RE-TRATOS-VISUALES
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | ARS (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/ars/article/view/124056 |
Resumo: | As we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view. |
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RE-TRATOS-VISUALESvisual experienceimageprocess of subjectivationportrait.Experiencia visualimagenproceso de subjetivaciónretratoAs we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view.En la medida en que atendemos el nuevo magma visual en el que habitamos y el tipo de formalizaciones que lo representan, se hace más evidente la condición contingente de la idea de imagen y su relación con los apriorismos históricos que conforman el mirar y el ver como experiencias complejas en cada período.Este artículo trata de acercarnos a la caracterización escópica de la actual sociedad de redes y a las complejas y diversas relaciones operadas entre la experiencia visual, su representación en figuras o estampas y su conversión en imágenes. Se procura poner de manifiesto lo que aparece como un nuevo trato con lo visual, que se produce desde la fricción de diversos agenciamientos, históricos, maquínicos, sociales, etc. (lo que podemos entender como un re-trato), y hacerlo a través de la confrontación de diversas maneras de concebir y construir al sujeto y a su figura (lo que entendemos como retrato).Para ello se traza un somero recorrido arqueológico por algunas prácticas cotidianas que tratan las imágenes en diferentes contextos, y se le confronta con propuestas artísticas que problematizan la mirada hoy.Universidade de São Paulo. Escola de Comunicações e Artes2016-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/ars/article/view/12405610.11606/issn.2178-0447.ars.2016.124056ARS (São Paulo); v. 14 n. 28 (2016); 115-133ARS; Vol. 14 Núm. 28 (2016); 115-133ARS; Vol. 14 No. 28 (2016); 115-1332178-04471678-5320reponame:ARS (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/ars/article/view/124056/122166Copyright (c) 2016 Josu Larranãga Altunainfo:eu-repo/semantics/openAccessLarranãga Altuna, Josu2017-01-24T11:19:09Zoai:revistas.usp.br:article/124056Revistahttp://www.scielo.br/arsPUBhttps://old.scielo.br/oai/scielo-oai.php||ars@usp.br2178-04471678-5320opendoar:2017-01-24T11:19:09ARS (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
RE-TRATOS-VISUALES |
title |
RE-TRATOS-VISUALES |
spellingShingle |
RE-TRATOS-VISUALES Larranãga Altuna, Josu visual experience image process of subjectivation portrait. Experiencia visual imagen proceso de subjetivación retrato |
title_short |
RE-TRATOS-VISUALES |
title_full |
RE-TRATOS-VISUALES |
title_fullStr |
RE-TRATOS-VISUALES |
title_full_unstemmed |
RE-TRATOS-VISUALES |
title_sort |
RE-TRATOS-VISUALES |
author |
Larranãga Altuna, Josu |
author_facet |
Larranãga Altuna, Josu |
author_role |
author |
dc.contributor.author.fl_str_mv |
Larranãga Altuna, Josu |
dc.subject.por.fl_str_mv |
visual experience image process of subjectivation portrait. Experiencia visual imagen proceso de subjetivación retrato |
topic |
visual experience image process of subjectivation portrait. Experiencia visual imagen proceso de subjetivación retrato |
description |
As we attend to the new visual magma in which we inhabit and the type of formalizations representing it, the contingent condition of the idea of image and its relation to the historical apriorism that configures this view as complex experiences in each period becomes more evident. This article tries to get closer to the scopic characterization of the present society of networks and to the intricate and diverse relations operating among the visual experience, its representation through pictures or prints and their conversion into images. It seeks to reveal what appears as a new treatment of visual aspects, produced from the friction of various factors – historical, social, etc (what we can understand as a re-treat), and does so through the confrontation of various ways of conceiving and constructing the subject and its figure (what we understand as a portrait). For this, a brief archaeological tour is traced through some daily practices that treat the images in different contexts, and is confronted with artistic proposals that problematize this present view. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/ars/article/view/124056 10.11606/issn.2178-0447.ars.2016.124056 |
url |
https://www.revistas.usp.br/ars/article/view/124056 |
identifier_str_mv |
10.11606/issn.2178-0447.ars.2016.124056 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/ars/article/view/124056/122166 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Josu Larranãga Altuna info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Josu Larranãga Altuna |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
dc.source.none.fl_str_mv |
ARS (São Paulo); v. 14 n. 28 (2016); 115-133 ARS; Vol. 14 Núm. 28 (2016); 115-133 ARS; Vol. 14 No. 28 (2016); 115-133 2178-0447 1678-5320 reponame:ARS (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
ARS (São Paulo. Online) |
collection |
ARS (São Paulo. Online) |
repository.name.fl_str_mv |
ARS (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||ars@usp.br |
_version_ |
1797688292618010624 |