Os desgarrados do campo : texto e contexto na obra de Charles Kiefer
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca de teses e dissertações da Universidade de Passo Fundo (BDTD UPF) |
Texto Completo: | http://10.0.217.128:8080/jspui/handle/tede/933 |
Resumo: | This dissertation analyzes three works of writer Charles Kiefer from the hypothesis that they compose a trilogy: O pêndulo do relógio (1984), Valsa para Bruno Stein (1986) and Quem faz gemer a terra (1991). To do so, it identifies, in each one of them, thematic (the social matter), compositional (typical personages, surroundings, time and plot) and aesthetic elements (traces of realism) common and connected between them. Besides, proceeds the identification of the social context represented and it is verified its application as agents of its structure, trying to accomplish a full dialectical interpretation between text and context. In the thematic analyzes of the works, it is used the reflections of Antonio Candido about critic and sociology, as well as the concept of typical personage and the typicality of Marxist trends of the theory of literature in the analyzes of the compositional elements. The considerations about realism are based on the works of Georg Lukács, Frederic Jameson, Alfredo Bosi, Ana Cotrim, Celso Frederico and Leandro Konder. The main finding at the end of the research is that the works mentioned above are connected among themselves by a thematic unit that represents the social and economical transformations due to the modernization of agriculture in the plateau of Rio Grande do Sul, the changes in the patriarchal families and the migration from the fields to the cities between 1960 and 1990. It was also identified the presence of the personage Hermann Hauser in the three works, from the Müllers, in the first and in the last, and the landless farmers in the second and third works. It was also verified that the typical personages and the conception that art is a way of knowledge of reality are the traces of realism present in the trilogy of the stray from the fields |
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Becker, PauloCPF:32898479004http://lattes.cnpq.br/1664552865914613CPF:66459052034http://lattes.cnpq.br/1749798011072008Scalabrin, Leandro Gaspar2018-01-10T18:09:13Z2012-04-242011-04-25http://10.0.217.128:8080/jspui/handle/tede/933This dissertation analyzes three works of writer Charles Kiefer from the hypothesis that they compose a trilogy: O pêndulo do relógio (1984), Valsa para Bruno Stein (1986) and Quem faz gemer a terra (1991). To do so, it identifies, in each one of them, thematic (the social matter), compositional (typical personages, surroundings, time and plot) and aesthetic elements (traces of realism) common and connected between them. Besides, proceeds the identification of the social context represented and it is verified its application as agents of its structure, trying to accomplish a full dialectical interpretation between text and context. In the thematic analyzes of the works, it is used the reflections of Antonio Candido about critic and sociology, as well as the concept of typical personage and the typicality of Marxist trends of the theory of literature in the analyzes of the compositional elements. The considerations about realism are based on the works of Georg Lukács, Frederic Jameson, Alfredo Bosi, Ana Cotrim, Celso Frederico and Leandro Konder. The main finding at the end of the research is that the works mentioned above are connected among themselves by a thematic unit that represents the social and economical transformations due to the modernization of agriculture in the plateau of Rio Grande do Sul, the changes in the patriarchal families and the migration from the fields to the cities between 1960 and 1990. It was also identified the presence of the personage Hermann Hauser in the three works, from the Müllers, in the first and in the last, and the landless farmers in the second and third works. It was also verified that the typical personages and the conception that art is a way of knowledge of reality are the traces of realism present in the trilogy of the stray from the fieldsEsta dissertação analisa três obras do escritor Charles Kiefer a partir da hipótese de que constituem uma trilogia: O pêndulo do relógio (1984), Valsa para Bruno Stein (1986) e Quem faz gemer a terra (1991). Para tanto, identificam-se, em cada uma delas, elementos temáticos (a questão social), composicionais (personagens típicos, ambiente, tempo e enredo) e estéticos (traços de realismo) comuns e que as vinculem entre si. Além disso, procede-se à identificação do contexto social nelas representado e verifica-se a sua utilização como agente das suas estruturas, procurando realizar uma interpretação dialeticamente íntegra entre texto e contexto. Na análise temática das obras, empregam-se as reflexões de Antonio Candido sobre crítica e sociologia, assim como o conceito de personagem típico e tipicidade da vertente marxista da teoria da literatura na análise dos elementos composicionais. As considerações sobre realismo são embasadas nas obras de Georg Lukács, Fredric Jameson, Alfredo Bosi, Ana Cotrim, Celso Frederico e Leandro Konder. A principal constatação a que se chegou, ao final da pesquisa, é a de que as obras estão vinculadas entre si por uma unidade temática que representa as transformações sociais e econômicas decorrentes da modernização da agricultura no planalto do Rio Grande do Sul, as mudanças na família de tipo patriarcal e a migração do campo para a cidade entre 1960-1990. Identificou-se ainda a presença do personagem Hermann Hauser nas três obras, da família Müller na primeira e na última e de agricultores sem terra na segunda e na terceira. Também