From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language

Detalhes bibliográficos
Autor(a) principal: Romano, Lúcia Regina Vieira [UNESP]
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://dx.doi.org/10.1590/2237-2660101160
http://hdl.handle.net/11449/213394
Resumo: This article examines Cia. Livre’s scene, which questions the constitution of Brazilian identity, relating the individual in the urban context and Amerindian thought. Since the performance Vem Vai, o caminho dos mortos (2007), transit between the forest and the asphalt has been identified, instituted in the scenic translations of anthropophagy, according to Andrade (1928), Campos (1992), and Nunes (1979), and Amazonian cosmology, based on theories of perspectivism, especially Descola (1992), Carneiro da Cunha (1998), Kopenawa and Albert (2015), and Viveiros de Castro (1996; 2002; 2015). It concludes by highlighting the company’s decolonial strategy in the use of anthropology in order to imagine other humanities.
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spelling From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic languageDe l’Asphalte à la Forêt: les recherches de Cia. Livre sur la création d'une scène épique et perspectivisteContemporary SceneBrazilian TheaterEpicization ProcessesAmerindian PerspectivismContemporary AnthropologyThis article examines Cia. Livre’s scene, which questions the constitution of Brazilian identity, relating the individual in the urban context and Amerindian thought. Since the performance Vem Vai, o caminho dos mortos (2007), transit between the forest and the asphalt has been identified, instituted in the scenic translations of anthropophagy, according to Andrade (1928), Campos (1992), and Nunes (1979), and Amazonian cosmology, based on theories of perspectivism, especially Descola (1992), Carneiro da Cunha (1998), Kopenawa and Albert (2015), and Viveiros de Castro (1996; 2002; 2015). It concludes by highlighting the company’s decolonial strategy in the use of anthropology in order to imagine other humanities.Cet article examine la scène de Cia. Livre, qui problématise la constitution de l'identité brésilienne, mettant en relation l'individu dans le contexte urbain et la pensée amérindienne. Depuis le spectacle Vem Vai, le chemin des morts (2007), un transit entre la forêt et l'asphalte a été établi, institué dans la traduction scénique de l'anthropophagie, selon Andrade (1928), Campos (1992) et Nunes (1979), et la cosmologie amazonienne, basée sur les théories du perspectivisme, en particulier Descola (1992), Carneiro da Cunha (1998), Kopenawa e Albert (2015) et Viveiros de Castro (1996; 2002; 2015). Il conclut en mettant en évidence la stratégie décoloniale de la compagnie dans l'utilisation de l'anthropologie, pour imaginer d'autres humanités.Universidade Estadual PaulistaUniversidade Estadual PaulistaUniversidade Federal do Rio Grande do SulUniversidade Estadual Paulista (Unesp)Romano, Lúcia Regina Vieira [UNESP]2021-07-14T10:54:39Z2021-07-14T10:54:39Z2021-03-26info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article-application/pdfhttp://dx.doi.org/10.1590/2237-2660101160Revista Brasileira de Estudos da Presença. Universidade Federal do Rio Grande do Sul, v. 11, n. 2, p. -, 2021.2237-2660http://hdl.handle.net/11449/21339410.1590/2237-2660101160S2237-26602021000200206S2237-26602021000200206.pdfSciELOreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPengRevista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccess2024-10-02T18:10:04Zoai:repositorio.unesp.br:11449/213394Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-10-02T18:10:04Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
De l’Asphalte à la Forêt: les recherches de Cia. Livre sur la création d'une scène épique et perspectiviste
title From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
spellingShingle From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
Romano, Lúcia Regina Vieira [UNESP]
Contemporary Scene
Brazilian Theater
Epicization Processes
Amerindian Perspectivism
Contemporary Anthropology
title_short From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
title_full From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
title_fullStr From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
title_full_unstemmed From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
title_sort From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
author Romano, Lúcia Regina Vieira [UNESP]
author_facet Romano, Lúcia Regina Vieira [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Romano, Lúcia Regina Vieira [UNESP]
dc.subject.por.fl_str_mv Contemporary Scene
Brazilian Theater
Epicization Processes
Amerindian Perspectivism
Contemporary Anthropology
topic Contemporary Scene
Brazilian Theater
Epicization Processes
Amerindian Perspectivism
Contemporary Anthropology
description This article examines Cia. Livre’s scene, which questions the constitution of Brazilian identity, relating the individual in the urban context and Amerindian thought. Since the performance Vem Vai, o caminho dos mortos (2007), transit between the forest and the asphalt has been identified, instituted in the scenic translations of anthropophagy, according to Andrade (1928), Campos (1992), and Nunes (1979), and Amazonian cosmology, based on theories of perspectivism, especially Descola (1992), Carneiro da Cunha (1998), Kopenawa and Albert (2015), and Viveiros de Castro (1996; 2002; 2015). It concludes by highlighting the company’s decolonial strategy in the use of anthropology in order to imagine other humanities.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-14T10:54:39Z
2021-07-14T10:54:39Z
2021-03-26
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://dx.doi.org/10.1590/2237-2660101160
Revista Brasileira de Estudos da Presença. Universidade Federal do Rio Grande do Sul, v. 11, n. 2, p. -, 2021.
2237-2660
http://hdl.handle.net/11449/213394
10.1590/2237-2660101160
S2237-26602021000200206
S2237-26602021000200206.pdf
url http://dx.doi.org/10.1590/2237-2660101160
http://hdl.handle.net/11449/213394
identifier_str_mv Revista Brasileira de Estudos da Presença. Universidade Federal do Rio Grande do Sul, v. 11, n. 2, p. -, 2021.
2237-2660
10.1590/2237-2660101160
S2237-26602021000200206
S2237-26602021000200206.pdf
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Revista Brasileira de Estudos da Presença
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv -
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv SciELO
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
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