The aesthetic movement in Oscar Wilde's plays
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/138461 |
Resumo: | This doctoral thesis proposes that all the plays written by Oscar Wilde (1854 - 1900), namely Vera or, The Nihilists (1880), The Duchess of Padua (1883), Lady Windermere's Fan (1892), Salomé (1892), A Woman of No Importance (1894), An Ideal Husband (1895) and The Importance of Being Earnest (1895), can be analysed according to the aesthetic theoretical perspective of which Wilde was one of the major exponents. The theoretical basis for the analysis is to be found in Wilde's critical essays, ‗The Truth of Masks' (1885), ‗The Decay of Lying' (1889), ‗Pen, Pencil and Poison' (1889) and ‗The Critic as Artist' (1890), which were later published in Intentions (1891). The present study has its foundations in my MA dissertation, Oscar Wilde: teoria e prática, concluded in April 2011. In that work, Wilde's play The Importance of Being Earnest was analysed from the same perspective, which made it possible to perceive the consistency between Oscar Wilde's theory and practice, as the results proved that both the structural and the linguistic elements of the play contain deep aesthetic features. The work developed here is thus intended to verify whether the transposition from theory to practice occurs in Wilde's dramatic work as a whole, or whether The Importance of Being Earnest is a specific and isolated case. Since it was possible to demonstrate that Wilde's plays are indeed consistent with his aesthetic principles, the study goes on to investigate the extent to which his dramatic composition may be associated with his own aesthetic precepts |
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The aesthetic movement in Oscar Wilde's playsWilde, Oscar 1854-1900 Crítica e interpretaçãoLiteratura inglesa - Séc. XIX - História e críticaTeatro inglês - História e críticaLiteratura - EsteticaMovimento estetico (Arte britanica)British literatureThis doctoral thesis proposes that all the plays written by Oscar Wilde (1854 - 1900), namely Vera or, The Nihilists (1880), The Duchess of Padua (1883), Lady Windermere's Fan (1892), Salomé (1892), A Woman of No Importance (1894), An Ideal Husband (1895) and The Importance of Being Earnest (1895), can be analysed according to the aesthetic theoretical perspective of which Wilde was one of the major exponents. The theoretical basis for the analysis is to be found in Wilde's critical essays, ‗The Truth of Masks' (1885), ‗The Decay of Lying' (1889), ‗Pen, Pencil and Poison' (1889) and ‗The Critic as Artist' (1890), which were later published in Intentions (1891). The present study has its foundations in my MA dissertation, Oscar Wilde: teoria e prática, concluded in April 2011. In that work, Wilde's play The Importance of Being Earnest was analysed from the same perspective, which made it possible to perceive the consistency between Oscar Wilde's theory and practice, as the results proved that both the structural and the linguistic elements of the play contain deep aesthetic features. The work developed here is thus intended to verify whether the transposition from theory to practice occurs in Wilde's dramatic work as a whole, or whether The Importance of Being Earnest is a specific and isolated case. Since it was possible to demonstrate that Wilde's plays are indeed consistent with his aesthetic principles, the study goes on to investigate the extent to which his dramatic composition may be associated with his own aesthetic preceptsEsta tese propõe que todas as peças escritas por Oscar Wilde (1854-1900), a saber: Vera or, The Nihilists (1880), The Duchess of Padua (1883), Lady Windermere's Fan (1892), Salomé (1892), A Woman of No Importance (1894), An Ideal Husband (1895) e The Importance of Being Earnest (1895), podem ser analisadas de acordo com a perspectiva teórica de base estética da qual Wilde foi um dos expoentes maiores. O embasamento teórico-crítico de tal análise consiste dos ensaios críticos de Wilde ‗The Truth of Masks' (1885), ‗The Decay of Lying' (1889), ‗Pen, Pencil and Poison' (1889) e ‗The Critic as Artist' (1890), que foram posteriormente compilados em seu livro Intentions (1891). O presente estudo tem seus alicerces em minha dissertação de mestrado intitulada Oscar Wilde: teoria e prática, defendida em abril de 2011. Nessa dissertação, a peça The Importance of Being Earnest foi analisada sob essa mesma ótica e permitiu a compreensão da coerência entre a teoria e a prática de Oscar Wilde, uma vez que, nos resultados que foram obtidos, pode-se perceber que os elementos estruturais da peça, bem como seus elementos linguísticos, contêm veios estéticos profundos. Dessa maneira, o trabalho aqui desenvolvido averigua se a transposição da teoria em prática se dá em toda a composição dramática de Wilde ou se The Importance of Being Earnest é apenas um caso específico e isolado. Uma vez provada que a coerência wildeana se mantém, foi instaurado, então, um questionamento sobre a medida em que sua composição dramática está associada às suas próprias ponderações estéticasCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)Universidade Estadual Paulista (Unesp)Harris, Peter James [UNESP]Universidade Estadual Paulista (Unesp)Corrêa, Stephania Ribeiro do Amaral [UNESP]2016-05-17T16:51:26Z2016-05-17T16:51:26Z2015-08-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis240 f.application/pdfCORRÊA, Stephania Ribeiro do Amaral. The aesthetic movement in Oscar Wilde's plays. 2015. 240 f. Tese (doutorado) - Universidade Estadual Paulista Julio de Mesquita Filho, Instituto de Biociências, Letras e Ciências Exatas, 2015.http://hdl.handle.net/11449/138461000864541000864541.pdf33004153015P216526237746160750000-0003-2399-5963Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2023-11-01T06:12:08Zoai:repositorio.unesp.br:11449/138461Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T16:37:50.324151Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The aesthetic movement in Oscar Wilde's plays |
