Creación musical a partir de la corporalidad
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | spa |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFRGS |
Texto Completo: | http://hdl.handle.net/10183/256758 |
Resumo: | This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros. |
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Barbot Antonoff, Alejandro JaribCunha, Antônio Carlos Borges2023-04-06T03:29:46Z2023http://hdl.handle.net/10183/256758001164444This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros.Este trabajo da cuenta de los procesos de creación musical de un conjunto de obras compuestas en el marco del programa de Maestría Interinstitucional UFRGS/UdelaR, entre el año 2019 y 2021, incluyendo criterios estéticos y procedimientos técnicos concebidos a partir de la corporalidad. Uno de los aspectos más destacados es la utilización del fenómeno de la transmodalidad entre sonido y movimiento como mecanismo para generar músicas a partir de danzas, para luego generar danzas con las cuales generar nuevas músicas. Esta línea de composición musical a partir de la corporalidad tiene su origen en observaciones realizadas en distintas instancias de creación conjunta de danza y música, las cuales fueron sistematizadas en este trabajo mediante la elaboración de una propuesta de marco teórico construido principalmente a partir de conceptos de música, psicología de la música y de filosofía de la danza. En el memorial se describe la forma en la cual la relación entre el sonido y la corporalidad es utilizada en la composición de cada una de las músicas, y se profundiza en los procedimientos empleados en la composición de Ouroboros.application/pdfspaComposição musicalMúsicaDançaCorporalidadeCompositionMusicDanceCcorporalityTransmodalityComposiciónDanzaCorporalidadTransmodalidadCreación musical a partir de la corporalidadinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisUniversidade Federal do Rio Grande do SulInstituto de ArtesPrograma de Pós-Graduação em MúsicaPorto Alegre, BR-RS2023mestradoinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRGSinstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSTEXT001164444.pdf.txt001164444.pdf.txtExtracted Texttext/plain135942http://www.lume.ufrgs.br/bitstream/10183/256758/2/001164444.pdf.txt01408f45a522a476b9c3ca374e136f08MD52ORIGINAL001164444.pdfTexto completo (espanhol)application/pdf18178178http://www.lume.ufrgs.br/bitstream/10183/256758/1/001164444.pdfe715498705ee899ca19ac7fac8858feeMD5110183/2567582023-04-07 03:26:28.002843oai:www.lume.ufrgs.br:10183/256758Biblioteca Digital de Teses e Dissertaçõeshttps://lume.ufrgs.br/handle/10183/2PUBhttps://lume.ufrgs.br/oai/requestlume@ufrgs.br||lume@ufrgs.bropendoar:18532023-04-07T06:26:28Biblioteca Digital de Teses e Dissertações da UFRGS - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.pt_BR.fl_str_mv |
Creación musical a partir de la corporalidad |
title |
Creación musical a partir de la corporalidad |
spellingShingle |
Creación musical a partir de la corporalidad Barbot Antonoff, Alejandro Jarib Composição musical Música Dança Corporalidade Composition Music Dance Ccorporality Transmodality Composición Danza Corporalidad Transmodalidad |
title_short |
Creación musical a partir de la corporalidad |
title_full |
Creación musical a partir de la corporalidad |
title_fullStr |
Creación musical a partir de la corporalidad |
title_full_unstemmed |
Creación musical a partir de la corporalidad |
title_sort |
Creación musical a partir de la corporalidad |
author |
Barbot Antonoff, Alejandro Jarib |
author_facet |
Barbot Antonoff, Alejandro Jarib |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barbot Antonoff, Alejandro Jarib |
dc.contributor.advisor1.fl_str_mv |
Cunha, Antônio Carlos Borges |
contributor_str_mv |
Cunha, Antônio Carlos Borges |
dc.subject.por.fl_str_mv |
Composição musical Música Dança Corporalidade |
topic |
Composição musical Música Dança Corporalidade Composition Music Dance Ccorporality Transmodality Composición Danza Corporalidad Transmodalidad |
dc.subject.eng.fl_str_mv |
Composition Music Dance Ccorporality Transmodality |
dc.subject.spa.fl_str_mv |
Composición Danza Corporalidad Transmodalidad |
description |
This work accounts for the processes of musical creation of a set of works composed in the context of the UFRGS/UdelaR Inter-institutional Master's program, between 2019 and 2021. It includes the aesthetic criteria and technical procedures conceived from corporality applied in the composition of those works. One of the most outstanding aspects is the use of the phenomenon of transmodality between sound and movement as a mechanism to generate music from dances pieces, to later generate dances pieces with which to generate new music. This line of musical composition from corporality has its origin in observations made in different instances of joint creation of music and dance pieces, which were systematized in this work through the elaboration of a theoretical framework proposal built mainly from concepts of music, psychology of music and philosophy of dance. The memorial describes the way in which the relationship between sound and corporality is used in the musical works, and delves into the procedures used in the composition of Ouroboros. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-04-06T03:29:46Z |
dc.date.issued.fl_str_mv |
2023 |
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http://hdl.handle.net/10183/256758 |
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001164444 |
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