Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.1590/S0100-512X2012000100009 http://hdl.handle.net/11449/73349 |
Resumo: | In the year 1851, Richard Wagner had his first contact with the philosophy of Schopenhauer, a fact that was followed soon by his proclaimed and somewhat surprising conversion to schopenhauerianism. Tweny years later, his debt to Schopenhauer is reaffirmed in Beethoven, a comemorative writing in which are to be found the outlines of a philosophy of music - claimed by the composer to be based on Schopenhauer's aesthetics - that had great influence in Nietzsche's theoretical elaboration of the dionysiac, as it appears in The birth of Tragedy. My work aims primarily at investigating to what extent the musical aesthetics outlined in Beethoven is actually compatible with that presented in The world as Will and representation. The pointing out of remarkable differences between the two aesthetic conceptions gives then rise to some reflexions concerning the character of the relations between Wagner, Schopenhauer and the young Nietzsche. |
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Repositório Institucional da UNESP |
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Música como aia da vontade: ensaio sobre a leitura wagneriana de SchopenhauerMusic as a lady of will essay on the wagnerian reading of SchopenhauerAestheticsMusicNietzscheSchopenhauerWagnerIn the year 1851, Richard Wagner had his first contact with the philosophy of Schopenhauer, a fact that was followed soon by his proclaimed and somewhat surprising conversion to schopenhauerianism. Tweny years later, his debt to Schopenhauer is reaffirmed in Beethoven, a comemorative writing in which are to be found the outlines of a philosophy of music - claimed by the composer to be based on Schopenhauer's aesthetics - that had great influence in Nietzsche's theoretical elaboration of the dionysiac, as it appears in The birth of Tragedy. My work aims primarily at investigating to what extent the musical aesthetics outlined in Beethoven is actually compatible with that presented in The world as Will and representation. The pointing out of remarkable differences between the two aesthetic conceptions gives then rise to some reflexions concerning the character of the relations between Wagner, Schopenhauer and the young Nietzsche.Unesp Departamento de Filosofia, Campus de MaríliaUnesp Departamento de Filosofia, Campus de MaríliaUniversidade Federal de Minas Gerais (UFMG), Dept. FilosofiaUniversidade Estadual Paulista (Unesp)Barros, Márcio Benchimol [UNESP]2014-05-27T11:26:31Z2014-05-27T11:26:31Z2012-06-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article179-193application/pdfhttp://dx.doi.org/10.1590/S0100-512X2012000100009Kriterion (Brazil) revista de Filosofia. Belo Horizonte Mg: Universidade Federal de Minas Gerais (UFMG), Dept Filosofia, v. 53, n. 125, p. 179-193, 2012.0100-512Xhttp://hdl.handle.net/11449/7334910.1590/S0100-512X2012000100009S0100-512X2012000100009WOS:0003080985000092-s2.0-848748342912-s2.0-84874834291.pdf0530438396331501Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporKriterion (Brazil)info:eu-repo/semantics/openAccess2023-11-24T06:14:50Zoai:repositorio.unesp.br:11449/73349Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462023-11-24T06:14:50Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer Music as a lady of will essay on the wagnerian reading of Schopenhauer |
title |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
spellingShingle |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer Barros, Márcio Benchimol [UNESP] Aesthetics Music Nietzsche Schopenhauer Wagner |
title_short |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
title_full |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
title_fullStr |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
title_full_unstemmed |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
title_sort |
Música como aia da vontade: ensaio sobre a leitura wagneriana de Schopenhauer |
author |
Barros, Márcio Benchimol [UNESP] |
author_facet |
Barros, Márcio Benchimol [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Barros, Márcio Benchimol [UNESP] |
dc.subject.por.fl_str_mv |
Aesthetics Music Nietzsche Schopenhauer Wagner |
topic |
Aesthetics Music Nietzsche Schopenhauer Wagner |
description |
In the year 1851, Richard Wagner had his first contact with the philosophy of Schopenhauer, a fact that was followed soon by his proclaimed and somewhat surprising conversion to schopenhauerianism. Tweny years later, his debt to Schopenhauer is reaffirmed in Beethoven, a comemorative writing in which are to be found the outlines of a philosophy of music - claimed by the composer to be based on Schopenhauer's aesthetics - that had great influence in Nietzsche's theoretical elaboration of the dionysiac, as it appears in The birth of Tragedy. My work aims primarily at investigating to what extent the musical aesthetics outlined in Beethoven is actually compatible with that presented in The world as Will and representation. The pointing out of remarkable differences between the two aesthetic conceptions gives then rise to some reflexions concerning the character of the relations between Wagner, Schopenhauer and the young Nietzsche. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-06-01 2014-05-27T11:26:31Z 2014-05-27T11:26:31Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.1590/S0100-512X2012000100009 Kriterion (Brazil) revista de Filosofia. Belo Horizonte Mg: Universidade Federal de Minas Gerais (UFMG), Dept Filosofia, v. 53, n. 125, p. 179-193, 2012. 0100-512X http://hdl.handle.net/11449/73349 10.1590/S0100-512X2012000100009 S0100-512X2012000100009 WOS:000308098500009 2-s2.0-84874834291 2-s2.0-84874834291.pdf 0530438396331501 |
url |
http://dx.doi.org/10.1590/S0100-512X2012000100009 http://hdl.handle.net/11449/73349 |
identifier_str_mv |
Kriterion (Brazil) revista de Filosofia. Belo Horizonte Mg: Universidade Federal de Minas Gerais (UFMG), Dept Filosofia, v. 53, n. 125, p. 179-193, 2012. 0100-512X 10.1590/S0100-512X2012000100009 S0100-512X2012000100009 WOS:000308098500009 2-s2.0-84874834291 2-s2.0-84874834291.pdf 0530438396331501 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Kriterion (Brazil) |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
179-193 application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG), Dept. Filosofia |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG), Dept. Filosofia |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1803046636763480064 |