Brazil’s aesthetic U-turn: from emerging nation to international pariah

Detalhes bibliográficos
Autor(a) principal: Malanski, Daniel
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/188910
Resumo: Over the last few decades, Brazil had built the image of an emerging and progressive nation that, little by little, began to play a leading role in the international political scene. In this article, we carried out a content analysis of the Rio Olympics ceremonies – taking place in 2012 and 2016 – revealing their fragmentary references and political myths. We then compared them with the current government’s stance on environmentalism, multiculturalism, and social tolerance. Thus, it became evident that the representations of Brazil and Brazilians, internationally exhibited through the Olympic ceremonies during Rousseff’s administration, are profoundly different from the image that Bolsonaro’s regime sought to make of the country from the last years of the 2010s onwards. Despite the efforts of consecutive administrations – especially after the re-democratization in the 1980s – to convey the image of an emerging and progressive Brazil, economic recession, political crises, and, above all, the victory of a reactionary and anti-environmentalist regime in the 2018 elections challenged such romanticized national narrative, revealing a country of contrasts, where opposing fields compete for the nation both as a sociopolitical space and as a symbolic object.
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spelling Brazil’s aesthetic U-turn: from emerging nation to international pariahA reviravolta estética do Brasil: de nação emergente a pária internacionalRio 2016Londres 2012BricsBolsonaroImagem nacionalRio 2016London 2012BRICSBolsonaroNational imageOver the last few decades, Brazil had built the image of an emerging and progressive nation that, little by little, began to play a leading role in the international political scene. In this article, we carried out a content analysis of the Rio Olympics ceremonies – taking place in 2012 and 2016 – revealing their fragmentary references and political myths. We then compared them with the current government’s stance on environmentalism, multiculturalism, and social tolerance. Thus, it became evident that the representations of Brazil and Brazilians, internationally exhibited through the Olympic ceremonies during Rousseff’s administration, are profoundly different from the image that Bolsonaro’s regime sought to make of the country from the last years of the 2010s onwards. Despite the efforts of consecutive administrations – especially after the re-democratization in the 1980s – to convey the image of an emerging and progressive Brazil, economic recession, political crises, and, above all, the victory of a reactionary and anti-environmentalist regime in the 2018 elections challenged such romanticized national narrative, revealing a country of contrasts, where opposing fields compete for the nation both as a sociopolitical space and as a symbolic object.Ao longo das últimas décadas, o Brasil havia construído a imagem de uma nação emergente e progressista que passava, pouco a pouco, a exercer papel de liderança dentro do cenário político internacional. Neste artigo, efetuamos uma análise de conteúdo das cerimônias dos Jogos Olímpicos do Rio – realizadas em 2012 e em 2016 – revelando suas referências fragmentárias e mitos políticos. Em seguida, as comparamos com o posicionamento do atual governo com relação ao ambientalismo, ao multiculturalismo e à tolerância social. Desta maneira, ficou evidente que as representações do Brasil e dos brasileiros, expostas internacionalmente durante o governo Rousseff através das cerimônias olímpicas, diferem profundamente da imagem que o governo Bolsonaro buscou dar ao país a partir dos últimos anos da década de 2010. Apesar dos esforços de consecutivas administrações – sobretudo após a redemocratização, na década de 1980 – para transmitir a imagem de um Brasil emergente e progressista, crises políticas, a recessão econômica e, sobretudo, a vitória de um regime reacionário e antiambientalista nas eleições de 2018 colocaram em xeque tal narrativa nacional romantizada, revelando – internacionalmente e domesticamente – um país de contrastes, em que campos opostos competem pela nação como espaço sociopolítico e objeto simbólico.Universidade de São Paulo. Escola de Comunicações e Artes2022-02-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/18891010.11606/issn.2316-7114.sig.2022.188910Significação: Journal of Audiovisual Culture; Vol. 49 No. 57 (2022): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (II); 198-214Significação: Revista de Cultura Audiovisual; v. 49 n. 57 (2022): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (II); 198-2142316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/188910/179909Copyright (c) 2022 Daniel Malanskihttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMalanski, Daniel2022-02-04T22:46:23Zoai:revistas.usp.br:article/188910Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2022-02-04T22:46:23Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Brazil’s aesthetic U-turn: from emerging nation to international pariah
A reviravolta estética do Brasil: de nação emergente a pária internacional
title Brazil’s aesthetic U-turn: from emerging nation to international pariah
spellingShingle Brazil’s aesthetic U-turn: from emerging nation to international pariah
Malanski, Daniel
Rio 2016
Londres 2012
Brics
Bolsonaro
Imagem nacional
Rio 2016
London 2012
BRICS
Bolsonaro
National image
title_short Brazil’s aesthetic U-turn: from emerging nation to international pariah
title_full Brazil’s aesthetic U-turn: from emerging nation to international pariah
title_fullStr Brazil’s aesthetic U-turn: from emerging nation to international pariah
title_full_unstemmed Brazil’s aesthetic U-turn: from emerging nation to international pariah
title_sort Brazil’s aesthetic U-turn: from emerging nation to international pariah
author Malanski, Daniel
author_facet Malanski, Daniel
author_role author
dc.contributor.author.fl_str_mv Malanski, Daniel
dc.subject.por.fl_str_mv Rio 2016
Londres 2012
Brics
Bolsonaro
Imagem nacional
Rio 2016
London 2012
BRICS
Bolsonaro
National image
topic Rio 2016
Londres 2012
Brics
Bolsonaro
Imagem nacional
Rio 2016
London 2012
BRICS
Bolsonaro
National image
description Over the last few decades, Brazil had built the image of an emerging and progressive nation that, little by little, began to play a leading role in the international political scene. In this article, we carried out a content analysis of the Rio Olympics ceremonies – taking place in 2012 and 2016 – revealing their fragmentary references and political myths. We then compared them with the current government’s stance on environmentalism, multiculturalism, and social tolerance. Thus, it became evident that the representations of Brazil and Brazilians, internationally exhibited through the Olympic ceremonies during Rousseff’s administration, are profoundly different from the image that Bolsonaro’s regime sought to make of the country from the last years of the 2010s onwards. Despite the efforts of consecutive administrations – especially after the re-democratization in the 1980s – to convey the image of an emerging and progressive Brazil, economic recession, political crises, and, above all, the victory of a reactionary and anti-environmentalist regime in the 2018 elections challenged such romanticized national narrative, revealing a country of contrasts, where opposing fields compete for the nation both as a sociopolitical space and as a symbolic object.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/188910
10.11606/issn.2316-7114.sig.2022.188910
url https://www.revistas.usp.br/significacao/article/view/188910
identifier_str_mv 10.11606/issn.2316-7114.sig.2022.188910
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/188910/179909
dc.rights.driver.fl_str_mv Copyright (c) 2022 Daniel Malanski
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Daniel Malanski
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 49 No. 57 (2022): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (II); 198-214
Significação: Revista de Cultura Audiovisual; v. 49 n. 57 (2022): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (II); 198-214
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
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instname_str Universidade de São Paulo (USP)
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repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
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