Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.5007/2175-8026.2021.e78612 http://hdl.handle.net/11449/233195 |
Resumo: | In this paper, we approach Irish writer James Joyce's love epistolography addressed to his wife Nora Barnacle departing from the personas the writer develops in his letters. These epistolary personas, themselves representations of the modern artist as produced by Romantic-Symbolist aesthetics, manifest themselves as masks adopted by Joyce in the letter's scenographic stage. We first prioritize a theoretical perspective of the let ter as a performatic process marked by the staging and masquerading of the self. Hereinafter, we present the Joycean love correspondence and its context of production, aiming to analyze the personas that are expressed in these letters, in particular the social and literary figures of the outsider and the dandy, and with which Joyce covers his epistolary enunciation. |
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Repositório Institucional da UNESP |
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Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondenceRetratos do missivista quando jovem: Figurações do artista moderno na correspondência amorosa de james joyceDandyEpistolary genreJames joyceOutsiderPersonaIn this paper, we approach Irish writer James Joyce's love epistolography addressed to his wife Nora Barnacle departing from the personas the writer develops in his letters. These epistolary personas, themselves representations of the modern artist as produced by Romantic-Symbolist aesthetics, manifest themselves as masks adopted by Joyce in the letter's scenographic stage. We first prioritize a theoretical perspective of the let ter as a performatic process marked by the staging and masquerading of the self. Hereinafter, we present the Joycean love correspondence and its context of production, aiming to analyze the personas that are expressed in these letters, in particular the social and literary figures of the outsider and the dandy, and with which Joyce covers his epistolary enunciation.Universidade Estadual Paulista Júlio de Mesquita Filho, SPUniversidade Estadual Paulista Júlio de Mesquita Filho, SPUniversidade Estadual Paulista (UNESP)De Andrade, Rangel Gomes [UNESP]Vicente, Adalberto Luis [UNESP]2022-05-01T05:29:34Z2022-05-01T05:29:34Z2021-05-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article307-325http://dx.doi.org/10.5007/2175-8026.2021.e78612Ilha do Desterro, v. 74, n. 2, p. 307-325, 2021.2175-80260101-4846http://hdl.handle.net/11449/23319510.5007/2175-8026.2021.e786122-s2.0-85108643248Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporIlha do Desterroinfo:eu-repo/semantics/openAccess2024-06-10T20:06:28Zoai:repositorio.unesp.br:11449/233195Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T16:48:22.822577Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence Retratos do missivista quando jovem: Figurações do artista moderno na correspondência amorosa de james joyce |
title |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
spellingShingle |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence De Andrade, Rangel Gomes [UNESP] Dandy Epistolary genre James joyce Outsider Persona |
title_short |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
title_full |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
title_fullStr |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
title_full_unstemmed |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
title_sort |
Portraits of the missive writer as a young man: Figurations of the modern artist in james joyce's love correspondence |
author |
De Andrade, Rangel Gomes [UNESP] |
author_facet |
De Andrade, Rangel Gomes [UNESP] Vicente, Adalberto Luis [UNESP] |
author_role |
author |
author2 |
Vicente, Adalberto Luis [UNESP] |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
De Andrade, Rangel Gomes [UNESP] Vicente, Adalberto Luis [UNESP] |
dc.subject.por.fl_str_mv |
Dandy Epistolary genre James joyce Outsider Persona |
topic |
Dandy Epistolary genre James joyce Outsider Persona |
description |
In this paper, we approach Irish writer James Joyce's love epistolography addressed to his wife Nora Barnacle departing from the personas the writer develops in his letters. These epistolary personas, themselves representations of the modern artist as produced by Romantic-Symbolist aesthetics, manifest themselves as masks adopted by Joyce in the letter's scenographic stage. We first prioritize a theoretical perspective of the let ter as a performatic process marked by the staging and masquerading of the self. Hereinafter, we present the Joycean love correspondence and its context of production, aiming to analyze the personas that are expressed in these letters, in particular the social and literary figures of the outsider and the dandy, and with which Joyce covers his epistolary enunciation. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-05-01 2022-05-01T05:29:34Z 2022-05-01T05:29:34Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.5007/2175-8026.2021.e78612 Ilha do Desterro, v. 74, n. 2, p. 307-325, 2021. 2175-8026 0101-4846 http://hdl.handle.net/11449/233195 10.5007/2175-8026.2021.e78612 2-s2.0-85108643248 |
url |
http://dx.doi.org/10.5007/2175-8026.2021.e78612 http://hdl.handle.net/11449/233195 |
identifier_str_mv |
Ilha do Desterro, v. 74, n. 2, p. 307-325, 2021. 2175-8026 0101-4846 10.5007/2175-8026.2021.e78612 2-s2.0-85108643248 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Ilha do Desterro |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
307-325 |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
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1808128704085229568 |