The kitchen on TV: distinction and simulacrum in GNT culinary programs
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Significação (Online) |
Texto Completo: | https://www.revistas.usp.br/significacao/article/view/194099 |
Resumo: | This paper aims to identify the discursive positions that structure two culinary shows by GNT (Tempero de Família and Que Marravilha!), in the light of a context of broadening and supposed diversification of the visibilities of cooking and food in audiovisual culture. In order to discuss the research problem, we base ourselves on theoretical-methodological contributions from Discourse Analysis, with emphasis on Maingueneau's (2008) considerations about the global semantics of discourse and its constitutive heterogeneity. As a main result, we problematize an alleged diversity of approaches in the analyzed shows, pointing out that both are enunciated from the same discursive position. |
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The kitchen on TV: distinction and simulacrum in GNT culinary programsA cozinha na TV: distinção e simulacro em programas culinários do GNTTVCulinary showsDiscourse AnalysisDistinctionSimulacrumTVProgramas culináriosAnálise do DiscursoDistinçãoSimulacroThis paper aims to identify the discursive positions that structure two culinary shows by GNT (Tempero de Família and Que Marravilha!), in the light of a context of broadening and supposed diversification of the visibilities of cooking and food in audiovisual culture. In order to discuss the research problem, we base ourselves on theoretical-methodological contributions from Discourse Analysis, with emphasis on Maingueneau's (2008) considerations about the global semantics of discourse and its constitutive heterogeneity. As a main result, we problematize an alleged diversity of approaches in the analyzed shows, pointing out that both are enunciated from the same discursive position.O artigo busca identificar os posicionamentos discursivos que estruturam dois programas culinários do GNT (Tempero de Família e Que Marravilha!), à luz de um contexto de alargamento e suposta diversificação das visibilidades da cozinha e da comida na cultura audiovisual. Para discutir a problemática proposta, recorremos a aportes teórico-metodológicos da Análise do Discurso, com destaque para as considerações de Maingueneau (2008) acerca da semântica global do discurso e de sua heterogeneidade constitutiva. Como resultado principal, problematizamos uma pretensa diversidade de abordagens nos programas analisados, apontando que ambos são enunciados a partir de uma mesma posição discursiva.Universidade de São Paulo. Escola de Comunicações e Artes2023-08-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/19409910.11606/issn.2316-7114.sig.2023.194099Significação: Revista de Cultura Audiovisual; v. 50 (2023); 1-20Significação: Journal of Audiovisual Culture; Vol. 50 (2023); 1-202316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/194099/197211Copyright (c) 2023 Nara Lya Cabral Scabinhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessScabin, Nara Lya Cabral2024-03-19T02:34:20Zoai:revistas.usp.br:article/194099Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2024-03-19T02:34:20Significação (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
The kitchen on TV: distinction and simulacrum in GNT culinary programs A cozinha na TV: distinção e simulacro em programas culinários do GNT |
title |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
spellingShingle |
The kitchen on TV: distinction and simulacrum in GNT culinary programs Scabin, Nara Lya Cabral TV Culinary shows Discourse Analysis Distinction Simulacrum TV Programas culinários Análise do Discurso Distinção Simulacro |
title_short |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
title_full |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
title_fullStr |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
title_full_unstemmed |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
title_sort |
The kitchen on TV: distinction and simulacrum in GNT culinary programs |
author |
Scabin, Nara Lya Cabral |
author_facet |
Scabin, Nara Lya Cabral |
author_role |
author |
dc.contributor.author.fl_str_mv |
Scabin, Nara Lya Cabral |
dc.subject.por.fl_str_mv |
TV Culinary shows Discourse Analysis Distinction Simulacrum TV Programas culinários Análise do Discurso Distinção Simulacro |
topic |
TV Culinary shows Discourse Analysis Distinction Simulacrum TV Programas culinários Análise do Discurso Distinção Simulacro |
description |
This paper aims to identify the discursive positions that structure two culinary shows by GNT (Tempero de Família and Que Marravilha!), in the light of a context of broadening and supposed diversification of the visibilities of cooking and food in audiovisual culture. In order to discuss the research problem, we base ourselves on theoretical-methodological contributions from Discourse Analysis, with emphasis on Maingueneau's (2008) considerations about the global semantics of discourse and its constitutive heterogeneity. As a main result, we problematize an alleged diversity of approaches in the analyzed shows, pointing out that both are enunciated from the same discursive position. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/194099 10.11606/issn.2316-7114.sig.2023.194099 |
url |
https://www.revistas.usp.br/significacao/article/view/194099 |
identifier_str_mv |
10.11606/issn.2316-7114.sig.2023.194099 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/194099/197211 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Nara Lya Cabral Scabin https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Nara Lya Cabral Scabin https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
dc.source.none.fl_str_mv |
Significação: Revista de Cultura Audiovisual; v. 50 (2023); 1-20 Significação: Journal of Audiovisual Culture; Vol. 50 (2023); 1-20 2316-7114 1516-4330 reponame:Significação (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Significação (Online) |
collection |
Significação (Online) |
repository.name.fl_str_mv |
Significação (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||significacao@usp.br |
_version_ |
1800237526791749632 |