Emily Dickinson in her private bubble : poems, letters and the condition of presence
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Tese |
Idioma: | eng |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFRGS |
Texto Completo: | http://hdl.handle.net/10183/15307 |
Resumo: | The aim of this thesis is to show that Emily Dickinson was not concerned with the publication of her poems and she herself decided to withdraw from the outside world, a decisive event which contributed to the original production of her almost eighteen hundred poems and over eleven hundred letters. Emily Dickinson withdrew into her untouched private world – which here is called “the bubble” – and developed the contemplation process based on the approach of apprehending perceptions which resulted in the instant captions that have enchanted readers. Since her withdrawal was as a result of her own free choice and own writing and living conventions, she was able to be the craftsperson that enjoyed living and writing. Her perception of nature by taking instant captions of the observable natural objects is perfected by the process of contemplation developed in some of her poems. The theoretical and methodological basis of the study comes from the analysis of the complete edition of poems edited by Thomas H. Johnson, the letters edited by Mabel Loomis Todd, and the concept of Nature by Hans Georg Schenk. For the analyses of different issues related to Dickinson’s verses, withdrawal, and apprehension of perceptions, the works of the biographer Richard Benson Sewall and critics such as Albert Gelpi, Barton Levi Armand, Karl Keller, Sharon Cameron, among others, were consulted. This study aims to demonstrate that Emily Dickinson was not concerned with publication and her withdrawal within her bubble was a positive event for her life and poetry. Such conclusion might contribute to enlighten the knowledge about the life and work of such an amazing personage of American Literature and American society as Emily Dickinson has been so far. |
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Lied, Justina Inês FacciniRosenfield, Kathrin Holzermayr LerrerPereira, Lawrence Flores2009-03-06T04:12:35Z2008http://hdl.handle.net/10183/15307000677233The aim of this thesis is to show that Emily Dickinson was not concerned with the publication of her poems and she herself decided to withdraw from the outside world, a decisive event which contributed to the original production of her almost eighteen hundred poems and over eleven hundred letters. Emily Dickinson withdrew into her untouched private world – which here is called “the bubble” – and developed the contemplation process based on the approach of apprehending perceptions which resulted in the instant captions that have enchanted readers. Since her withdrawal was as a result of her own free choice and own writing and living conventions, she was able to be the craftsperson that enjoyed living and writing. Her perception of nature by taking instant captions of the observable natural objects is perfected by the process of contemplation developed in some of her poems. The theoretical and methodological basis of the study comes from the analysis of the complete edition of poems edited by Thomas H. Johnson, the letters edited by Mabel Loomis Todd, and the concept of Nature by Hans Georg Schenk. For the analyses of different issues related to Dickinson’s verses, withdrawal, and apprehension of perceptions, the works of the biographer Richard Benson Sewall and critics such as Albert Gelpi, Barton Levi Armand, Karl Keller, Sharon Cameron, among others, were consulted. This study aims to demonstrate that Emily Dickinson was not concerned with publication and her withdrawal within her bubble was a positive event for her life and poetry. Such conclusion might contribute to enlighten the knowledge about the life and work of such an amazing personage of American Literature and American society as Emily Dickinson has been so far.application/pdfengLiteratura estrangeiraLiteratura e filologiaLiteratura norte-americanaPoesiaCorrespondênciaLíngua inglesaCartasCritica e interpretacaoImaginario e representacaoDickinson, Emily Elizabeth, 1830-1886Emily DickinsonWithdrawalAprehension of perceptionContemplation processThe perception of natureEmily Dickinson in her private bubble : poems, letters and the condition of presenceinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisUniversidade Federal do Rio Grande do SulInstituto de LetrasPrograma de Pós-Graduação em LetrasPorto Alegre, BR-RS2008doutoradoinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRGSinstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSORIGINAL000677233.pdf000677233.pdfTexto