title |
The aesthetic movement in Oscar Wilde's plays |
spellingShingle |
The aesthetic movement in Oscar Wilde's plays Corrêa, Stephania Ribeiro do Amaral [UNESP] Wilde, Oscar 1854-1900 Crítica e interpretação Literatura inglesa - Séc. XIX - História e crítica Teatro inglês - História e crítica Literatura - Estetica Movimento estetico (Arte britanica) British literature |
title_short |
The aesthetic movement in Oscar Wilde's plays |
title_full |
The aesthetic movement in Oscar Wilde's plays |
title_fullStr |
The aesthetic movement in Oscar Wilde's plays |
title_full_unstemmed |
The aesthetic movement in Oscar Wilde's plays |
title_sort |
The aesthetic movement in Oscar Wilde's plays |
author |
Corrêa, Stephania Ribeiro do Amaral [UNESP] |
author_facet |
Corrêa, Stephania Ribeiro do Amaral [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Harris, Peter James [UNESP] Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Corrêa, Stephania Ribeiro do Amaral [UNESP] |
dc.subject.por.fl_str_mv |
Wilde, Oscar 1854-1900 Crítica e interpretação Literatura inglesa - Séc. XIX - História e crítica Teatro inglês - História e crítica Literatura - Estetica Movimento estetico (Arte britanica) British literature |
topic |
Wilde, Oscar 1854-1900 Crítica e interpretação Literatura inglesa - Séc. XIX - História e crítica Teatro inglês - História e crítica Literatura - Estetica Movimento estetico (Arte britanica) British literature |
description |
This doctoral thesis proposes that all the plays written by Oscar Wilde (1854 - 1900), namely Vera or, The Nihilists (1880), The Duchess of Padua (1883), Lady Windermere's Fan (1892), Salomé (1892), A Woman of No Importance (1894), An Ideal Husband (1895) and The Importance of Being Earnest (1895), can be analysed according to the aesthetic theoretical perspective of which Wilde was one of the major exponents. The theoretical basis for the analysis is to be found in Wilde's critical essays, ‗The Truth of Masks' (1885), ‗The Decay of Lying' (1889), ‗Pen, Pencil and Poison' (1889) and ‗The Critic as Artist' (1890), which were later published in Intentions (1891). The present study has its foundations in my MA dissertation, Oscar Wilde: teoria e prática, concluded in April 2011. In that work, Wilde's play The Importance of Being Earnest was analysed from the same perspective, which made it possible to perceive the consistency between Oscar Wilde's theory and practice, as the results proved that both the structural and the linguistic elements of the play contain deep aesthetic features. The work developed here is thus intended to verify whether the transposition from theory to practice occurs in Wilde's dramatic work as a whole, or whether The Importance of Being Earnest is a specific and isolated case. Since it was possible to demonstrate that Wilde's plays are indeed consistent with his aesthetic principles, the study goes on to investigate the extent to which his dramatic composition may be associated with his own aesthetic precepts |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-24 2016-05-17T16:51:26Z 2016-05-17T16:51:26Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
CORRÊA, Stephania Ribeiro do Amaral. The aesthetic movement in Oscar Wilde's plays. 2015. 240 f. Tese (doutorado) - Universidade Estadual Paulista Julio de Mesquita Filho, Instituto de Biociências, Letras e Ciências Exatas, 2015. http://hdl.handle.net/11449/138461 000864541 000864541.pdf 33004153015P2 1652623774616075 0000-0003-2399-5963 |
identifier_str_mv |
CORRÊA, Stephania Ribeiro do Amaral. The aesthetic movement in Oscar Wilde's plays. 2015. 240 f. Tese (doutorado) - Universidade Estadual Paulista Julio de Mesquita Filho, Instituto de Biociências, Letras e Ciências Exatas, 2015. 000864541 000864541.pdf 33004153015P2 1652623774616075 0000-0003-2399-5963 |
url |
http://hdl.handle.net/11449/138461 |
dc.language.iso.fl_str_mv |
por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
240 f. application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
publisher.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
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Aleph reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
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Universidade Estadual Paulista (UNESP) |
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UNESP |
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UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
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1808128680721907712 |