos.unoesc.edu.br/roteiro/article/view/23787
10.18593/r.v45i.23787
url https://periodicos.unoesc.edu.br/roteiro/article/view/23787
identifier_str_mv 10.18593/r.v45i.23787
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unoesc.edu.br/roteiro/article/view/23787/15062
https://periodicos.unoesc.edu.br/roteiro/article/view/23787/15725
dc.rights.driver.fl_str_mv Copyright (c) 2020 Marcelo Kaczan, Pedro Rogério, Maria Anita Vieira Lustosa Kaczan
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Marcelo Kaczan, Pedro Rogério, Maria Anita Vieira Lustosa Kaczan
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade do Oeste de Santa Catarina
publisher.none.fl_str_mv Universidade do Oeste de Santa Catarina
dc.source.none.fl_str_mv Roteiro; Vol. 45 (2020): Roteiro; 1-16
Roteiro; Vol. 45 (2020): Roteiro; 1-16
Roteiro; Vol. 45 (2020): Roteiro; 1-16
Roteiro; v. 45 (2020): Roteiro; 1-16
Roteiro; Vol. 45 (2020): Roteiro; 1-16
2177-6059
0104-4311
10.18593/r.v45i0
reponame:Roteiro (Joaçaba. Online)
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repository.name.fl_str_mv Roteiro (Joaçaba. Online) - Universidade do Oeste de Santa Catarina (UNOESC)
repository.mail.fl_str_mv roteiro@unoesc.edu.br||editora@unoesc.edu.br||roteiro@unoesc.edu.br|| debora.pereira@unoesc.edu.br
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