Brazilian Country Music: Between Tradition, Market, and Representativeness

Detalhes bibliográficos
Autor(a) principal: Faria, Paula Beatriz Coelho Domingos
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Alterjor
Texto Completo: https://www.revistas.usp.br/alterjor/article/view/212128
Resumo: The paper discusses the hypothesis of the quest for legitimization of Brazilian country music as a representative genre of the Brazilian countryside, contrasting it with arguments for the stigmatization of this musical style. This examination takes into account its various strands, its integration into mass culture, its appeal to melodrama, and its departure from traditions considered significant for classification as rural music. To explore this topic, concepts such as “sertanejo universitário” and “MPB” are examined, alongside studies conducted by researchers like Alonso (2013 and 2015), Caldas (2004) and Candido (2010), as well as those connected to popular music, such as Wisnik (2004), Sandroni (2004) and Vianna (1995).
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spelling Brazilian Country Music: Between Tradition, Market, and RepresentativenessMÚSICA SERTANEJA: ENTRE A TRADIÇÃO, O MERCADO E A REPRESENTATIVIDADEMúsica SertanejaCultura BrasileiraLegitimaçãoTradiçãoBrazilian Country Music;Brazilian CultureLegitimizationTraditionThe paper discusses the hypothesis of the quest for legitimization of Brazilian country music as a representative genre of the Brazilian countryside, contrasting it with arguments for the stigmatization of this musical style. This examination takes into account its various strands, its integration into mass culture, its appeal to melodrama, and its departure from traditions considered significant for classification as rural music. To explore this topic, concepts such as “sertanejo universitário” and “MPB” are examined, alongside studies conducted by researchers like Alonso (2013 and 2015), Caldas (2004) and Candido (2010), as well as those connected to popular music, such as Wisnik (2004), Sandroni (2004) and Vianna (1995).O trabalho discute a hipótese de busca da música sertaneja pela legitimação como gênero representante dos interiores do Brasil em contraposição com os argumentos ligados à estigmatização do gênero, considerando suas diversas vertentes, sua inserção na cultura de massa, o apelo ao melodrama e o afastamento de tradições consideradas importantes para a classificação como música rural. Para isso, são explorados conceitos como o de sertanejo universitário e o de MPB e recorre-se a estudiosos do tema como Alonso (2013 e 2015), Caldas (2004) e Candido (2010), além de pesquisadores ligados à música popular, como Wisnik (2004), Sandroni (2004) e Vianna (1995).Universidade de São Paulo. Escola de Comunicações e Artes2023-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de DossiêDossier Paperapplication/pdfhttps://www.revistas.usp.br/alterjor/article/view/21212810.11606/issn.2176-1507.v28i2p509-524Revista Alterjor; v. 28 n. 2 (2023): Jornalismo Popular e Alternativo; 509-524Alterjor Journal; Vol. 28 No. 2 (2023): Alternative and Popular Journalism; 509-5242176-1507reponame:Revista Alterjorinstname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/alterjor/article/view/212128/198622Copyright (c) 2023 Paula Beatriz Coelho Domingos Fariahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFaria, Paula Beatriz Coelho Domingos2023-10-16T20:57:58Zoai:revistas.usp.br:article/212128Revistahttp://www.usp.br/alterjor/PUBhttp://www.usp.br/alterjor/ojs/index.php/alterjor/oai||lumaluly@usp.br|| dennisol@usp.br|| carlostavaresjr@bol.com.br2176-15072176-1507opendoar:2023-10-16T20:57:58Revista Alterjor - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Brazilian Country Music: Between Tradition, Market, and Representativeness
MÚSICA SERTANEJA: ENTRE A TRADIÇÃO, O MERCADO E A REPRESENTATIVIDADE
title Brazilian Country Music: Between Tradition, Market, and Representativeness
spellingShingle Brazilian Country Music: Between Tradition, Market, and Representativeness
Faria, Paula Beatriz Coelho Domingos
Música Sertaneja
Cultura Brasileira
Legitimação
Tradição
Brazilian Country Music;
Brazilian Culture
Legitimization
Tradition
title_short Brazilian Country Music: Between Tradition, Market, and Representativeness
title_full Brazilian Country Music: Between Tradition, Market, and Representativeness
title_fullStr Brazilian Country Music: Between Tradition, Market, and Representativeness
title_full_unstemmed Brazilian Country Music: Between Tradition, Market, and Representativeness
title_sort Brazilian Country Music: Between Tradition, Market, and Representativeness
author Faria, Paula Beatriz Coelho Domingos
author_facet Faria, Paula Beatriz Coelho Domingos
author_role author
dc.contributor.author.fl_str_mv Faria, Paula Beatriz Coelho Domingos
dc.subject.por.fl_str_mv Música Sertaneja
Cultura Brasileira
Legitimação
Tradição
Brazilian Country Music;
Brazilian Culture
Legitimization
Tradition
topic Música Sertaneja
Cultura Brasileira
Legitimação
Tradição
Brazilian Country Music;
Brazilian Culture
Legitimization
Tradition
description The paper discusses the hypothesis of the quest for legitimization of Brazilian country music as a representative genre of the Brazilian countryside, contrasting it with arguments for the stigmatization of this musical style. This examination takes into account its various strands, its integration into mass culture, its appeal to melodrama, and its departure from traditions considered significant for classification as rural music. To explore this topic, concepts such as “sertanejo universitário” and “MPB” are examined, alongside studies conducted by researchers like Alonso (2013 and 2015), Caldas (2004) and Candido (2010), as well as those connected to popular music, such as Wisnik (2004), Sandroni (2004) and Vianna (1995).
publishDate 2023
dc.date.none.fl_str_mv 2023-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo de Dossiê
Dossier Paper
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/alterjor/article/view/212128
10.11606/issn.2176-1507.v28i2p509-524
url https://www.revistas.usp.br/alterjor/article/view/212128
identifier_str_mv 10.11606/issn.2176-1507.v28i2p509-524
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/alterjor/article/view/212128/198622
dc.rights.driver.fl_str_mv Copyright (c) 2023 Paula Beatriz Coelho Domingos Faria
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Paula Beatriz Coelho Domingos Faria
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Revista Alterjor; v. 28 n. 2 (2023): Jornalismo Popular e Alternativo; 509-524
Alterjor Journal; Vol. 28 No. 2 (2023): Alternative and Popular Journalism; 509-524
2176-1507
reponame:Revista Alterjor
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Revista Alterjor
collection Revista Alterjor
repository.name.fl_str_mv Revista Alterjor - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||lumaluly@usp.br|| dennisol@usp.br|| carlostavaresjr@bol.com.br
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