RE-TRATOS-VISUALES

Detalhes bibliográficos
Autor(a) principal: Larranãga Altuna, Josu
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: spa
Título da fonte: ARS (São Paulo. Online)
Texto Completo: https://www.revistas.usp.br/ars/article/view/124056
Resumo: As we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view.
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spelling RE-TRATOS-VISUALESvisual experienceimageprocess of subjectivationportrait.Experiencia visualimagenproceso de subjetivaciónretratoAs we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view.En la medida en que atendemos el nuevo magma visual en el que habitamos y el tipo de formalizaciones que lo representan, se hace más evidente la condición contingente de la idea de imagen y su relación con los apriorismos históricos que conforman el mirar y el ver como experiencias complejas en cada período.Este artículo trata de acercarnos a la caracterización escópica de la actual sociedad de redes y a las complejas y diversas relaciones operadas entre la experiencia visual, su representación en figuras o estampas y su conversión en imágenes. Se procura poner de manifiesto lo que aparece como un nuevo trato con lo visual, que se produce desde la fricción de diversos agenciamientos, históricos, maquínicos, sociales, etc. (lo que podemos entender como un re-trato), y hacerlo a través de la confrontación de diversas maneras de concebir y construir al sujeto y a su figura (lo que entendemos como retrato).Para ello se traza un somero recorrido arqueológico por algunas prácticas cotidianas que tratan las imágenes en diferentes contextos, y se le confronta con propuestas artísticas que problematizan la mirada hoy.Universidade de São Paulo. Escola de Comunicações e Artes2016-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/ars/article/view/12405610.11606/issn.2178-0447.ars.2016.124056ARS (São Paulo); v. 14 n. 28 (2016); 115-133ARS; Vol. 14 Núm. 28 (2016); 115-133ARS; Vol. 14 No. 28 (2016); 115-1332178-04471678-5320reponame:ARS (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/ars/article/view/124056/122166Copyright (c) 2016 Josu Larranãga Altunainfo:eu-repo/semantics/openAccessLarranãga Altuna, Josu2017-01-24T11:19:09Zoai:revistas.usp.br:article/124056Revistahttp://www.scielo.br/arsPUBhttps://old.scielo.br/oai/scielo-oai.php||ars@usp.br2178-04471678-5320opendoar:2017-01-24T11:19:09ARS (São Paulo. Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv RE-TRATOS-VISUALES
title RE-TRATOS-VISUALES
spellingShingle RE-TRATOS-VISUALES
Larranãga Altuna, Josu
visual experience
image
process of subjectivation
portrait.
Experiencia visual
imagen
proceso de subjetivación
retrato
title_short RE-TRATOS-VISUALES
title_full RE-TRATOS-VISUALES
title_fullStr RE-TRATOS-VISUALES
title_full_unstemmed RE-TRATOS-VISUALES
title_sort RE-TRATOS-VISUALES
author Larranãga Altuna, Josu
author_facet Larranãga Altuna, Josu
author_role author
dc.contributor.author.fl_str_mv Larranãga Altuna, Josu
dc.subject.por.fl_str_mv visual experience
image
process of subjectivation
portrait.
Experiencia visual
imagen
proceso de subjetivación
retrato
topic visual experience
image
process of subjectivation
portrait.
Experiencia visual
imagen
proceso de subjetivación
retrato
description As we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/ars/article/view/124056
10.11606/issn.2178-0447.ars.2016.124056
url https://www.revistas.usp.br/ars/article/view/124056
identifier_str_mv 10.11606/issn.2178-0447.ars.2016.124056
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.revistas.usp.br/ars/article/view/124056/122166
dc.rights.driver.fl_str_mv Copyright (c) 2016 Josu Larranãga Altuna
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Josu Larranãga Altuna
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv ARS (São Paulo); v. 14 n. 28 (2016); 115-133
ARS; Vol. 14 Núm. 28 (2016); 115-133
ARS; Vol. 14 No. 28 (2016); 115-133
2178-0447
1678-5320
reponame:ARS (São Paulo. Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str ARS (São Paulo. Online)
collection ARS (São Paulo. Online)
repository.name.fl_str_mv ARS (São Paulo. Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||ars@usp.br
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