Musical architectonics of A. Chekhov's novel "A boring story"
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | rus |
Título da fonte: | RUS (São Paulo) |
Texto Completo: | https://www.revistas.usp.br/rus/article/view/200279 |
Resumo: | The article presents an analysis of the musical subtext of Chekhov's novel "A Boring Story". From this position, two compositional lines, "minor" and "major", the introduction, development, culmination and completion of each of them, their interconnection, variations, repetitions, changes in rhythm and tension are considered, as well as combinations of musical and lexical elements of the text are traced and made conclusion that musical architectonics as a means of subtext is an important key to understanding the author's intention. |
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Musical architectonics of A. Chekhov's novel "A boring story"Музыкальная архитектоника повести А.Чехова “Скучная история”História enfadonhaElementos musicaisAnton TchékhovChekhovMusical ElementsA Boring StoryЧеховСкучная историяМузыкальные элементыThe article presents an analysis of the musical subtext of Chekhov's novel "A Boring Story". From this position, two compositional lines, "minor" and "major", the introduction, development, culmination and completion of each of them, their interconnection, variations, repetitions, changes in rhythm and tension are considered, as well as combinations of musical and lexical elements of the text are traced and made conclusion that musical architectonics as a means of subtext is an important key to understanding the author's intention.В статье представлен анализ музыкального подтекста рассказа Чехова «Скучная история». С этой позиции рассматриваются две композиционные линии, «минорная» и «мажорная», вступление, развитие, кульминация и завершение каждой из них, их взаимосвязь, вариации, повторы, изменения ритма и напряжения, а также прослеживаются сочетания их с лексическими элементами текста и делается вывод о том, что музыкальная архитектура как средство подтекста является важным ключом к пониманию авторского замысла.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas.2022-08-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/rus/article/view/20027910.11606/issn.2317-4765.rus.2022.200279RUS (São Paulo); v. 13 n. 22 (2022): Tchékhov sempre: textos e contextos; 184-204RUS (Sao Paulo); Vol. 13 No. 22 (2022): Tchékhov sempre: textos e contextos; 184-204РУС (Сан-Пауло); Том 13 № 22 (2022): Tchékhov sempre: textos e contextos; 184-2042317-4765reponame:RUS (São Paulo)instname:Universidade de São Paulo (USP)instacron:USPrushttps://www.revistas.usp.br/rus/article/view/200279/185606Copyright (c) 2022 Elena Vasilevichhttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessVasilevich, Elena2022-08-28T23:32:09Zoai:revistas.usp.br:article/200279Revistahttp://revistas.usp.br/rus/PUBhttp://www.revistas.usp.br/rus/oairus@usp.br||revistalitrus@gmail.com||2317-47652317-4765opendoar:2022-08-28T23:32:09RUS (São Paulo) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Musical architectonics of A. Chekhov's novel "A boring story" Музыкальная архитектоника повести А.Чехова “Скучная история” |
title |
Musical architectonics of A. Chekhov's novel "A boring story" |
spellingShingle |
Musical architectonics of A. Chekhov's novel "A boring story" Vasilevich, Elena História enfadonha Elementos musicais Anton Tchékhov Chekhov Musical Elements A Boring Story Чехов Скучная история Музыкальные элементы |
title_short |
Musical architectonics of A. Chekhov's novel "A boring story" |
title_full |
Musical architectonics of A. Chekhov's novel "A boring story" |
title_fullStr |
Musical architectonics of A. Chekhov's novel "A boring story" |
title_full_unstemmed |
Musical architectonics of A. Chekhov's novel "A boring story" |
title_sort |
Musical architectonics of A. Chekhov's novel "A boring story" |
author |
Vasilevich, Elena |
author_facet |
Vasilevich, Elena |
author_role |
author |
dc.contributor.author.fl_str_mv |
Vasilevich, Elena |
dc.subject.por.fl_str_mv |
História enfadonha Elementos musicais Anton Tchékhov Chekhov Musical Elements A Boring Story Чехов Скучная история Музыкальные элементы |
topic |
História enfadonha Elementos musicais Anton Tchékhov Chekhov Musical Elements A Boring Story Чехов Скучная история Музыкальные элементы |
description |
The article presents an analysis of the musical subtext of Chekhov's novel "A Boring Story". From this position, two compositional lines, "minor" and "major", the introduction, development, culmination and completion of each of them, their interconnection, variations, repetitions, changes in rhythm and tension are considered, as well as combinations of musical and lexical elements of the text are traced and made conclusion that musical architectonics as a means of subtext is an important key to understanding the author's intention. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/rus/article/view/200279 10.11606/issn.2317-4765.rus.2022.200279 |
url |
https://www.revistas.usp.br/rus/article/view/200279 |
identifier_str_mv |
10.11606/issn.2317-4765.rus.2022.200279 |
dc.language.iso.fl_str_mv |
rus |
language |
rus |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/rus/article/view/200279/185606 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Elena Vasilevich http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Elena Vasilevich http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas. |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas. |
dc.source.none.fl_str_mv |
RUS (São Paulo); v. 13 n. 22 (2022): Tchékhov sempre: textos e contextos; 184-204 RUS (Sao Paulo); Vol. 13 No. 22 (2022): Tchékhov sempre: textos e contextos; 184-204 РУС (Сан-Пауло); Том 13 № 22 (2022): Tchékhov sempre: textos e contextos; 184-204 2317-4765 reponame:RUS (São Paulo) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
RUS (São Paulo) |
collection |
RUS (São Paulo) |
repository.name.fl_str_mv |
RUS (São Paulo) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
rus@usp.br||revistalitrus@gmail.com|| |
_version_ |
1754829440632750080 |