completo (inglês)application/pdf2776017http://www.lume.ufrgs.br/bitstream/10183/15307/1/000677233.pdfe0d56787026607e6bf16a61d2fa2d1f2MD51TEXT000677233.pdf.txt000677233.pdf.txtExtracted Texttext/plain289201http://www.lume.ufrgs.br/bitstream/10183/15307/2/000677233.pdf.txtdea030883642e8b7ef7a59da5a0e8babMD52THUMBNAIL000677233.pdf.jpg000677233.pdf.jpgGenerated Thumbnailimage/jpeg1224http://www.lume.ufrgs.br/bitstream/10183/15307/3/000677233.pdf.jpg76e72635d811575efcfcf114daf536bfMD5310183/153072021-05-07 04:37:04.67095oai:www.lume.ufrgs.br:10183/15307Biblioteca Digital de Teses e Dissertaçõeshttps://lume.ufrgs.br/handle/10183/2PUBhttps://lume.ufrgs.br/oai/requestlume@ufrgs.br||lume@ufrgs.bropendoar:18532021-05-07T07:37:04Biblioteca Digital de Teses e Dissertações da UFRGS - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.pt_BR.fl_str_mv |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
title |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
spellingShingle |
Emily Dickinson in her private bubble : poems, letters and the condition of presence Lied, Justina Inês Faccini Literatura estrangeira Literatura e filologia Literatura norte-americana Poesia Correspondência Língua inglesa Cartas Critica e interpretacao Imaginario e representacao Dickinson, Emily Elizabeth, 1830-1886 Emily Dickinson Withdrawal Aprehension of perception Contemplation process The perception of nature |
title_short |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
title_full |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
title_fullStr |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
title_full_unstemmed |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
title_sort |
Emily Dickinson in her private bubble : poems, letters and the condition of presence |
author |
Lied, Justina Inês Faccini |
author_facet |
Lied, Justina Inês Faccini |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lied, Justina Inês Faccini |
dc.contributor.advisor1.fl_str_mv |
Rosenfield, Kathrin Holzermayr Lerrer |
dc.contributor.advisor-co1.fl_str_mv |
Pereira, Lawrence Flores |
contributor_str_mv |
Rosenfield, Kathrin Holzermayr Lerrer Pereira, Lawrence Flores |
dc.subject.por.fl_str_mv |
Literatura estrangeira Literatura e filologia Literatura norte-americana Poesia Correspondência Língua inglesa Cartas Critica e interpretacao Imaginario e representacao Dickinson, Emily Elizabeth, 1830-1886 |
topic |
Literatura estrangeira Literatura e filologia Literatura norte-americana Poesia Correspondência Língua inglesa Cartas Critica e interpretacao Imaginario e representacao Dickinson, Emily Elizabeth, 1830-1886 Emily Dickinson Withdrawal Aprehension of perception Contemplation process The perception of nature |
dc.subject.eng.fl_str_mv |
Emily Dickinson Withdrawal Aprehension of perception Contemplation process The perception of nature |
description |
The aim of this thesis is to show that Emily Dickinson was not concerned with the publication of her poems and she herself decided to withdraw from the outside world, a decisive event which contributed to the original production of her almost eighteen hundred poems and over eleven hundred letters. Emily Dickinson withdrew into her untouched private world – which here is called “the bubble” – and developed the contemplation process based on the approach of apprehending perceptions which resulted in the instant captions that have enchanted readers. Since her withdrawal was as a result of her own free choice and own writing and living conventions, she was able to be the craftsperson that enjoyed living and writing. Her perception of nature by taking instant captions of the observable natural objects is perfected by the process of contemplation developed in some of her poems. The theoretical and methodological basis of the study comes from the analysis of the complete edition of poems edited by Thomas H. Johnson, the letters edited by Mabel Loomis Todd, and the concept of Nature by Hans Georg Schenk. For the analyses of different issues related to Dickinson’s verses, withdrawal, and apprehension of perceptions, the works of the biographer Richard Benson Sewall and critics such as Albert Gelpi, Barton Levi Armand, Karl Keller, Sharon Cameron, among others, were consulted. This study aims to demonstrate that Emily Dickinson was not concerned with publication and her withdrawal within her bubble was a positive event for her life and poetry. Such conclusion might contribute to enlighten the knowledge about the life and work of such an amazing personage of American Literature and American society as Emily Dickinson has been so far. |
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2008 |
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