se verificou que personagens típicos e a concepção de que a arte é uma forma de conhecimento da realidade são os traços de realismo presentes na trilogia dos desgarrados do campoMade available in DSpace on 2018-01-10T18:09:13Z (GMT). No. of bitstreams: 1 2011LeandroGasparScalabrin.pdf: 776094 bytes, checksum: a0349b2674da85cb3fbddb9f1ff721e7 (MD5) Previous issue date: 2011-04-25application/pdfporPrograma de Pós-Graduação em LetrasEstudos Linguísticos e Estudos LiteráriosKiefer, Charles - 1958-Literatura brasileira - Rio Grande do Sul - História e críticaKiefer, Charles, 1958-Brazilian literature - Rio Grande do Sul (Brazil) - History and criticismCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRAOs desgarrados do campo : texto e contexto na obra de Charles Kieferinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca de teses e dissertações da Universidade de Passo Fundo (BDTD UPF)instname:Universidade de Passo Fundo (UPF)instacron:UPFORIGINAL2011LeandroGasparScalabrin.pdfapplication/pdf776094http://tede.upf.br:8080/jspui/bitstream/tede/933/1/2011LeandroGasparScalabrin.pdfa0349b2674da85cb3fbddb9f1ff721e7MD51tede/9332018-01-10 16:09:13.861oai:tede.upf.br:tede/933Biblioteca Digital de Teses e DissertaçõesPUBhttp://tede.upf.br/oai/requestbiblio@upf.br || bio@upf.br || cas@upf.br || car@upf.br || lve@upf.br || sar@upf.br || sol@upf.br || upfmundi@upf.br || jucelei@upf.bropendoar:2018-01-10T18:09:13Biblioteca de teses e dissertações da Universidade de Passo Fundo (BDTD UPF) - Universidade de Passo Fundo (UPF)false |
dc.title.por.fl_str_mv |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
title |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
spellingShingle |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer Scalabrin, Leandro Gaspar Kiefer, Charles - 1958- Literatura brasileira - Rio Grande do Sul - História e crítica Kiefer, Charles, 1958- Brazilian literature - Rio Grande do Sul (Brazil) - History and criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA |
title_short |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
title_full |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
title_fullStr |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
title_full_unstemmed |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
title_sort |
Os desgarrados do campo : texto e contexto na obra de Charles Kiefer |
author |
Scalabrin, Leandro Gaspar |
author_facet |
Scalabrin, Leandro Gaspar |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Becker, Paulo |
dc.contributor.advisor1ID.fl_str_mv |
CPF:32898479004 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1664552865914613 |
dc.contributor.authorID.fl_str_mv |
CPF:66459052034 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1749798011072008 |
dc.contributor.author.fl_str_mv |
Scalabrin, Leandro Gaspar |
contributor_str_mv |
Becker, Paulo |
dc.subject.por.fl_str_mv |
Kiefer, Charles - 1958- Literatura brasileira - Rio Grande do Sul - História e crítica |
topic |
Kiefer, Charles - 1958- Literatura brasileira - Rio Grande do Sul - História e crítica Kiefer, Charles, 1958- Brazilian literature - Rio Grande do Sul (Brazil) - History and criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA |
dc.subject.eng.fl_str_mv |
Kiefer, Charles, 1958- Brazilian literature - Rio Grande do Sul (Brazil) - History and criticism |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA |
description |
This dissertation analyzes three works of writer Charles Kiefer from the hypothesis that they compose a trilogy: O pêndulo do relógio (1984), Valsa para Bruno Stein (1986) and Quem faz gemer a terra (1991). To do so, it identifies, in each one of them, thematic (the social matter), compositional (typical personages, surroundings, time and plot) and aesthetic elements (traces of realism) common and connected between them. Besides, proceeds the identification of the social context represented and it is verified its application as agents of its structure, trying to accomplish a full dialectical interpretation between text and context. In the thematic analyzes of the works, it is used the reflections of Antonio Candido about critic and sociology, as well as the concept of typical personage and the typicality of Marxist trends of the theory of literature in the analyzes of the compositional elements. The considerations about realism are based on the works of Georg Lukács, Frederic Jameson, Alfredo Bosi, Ana Cotrim, Celso Frederico and Leandro Konder. The main finding at the end of the research is that the works mentioned above are connected among themselves by a thematic unit that represents the social and economical transformations due to the modernization of agriculture in the plateau of Rio Grande do Sul, the changes in the patriarchal families and the migration from the fields to the cities between 1960 and 1990. It was also identified the presence of the personage Hermann Hauser in the three works, from the Müllers, in the first and in the last, and the landless farmers in the second and third works. It was also verified that the typical personages and the conception that art is a way of knowledge of reality are the traces of realism present in the trilogy of the stray from the fields |
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2011 |
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2011-04-25 |
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2012-04-24 |
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2018-01-10T18:09:13Z |
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Programa de Pós-Graduação em Letras |
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Estudos Linguísticos e Estudos Literários |
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