Fr. José Maurício: The individuality of his prosodic solutions

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Lutero [UNESP]
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://dx.doi.org/10.35699/2317-6377.2019.5304
http://hdl.handle.net/11449/221391
Resumo: We started with the systematic relation between prosodic accents and dissonant chords, discovered in a small choral music work of Fr. José Maurício Nunes Garcia, composed at his initial phase. We looked for this procedure on his choral works of the period, comparing them with other composers’ works of the same time who were working in Brazil. Finally, we tried to find the continuity of his interest for prosody, in two of his most important works, composed in later moments.
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spelling Fr. José Maurício: The individuality of his prosodic solutionsPe. José Maurício: a individualidade de suas soluções prosódicasJosé Maurício Nunes GarciaLuso-brazilian colonial musicMusical prosodySacred musicWe started with the systematic relation between prosodic accents and dissonant chords, discovered in a small choral music work of Fr. José Maurício Nunes Garcia, composed at his initial phase. We looked for this procedure on his choral works of the period, comparing them with other composers’ works of the same time who were working in Brazil. Finally, we tried to find the continuity of his interest for prosody, in two of his most important works, composed in later moments.Universidade Estadual Paulista Júlio de Mesquita Filho Instituto de Artes de São PauloUniversidade Estadual Paulista Júlio de Mesquita Filho Instituto de Artes de São PauloUniversidade Estadual Paulista (UNESP)Rodrigues, Lutero [UNESP]2022-04-28T19:28:06Z2022-04-28T19:28:06Z2019-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://dx.doi.org/10.35699/2317-6377.2019.5304Per Musi, v. 39.2317-63771517-7599http://hdl.handle.net/11449/22139110.35699/2317-6377.2019.53042-s2.0-85074405857Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporPer Musiinfo:eu-repo/semantics/openAccess2022-04-28T19:28:06Zoai:repositorio.unesp.br:11449/221391Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T15:06:27.566086Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Fr. José Maurício: The individuality of his prosodic solutions
Pe. José Maurício: a individualidade de suas soluções prosódicas
title Fr. José Maurício: The individuality of his prosodic solutions
spellingShingle Fr. José Maurício: The individuality of his prosodic solutions
Rodrigues, Lutero [UNESP]
José Maurício Nunes Garcia
Luso-brazilian colonial music
Musical prosody
Sacred music
title_short Fr. José Maurício: The individuality of his prosodic solutions
title_full Fr. José Maurício: The individuality of his prosodic solutions
title_fullStr Fr. José Maurício: The individuality of his prosodic solutions
title_full_unstemmed Fr. José Maurício: The individuality of his prosodic solutions
title_sort Fr. José Maurício: The individuality of his prosodic solutions
author Rodrigues, Lutero [UNESP]
author_facet Rodrigues, Lutero [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (UNESP)
dc.contributor.author.fl_str_mv Rodrigues, Lutero [UNESP]
dc.subject.por.fl_str_mv José Maurício Nunes Garcia
Luso-brazilian colonial music
Musical prosody
Sacred music
topic José Maurício Nunes Garcia
Luso-brazilian colonial music
Musical prosody
Sacred music
description We started with the systematic relation between prosodic accents and dissonant chords, discovered in a small choral music work of Fr. José Maurício Nunes Garcia, composed at his initial phase. We looked for this procedure on his choral works of the period, comparing them with other composers’ works of the same time who were working in Brazil. Finally, we tried to find the continuity of his interest for prosody, in two of his most important works, composed in later moments.
publishDate 2019
dc.date.none.fl_str_mv 2019-01-01
2022-04-28T19:28:06Z
2022-04-28T19:28:06Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://dx.doi.org/10.35699/2317-6377.2019.5304
Per Musi, v. 39.
2317-6377
1517-7599
http://hdl.handle.net/11449/221391
10.35699/2317-6377.2019.5304
2-s2.0-85074405857
url http://dx.doi.org/10.35699/2317-6377.2019.5304
http://hdl.handle.net/11449/221391
identifier_str_mv Per Musi, v. 39.
2317-6377
1517-7599
10.35699/2317-6377.2019.5304
2-s2.0-85074405857
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Per Musi
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.source.none.fl_str_mv Scopus
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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