La mujer sin cabeza: aesthetic and political flows in Argentine Cinema

Detalhes bibliográficos
Autor(a) principal: Fischer, Sandra
Data de Publicação: 2021
Outros Autores: Adams, Natália Lago, Vaz, Aline
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/178321
Resumo: The essay, situated within the scope of contemporary cinema studies, discusses questions concerning the flow aesthetics taken as it is presented in the film La mujer sin cabeza (2008), by Lucrecia Martel. To this end, it discusses and analyzes the strategies adopted for framing the post-dictatorship neoliberal Argentina’s sociopolitical context, verifies the effects of meaning produced by the homologations between the plane of film contents the plane of cinematographic expression, and deals with the consequent aesthetic/aisthesic articulations. Considering cinema as a privileged field of the symptom of the society in which it is chronotopically inserted, it is concluded that Martel’s movie, by focusing on small aspects of everyday life and its sensory modulations, enlightens the emergence of a supposedly innovative cinema: a Nuevo Cine Argentino that both makes it possible to detect social distress and asphyxiation, and potentially provides for revisions of preestablished paradigms and concepts.
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spelling La mujer sin cabeza: aesthetic and political flows in Argentine CinemaLa mujer sin cabeza: fluxos estéticos e políticos no cinema argentinoFlow cinema aestheticsNuevo Cine ArgentinoLucrecia MartelLa mujer sin cabezaCinema de fluxoNuevo Cine ArgentinoLucrecia MartelLa mujer sin cabezaThe essay, situated within the scope of contemporary cinema studies, discusses questions concerning the flow aesthetics taken as it is presented in the film La mujer sin cabeza (2008), by Lucrecia Martel. To this end, it discusses and analyzes the strategies adopted for framing the post-dictatorship neoliberal Argentina’s sociopolitical context, verifies the effects of meaning produced by the homologations between the plane of film contents the plane of cinematographic expression, and deals with the consequent aesthetic/aisthesic articulations. Considering cinema as a privileged field of the symptom of the society in which it is chronotopically inserted, it is concluded that Martel’s movie, by focusing on small aspects of everyday life and its sensory modulations, enlightens the emergence of a supposedly innovative cinema: a Nuevo Cine Argentino that both makes it possible to detect social distress and asphyxiation, and potentially provides for revisions of preestablished paradigms and concepts.O artigo, situado no campo dos estudos contemporâneos de cinema, problematiza questões relativas ao cinema de fluxo tomado da forma como se apresenta no filme La mujer sin cabeza (2008), de Lucrecia Martel. Para tanto, discute e analisa na obra as estratégias adotadas para a colocação em quadro do contexto sociopolítico da Argentina neoliberal pós-ditaduras, verifica os efeitos de sentido produzidos por meio das homologações entre o plano do conteúdo fílmico e o plano da expressão cinematográfica, e trata das consequentes articulações estéticas e estésicas. Considerando o cinema como privilegiado campo do sintoma da sociedade em que se se encontra cronotopicamente inserido, conclui-se que o filme em tela, ao focalizar as miudezas do cotidiano e suas modulações sensíveis, sinaliza a emergência de um suposto Nuevo Cine Argentino – que tanto viabiliza a detecção de angústias e asfixias sociais, quanto oportuniza, potencialmente, revisões de paradigmas e conceitos pré-estabelecidos.Universidade de São Paulo. Escola de Comunicações e Artes2021-07-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/17832110.11606/issn.2316-7114.sig.2021.178321Significação: Journal of Audiovisual Culture; Vol. 48 No. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I); 192-206Significação: Revista de Cultura Audiovisual; v. 48 n. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I); 192-2062316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/178321/174261Copyright (c) 2021 Sandra Fischer, Natália Lago Adams, Aline Vazhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFischer, Sandra Adams, Natália LagoVaz, Aline 2021-11-01T14:52:16Zoai:revistas.usp.br:article/178321Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2021-11-01T14:52:16Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
La mujer sin cabeza: fluxos estéticos e políticos no cinema argentino
title La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
spellingShingle La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
Fischer, Sandra
Flow cinema aesthetics
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
Cinema de fluxo
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
title_short La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
title_full La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
title_fullStr La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
title_full_unstemmed La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
title_sort La mujer sin cabeza: aesthetic and political flows in Argentine Cinema
author Fischer, Sandra
author_facet Fischer, Sandra
Adams, Natália Lago
Vaz, Aline
author_role author
author2 Adams, Natália Lago
Vaz, Aline
author2_role author
author
dc.contributor.author.fl_str_mv Fischer, Sandra
Adams, Natália Lago
Vaz, Aline
dc.subject.por.fl_str_mv Flow cinema aesthetics
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
Cinema de fluxo
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
topic Flow cinema aesthetics
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
Cinema de fluxo
Nuevo Cine Argentino
Lucrecia Martel
La mujer sin cabeza
description The essay, situated within the scope of contemporary cinema studies, discusses questions concerning the flow aesthetics taken as it is presented in the film La mujer sin cabeza (2008), by Lucrecia Martel. To this end, it discusses and analyzes the strategies adopted for framing the post-dictatorship neoliberal Argentina’s sociopolitical context, verifies the effects of meaning produced by the homologations between the plane of film contents the plane of cinematographic expression, and deals with the consequent aesthetic/aisthesic articulations. Considering cinema as a privileged field of the symptom of the society in which it is chronotopically inserted, it is concluded that Martel’s movie, by focusing on small aspects of everyday life and its sensory modulations, enlightens the emergence of a supposedly innovative cinema: a Nuevo Cine Argentino that both makes it possible to detect social distress and asphyxiation, and potentially provides for revisions of preestablished paradigms and concepts.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/178321
10.11606/issn.2316-7114.sig.2021.178321
url https://www.revistas.usp.br/significacao/article/view/178321
identifier_str_mv 10.11606/issn.2316-7114.sig.2021.178321
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/178321/174261
dc.rights.driver.fl_str_mv Copyright (c) 2021 Sandra Fischer, Natália Lago Adams, Aline Vaz
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Sandra Fischer, Natália Lago Adams, Aline Vaz
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 48 No. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I); 192-206
Significação: Revista de Cultura Audiovisual; v. 48 n. 56 (2021): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (I); 192-206
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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