Produção de uma animação quadro a quadro: as brumas

• Autor(a) principal: Montanhaur, Beatriz Daniel [UNESP]
• Data de Publicação: 2018
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/203249; http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2019-03-19/000911116.pdf
• topic: Animação (Cinematografia); Entretenimento; Filmes de animação em stop motion‎; Stop-motion animation films

This work analyzes the transiton of traditional and craft animation to the development of a mass entertainment industry, involving the invention of many optical devices and division of labor in the studios. Bank of scenes and formulas were created in attempt to accelerate the production, conditioning the estern public to a great amount of less creative narratives and languages. That scenario contribuited to an animation saturation until 1980, supassed by the success of the earlies computer animations, followed by aesthetic aceleration. Added to the iconographic aspect and the entertainment megacorporation's domain, there is no much space for diverse contents and techniques. Although, the global workflow and exchange of information associated to the acess to cheaper softwares and equipments, made stop-motion and frame to frame and the independant productions viable, being successful because of their complexed narratives and creative visual language. Looking for a representation of the arturian myth, retold by Marion Zimmer Bradley from the point of view of the women who worshiped the Goddesses of Avalon, aiming to break the patriarchate ideal presente untill today, that connects these insubordinated women to the savage, sinful. Questioning the binary representation of women as angel or monster, Bradley introduces us to their complexes personalities and motivations, requiring their role as importante historical subjects