Creación musical a partir de la corporalidad

Detalhes bibliográficos
Autor(a) principal: Barbot Antonoff, Alejandro Jarib
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: spa
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFRGS
Texto Completo: http://hdl.handle.net/10183/256758
Resumo: This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros.
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spelling Barbot Antonoff, Alejandro JaribCunha, Antônio Carlos Borges2023-04-06T03:29:46Z2023http://hdl.handle.net/10183/256758001164444This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros.Este trabajo da cuenta de los procesos de creación musical de un conjunto de obras compuestas en el marco del programa de Maestría Interinstitucional UFRGS/UdelaR, entre el año 2019 y 2021, incluyendo criterios estéticos y procedimientos técnicos concebidos a partir de la corporalidad. Uno de los aspectos más destacados es la utilización del fenómeno de la transmodalidad entre sonido y movimiento como mecanismo para generar músicas a partir de danzas, para luego generar danzas con las cuales generar nuevas músicas. Esta línea de composición musical a partir de la corporalidad tiene su origen en observaciones realizadas en distintas instancias de creación conjunta de danza y música, las cuales fueron sistematizadas en este trabajo mediante la elaboración de una propuesta de marco teórico construido principalmente a partir de conceptos de música, psicología de la música y de filosofía de la danza. En el memorial se describe la forma en la cual la relación entre el sonido y la corporalidad es utilizada en la composición de cada una de las músicas, y se profundiza en los procedimientos empleados en la composición de Ouroboros.application/pdfspaComposição musicalMúsicaDançaCorporalidadeCompositionMusicDanceCcorporalityTransmodalityComposiciónDanzaCorporalidadTransmodalidadCreación musical a partir de la corporalidadinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisUniversidade Federal do Rio Grande do SulInstituto de ArtesPrograma de Pós-Graduação em MúsicaPorto Alegre, BR-RS2023mestradoinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRGSinstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSTEXT001164444.pdf.txt001164444.pdf.txtExtracted Texttext/plain135942http://www.lume.ufrgs.br/bitstream/10183/256758/2/001164444.pdf.txt01408f45a522a476b9c3ca374e136f08MD52ORIGINAL001164444.pdfTexto completo (espanhol)application/pdf18178178http://www.lume.ufrgs.br/bitstream/10183/256758/1/001164444.pdfe715498705ee899ca19ac7fac8858feeMD5110183/2567582023-04-07 03:26:28.002843oai:www.lume.ufrgs.br:10183/256758Biblioteca Digital de Teses e Dissertaçõeshttps://lume.ufrgs.br/handle/10183/2PUBhttps://lume.ufrgs.br/oai/requestlume@ufrgs.br||lume@ufrgs.bropendoar:18532023-04-07T06:26:28Biblioteca Digital de Teses e Dissertações da UFRGS - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.pt_BR.fl_str_mv Creación musical a partir de la corporalidad
title Creación musical a partir de la corporalidad
spellingShingle Creación musical a partir de la corporalidad
Barbot Antonoff, Alejandro Jarib
Composição musical
Música
Dança
Corporalidade
Composition
Music
Dance
Ccorporality
Transmodality
Composición
Danza
Corporalidad
Transmodalidad
title_short Creación musical a partir de la corporalidad
title_full Creación musical a partir de la corporalidad
title_fullStr Creación musical a partir de la corporalidad
title_full_unstemmed Creación musical a partir de la corporalidad
title_sort Creación musical a partir de la corporalidad
author Barbot Antonoff, Alejandro Jarib
author_facet Barbot Antonoff, Alejandro Jarib
author_role author
dc.contributor.author.fl_str_mv Barbot Antonoff, Alejandro Jarib
dc.contributor.advisor1.fl_str_mv Cunha, Antônio Carlos Borges
contributor_str_mv Cunha, Antônio Carlos Borges
dc.subject.por.fl_str_mv Composição musical
Música
Dança
Corporalidade
topic Composição musical
Música
Dança
Corporalidade
Composition
Music
Dance
Ccorporality
Transmodality
Composición
Danza
Corporalidad
Transmodalidad
dc.subject.eng.fl_str_mv Composition
Music
Dance
Ccorporality
Transmodality
dc.subject.spa.fl_str_mv Composición
Danza
Corporalidad
Transmodalidad
description This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-04-06T03:29:46Z
dc.date.issued.fl_str_mv 2023
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