Film history, market and State in the work of Jean-Claude Bernardet
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Significação (Online) |
Texto Completo: | https://www.revistas.usp.br/significacao/article/view/206251 |
Resumo: | The article deals with Jean-Claude Bernardet's reflection on the history of relations between Brazilian production, the market and the State. The thought about Brazilian cinema and its insertion in the market has a long tradition that dates back to the 1920s. From the 1950s onwards, this was an important vein for the development of the first researches on the history of Brazilian cinema. It is in this tradition that Jean-Claude Bernardet's concerns were initially inscribed. However, from the interrogation of certain problems, mainly the ties between filmmakers and the State, Bernardet poses a series of questions in order to reinvent the tradition. |
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Film history, market and State in the work of Jean-Claude BernardetHistória do cinema, mercado e Estado na obra de Jean-Claude Bernardetfilm historyStatemarketJean-Claude Bernardethistória do cinemaEstadomercadoJean-Claude BernardetThe article deals with Jean-Claude Bernardet's reflection on the history of relations between Brazilian production, the market and the State. The thought about Brazilian cinema and its insertion in the market has a long tradition that dates back to the 1920s. From the 1950s onwards, this was an important vein for the development of the first researches on the history of Brazilian cinema. It is in this tradition that Jean-Claude Bernardet's concerns were initially inscribed. However, from the interrogation of certain problems, mainly the ties between filmmakers and the State, Bernardet poses a series of questions in order to reinvent the tradition.O artigo aborda a reflexão de Jean-Claude Bernardet sobre a história das relações entre a produção brasileira, o mercado e o Estado. O pensamento acerca do cinema brasileiro e sua inserção no mercado possui uma longa tradição que remonta aos anos 1920. A partir da década de 1950, esse foi um veio importante para o desenvolvimento das primeiras pesquisas sobre a história do cinema brasileiro. É nessa tradição que inicialmente se inscrevem as preocupações de Jean-Claude Bernardet. Porém, a partir da interrogação de determinados problemas, principalmente os laços entre os cineastas e o Estado, Bernardet recoloca uma série de questões de maneira a reinventar a tradição.Universidade de São Paulo. Escola de Comunicações e Artes2023-08-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/20625110.11606/issn.2316-7114.sig.2023.206251Significação: Revista de Cultura Audiovisual; v. 50 (2023); 1-19Significação: Journal of Audiovisual Culture; Vol. 50 (2023); 1-192316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPengporhttps://www.revistas.usp.br/significacao/article/view/206251/204818https://www.revistas.usp.br/significacao/article/view/206251/196930Copyright (c) 2023 Arthur Autranhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAutran, Arthur2024-05-21T16:02:13Zoai:revistas.usp.br:article/206251Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2024-05-21T16:02:13Significação (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Film history, market and State in the work of Jean-Claude Bernardet História do cinema, mercado e Estado na obra de Jean-Claude Bernardet |
title |
Film history, market and State in the work of Jean-Claude Bernardet |
spellingShingle |
Film history, market and State in the work of Jean-Claude Bernardet Autran, Arthur film history State market Jean-Claude Bernardet história do cinema Estado mercado Jean-Claude Bernardet |
title_short |
Film history, market and State in the work of Jean-Claude Bernardet |
title_full |
Film history, market and State in the work of Jean-Claude Bernardet |
title_fullStr |
Film history, market and State in the work of Jean-Claude Bernardet |
title_full_unstemmed |
Film history, market and State in the work of Jean-Claude Bernardet |
title_sort |
Film history, market and State in the work of Jean-Claude Bernardet |
author |
Autran, Arthur |
author_facet |
Autran, Arthur |
author_role |
author |
dc.contributor.author.fl_str_mv |
Autran, Arthur |
dc.subject.por.fl_str_mv |
film history State market Jean-Claude Bernardet história do cinema Estado mercado Jean-Claude Bernardet |
topic |
film history State market Jean-Claude Bernardet história do cinema Estado mercado Jean-Claude Bernardet |
description |
The article deals with Jean-Claude Bernardet's reflection on the history of relations between Brazilian production, the market and the State. The thought about Brazilian cinema and its insertion in the market has a long tradition that dates back to the 1920s. From the 1950s onwards, this was an important vein for the development of the first researches on the history of Brazilian cinema. It is in this tradition that Jean-Claude Bernardet's concerns were initially inscribed. However, from the interrogation of certain problems, mainly the ties between filmmakers and the State, Bernardet poses a series of questions in order to reinvent the tradition. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/206251 10.11606/issn.2316-7114.sig.2023.206251 |
url |
https://www.revistas.usp.br/significacao/article/view/206251 |
identifier_str_mv |
10.11606/issn.2316-7114.sig.2023.206251 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/206251/204818 https://www.revistas.usp.br/significacao/article/view/206251/196930 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Arthur Autran https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Arthur Autran https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
dc.source.none.fl_str_mv |
Significação: Revista de Cultura Audiovisual; v. 50 (2023); 1-19 Significação: Journal of Audiovisual Culture; Vol. 50 (2023); 1-19 2316-7114 1516-4330 reponame:Significação (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Significação (Online) |
collection |
Significação (Online) |
repository.name.fl_str_mv |
Significação (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||significacao@usp.br |
_version_ |
1800237526810624000 |