Videoclipe: a canção para os olhos
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do Mackenzie |
Texto Completo: | http://dspace.mackenzie.br/handle/10899/25416 |
Resumo: | With the invention and popularization of the television, the radio has partly lost its space. However, the song, defined in this work as the junction of lyrics and music, has continued to be part of people s lives, as it is nowadays. This way, every country has its national anthem and every urban tribe appreciates one different kind of song, which contributes fundamentally for the identity s construction of this specific group. Therefore, there has been the need of a language that joined the song, which is sonorous, with the image, in other words, an audiovisual language. In the 1980 s appears a new language: the video clip. Despite being limited by the length of the song, this new language presents a great creative capacity and its directors have, at hand, the most recent technological resources from the current digital era. The video clip is part of the cultural industry and it can be considered a modern language. Thereby, this essay s objective is to analyze, from a corpus made of three Brazilian video clips from the 1990 s, how the video clip (re)constructs the song. The analyses will be done under different aspects: in Segue o seco , interpreted by Marisa Monte, there is the Brazilian northeastern theme; in Amor I love you , from the same singer, there is the dialogue with the plot of O Primo Basílio; and in Seus Passos , interpreted by the band Skank, the dialogue with the surrealism. |
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2016-03-15T19:46:54Z2020-05-28T18:13:24Z2009-11-242020-05-28T18:13:24Z2009-08-20http://dspace.mackenzie.br/handle/10899/25416With the invention and popularization of the television, the radio has partly lost its space. However, the song, defined in this work as the junction of lyrics and music, has continued to be part of people s lives, as it is nowadays. This way, every country has its national anthem and every urban tribe appreciates one different kind of song, which contributes fundamentally for the identity s construction of this specific group. Therefore, there has been the need of a language that joined the song, which is sonorous, with the image, in other words, an audiovisual language. In the 1980 s appears a new language: the video clip. Despite being limited by the length of the song, this new language presents a great creative capacity and its directors have, at hand, the most recent technological resources from the current digital era. The video clip is part of the cultural industry and it can be considered a modern language. Thereby, this essay s objective is to analyze, from a corpus made of three Brazilian video clips from the 1990 s, how the video clip (re)constructs the song. The analyses will be done under different aspects: in Segue o seco , interpreted by Marisa Monte, there is the Brazilian northeastern theme; in Amor I love you , from the same singer, there is the dialogue with the plot of O Primo Basílio; and in Seus Passos , interpreted by the band Skank, the dialogue with the surrealism.Com o advento e popularização da televisão, o rádio perdeu parte de seu espaço. Entretanto a canção, definida neste trabalho como a soma de letra e música, tem continuado a fazer parte da vida de todas as pessoas. Assim, todo país tem seu hino nacional e toda tribo urbana aprecia um tipo de canção diferente, o que contribui, de maneira fundamental, para a construção da identidade desse determinado grupo. Ao longo o tempo, houve a necessidade de uma linguagem que unisse a canção, que é sonora, com a imagem, ou seja, uma linguagem audiovisual. Surge, então, a partir da década de 80 do século XX, o videoclipe. Apesar de delimitada pelo tempo da canção, essa nova linguagem apresenta uma grande capacidade criativa e seus diretores têm em mãos os mais recentes recursos provenientes da era digital na qual vivemos. O videoclipe faz parte da indústria cultural e pode ser considerado como uma linguagem moderna. Este trabalho tem como objetivo analisar, a partir de um corpus composto por três videoclipes nacionais da década de 90, como o videoclipe (re)constrói a canção. As análises são realizadas sob diferentes aspectos: em Segue o seco , interpretada por Marisa Monte, há a temática da seca nordestina; em Amor I love you , da mesma intérprete, o diálogo com a obra O Primo Basílio; e em Seus Passos , interpretada pela banda Skank, o diálogo com o surrealismo.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Presbiteriana MackenzieLetrasUPMBRLetrasvideoclipecançãoaudiovisualreconstruçãodialogismovideo clipsongaudiovisualreconstructiondialogismCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASVideoclipe: a canção para os olhosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisBridi, Marlise Vazhttp://lattes.cnpq.br/4486189642933939Azevedo, Wilton Luiz dehttp://lattes.cnpq.br/1812469494223175Jacoto, Lilianhttp://lattes.cnpq.br/2836610461089202http://lattes.cnpq.br/9445416449470717Santos, Bianca Rodrigues doshttp://tede.mackenzie.br/jspui/retrieve/4540/Bianca%20Rodrigues%20dos%20Santos.pdf.jpghttp://tede.mackenzie.br/jspui/bitstream/tede/2298/1/Bianca%20Rodrigues%20dos%20Santos.pdfinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/254162020-05-28 15:13:24.114Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI |
dc.title.por.fl_str_mv |
Videoclipe: a canção para os olhos |
title |
Videoclipe: a canção para os olhos |
spellingShingle |
Videoclipe: a canção para os olhos Santos, Bianca Rodrigues dos videoclipe canção audiovisual reconstrução dialogismo video clip song audiovisual reconstruction dialogism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Videoclipe: a canção para os olhos |
title_full |
Videoclipe: a canção para os olhos |
title_fullStr |
Videoclipe: a canção para os olhos |
title_full_unstemmed |
Videoclipe: a canção para os olhos |
title_sort |
Videoclipe: a canção para os olhos |
author |
Santos, Bianca Rodrigues dos |
author_facet |
Santos, Bianca Rodrigues dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Bridi, Marlise Vaz |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4486189642933939 |
dc.contributor.referee1.fl_str_mv |
Azevedo, Wilton Luiz de |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/1812469494223175 |
dc.contributor.referee2.fl_str_mv |
Jacoto, Lilian |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2836610461089202 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9445416449470717 |
dc.contributor.author.fl_str_mv |
Santos, Bianca Rodrigues dos |
contributor_str_mv |
Bridi, Marlise Vaz Azevedo, Wilton Luiz de Jacoto, Lilian |
dc.subject.por.fl_str_mv |
videoclipe canção audiovisual reconstrução dialogismo |
topic |
videoclipe canção audiovisual reconstrução dialogismo video clip song audiovisual reconstruction dialogism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
video clip song audiovisual reconstruction dialogism |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
With the invention and popularization of the television, the radio has partly lost its space. However, the song, defined in this work as the junction of lyrics and music, has continued to be part of people s lives, as it is nowadays. This way, every country has its national anthem and every urban tribe appreciates one different kind of song, which contributes fundamentally for the identity s construction of this specific group. Therefore, there has been the need of a language that joined the song, which is sonorous, with the image, in other words, an audiovisual language. In the 1980 s appears a new language: the video clip. Despite being limited by the length of the song, this new language presents a great creative capacity and its directors have, at hand, the most recent technological resources from the current digital era. The video clip is part of the cultural industry and it can be considered a modern language. Thereby, this essay s objective is to analyze, from a corpus made of three Brazilian video clips from the 1990 s, how the video clip (re)constructs the song. The analyses will be done under different aspects: in Segue o seco , interpreted by Marisa Monte, there is the Brazilian northeastern theme; in Amor I love you , from the same singer, there is the dialogue with the plot of O Primo Basílio; and in Seus Passos , interpreted by the band Skank, the dialogue with the surrealism. |
publishDate |
2009 |
dc.date.available.fl_str_mv |
2009-11-24 2020-05-28T18:13:24Z |
dc.date.issued.fl_str_mv |
2009-08-20 |
dc.date.accessioned.fl_str_mv |
2016-03-15T19:46:54Z 2020-05-28T18:13:24Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dspace.mackenzie.br/handle/10899/25416 |
url |
http://dspace.mackenzie.br/handle/10899/25416 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Presbiteriana Mackenzie |
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Letras |
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UPM |
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BR |
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Universidade Presbiteriana Mackenzie |
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Biblioteca Digital de Teses e Dissertações do Mackenzie |
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Biblioteca Digital de Teses e Dissertações do Mackenzie |
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